I AM THE HOUSE continues Rayβs interest in the fetishization of objects and the construction of female identity through high-contrast, monochromatic photomontages and suspended metallic sculptures. Throughout this series, she situates the body as a vessel, one that carries life, physical memories, and emotional fortitude. Read Claressinka Anderson Pugliese's poetic response here. See additional photographs from the exhibition here. photograph by Lani Trock
Launch Of "You're So Baby" A Concept Store By Designer Tatum Kendrick And A Special Collaboration With Natalie Krim in Los Angeles
photographs by Mike Krim
Ed Ruscha's "Industrial Strength Sleep" At The New Ibid Gallery In Los Angeles
photograph by Oliver Maxwell Kupper
Eric Mack "Never Had A Dream" At Moran Bondaroff in Los Angeles
Moran Bondaroff presents Never Had A Dream, Eric Mackβs first solo exhibition at the gallery, which presents collage works varying from sculpture and installation to wall pieces and work on paper. Mackβs aesthetic involves a particular type of tactility and usage of common items, primarily those related to clothing. References to the fashion industry and the figure impart a seductive quality to his work and connect to identity, or a material fiction of desire and intention. Erik Mack "Never Had a Dream" will be on view until November 10, 2015 at Moran Bondaroff, 937 N. La Cienega Boulevard, Los Angeles, CA
Yuh-Shioh Wong "In Reality" @ Night Gallery In Los Angeles
Night Gallery presents present its first exhibition βIn Realityβ with LA based artist Yuh-Shioh Wong. Through her intrinsic understanding of the natural world, Wongβs paintings communicate the inherent structure of things- through shape, color, and lineand how they connect to one another and to human experience. Yuh-Shioh Wong "In Reality" will be on view until October 12 at Night Gallery, 2276 E. 16th Street, Los Angeles.
A Studio Visit With Sculptor and Site-Specific Installation Artist Galia Linn
Galia Linnβs sculptures are translators and communicators of natureβs mysterious and often untranslatable language. As a site-specific installation, they stand as symbolic guardians in the face of natureβs intrinsic fragility, especially in the face of human disregard. Each sculpture is a totem, inspired by relics of the Neolithic era, that communicate deeply complex philosophies about our relationship with nature on a primal and subconscious level. Based in Los Angeles, Galia Linn grew up in Israel, on the very axis of ancient and modern civilizations. Water, oxygen, fire and earthen clay are manipulated in random orders and machinations to develop her works, which seem almost like timeless artifacts. Autre was lucky enough to pay a visit to Linn's studio to experience her works. Like an excavation site, Galia Linn's work can be touched, peered inside and meditated with β with the intention that the viewer will walk away with a transformative understanding that we are not separate from nature, but a part of nature. photographs by Oliver Maxwell Kupper