Wendy White’s first solo exhibition in Los Angeles, Racetrack Playa, features new paintings, sculptures, pigment prints, and a site-specific installation. The exhibition takes its name from a three-mile dry lakebed in Death Valley National Park where sliding rocks or “sailing stones” have inscribed mysterious linear imprints on the landscape. Using this scarred landscape as a metaphor for our current times, the works in Racetrack Playa explore power, entitlement, and imperialism via the aesthetics and evolution of American car culture. Racetrack Playa is on view through May 25 at Shulamit Nazarian 616 N La Brea Avenue, Los Angeles. photographs by Oliver Maxwell Kupper
Read Claressinka Anderson Pugliese's Poetic Response to Fay Ray's "I Am The House" @ Shulamit Nazarian →
I AM THE HOUSE continues Ray’s interest in the fetishization of objects and the construction of female identity through high-contrast, monochromatic photomontages and suspended metallic sculptures. Throughout this series, she situates the body as a vessel, one that carries life, physical memories, and emotional fortitude. Read Claressinka Anderson Pugliese's poetic response here. See additional photographs from the exhibition here. photograph by Lani Trock