Olafur Eliasson: In real life @ Tate Modern in London

Olafur Eliasson: In real life marks the most comprehensive solo presentation of the artist’s work, and his first major survey in the UK. Eliasson consistently seeks to make his art relevant to society, engaging the public in memorable ways both inside and outside the gallery. Driven by his interests in perception, movement, and the interaction of people and their environments, he creates artworks which offer experiences that can be shared by all visitors. The exhibition also examines Eliasson’s engagement with issues of climate change, sustainable energy, migration, as well as architecture. Olafur Eliasson: In real life offers a timely opportunity to experience the immersive world of the endlessly inquisitive artist.

Olafur Eliasson: In real life is on view through January 5, 2020 at Tate Modern Bankside, London SE1 9TG. photographs courtesy of Tate Modern

Opening Of James Herman's 'ISLAND' @ Ibid Gallery In Los Angeles

ISLAND is the second solo exhibition that James Herman has presented with Ibid Gallery. Using sculpture, painting, and printmaking alongside his homesteading practice, Herman’s work straddles alternative off-the-grid building methods with the legacy of Postwar American painting in his psychedelic, referential-laden forms and their social function. Herman’s painted plywood panels and architectural dwellings act as reflectors and spatial activators for his ultimate conceptual practice: a radical domesticity based in sustainability, self-reliance, subsistence, and repetitive labor. ISLAND is on view through October 27 at Ibid Gallery 670 S Anderson Street, Los Angeles. photographs by Lani Trock

Fourth Annual MAK Games @ The John Lautner Designed Sheats-Goldstein Residence In Los Angeles

The MAK Games features semi-finals and final tennis tournament matches, followed by a Pro-Am match, followed by a dance party in the incomparable “Club James” hidden below the infinity tennis court. The players come from the worlds of art, design, architecture, and entertainment. photographs by Oliver Maxwell Kupper

Dan Graham's 'New Works By A Small-Town Boy' @ Regen Projects

For over fifty years, Graham’s expansive multidisciplinary practice has encompassed video, sculpture, photography, performance, installation, and a prolific body of writing on religion, music, art, architecture, garden design, and popular culture. Forming a central theoretical thread throughout the course of his career, his work has examined the function and role of architecture in contemporary society, and how it frames and reflects public life. Since the 1970s he has produced what he refers to as pavilions, hybrid constructions that are part architecture and part sculpture. Inspired by ornamental buildings found in 17th and 18th century European pleasure gardens, Graham’s sculptural pavilions are comprised of simple geometric forms and constructed using materials associated with corporate architecture like metal, aluminum, transparent and/or two-way mirrored glass, and sometimes juxtaposed with natural elements like hedges. Functioning as built environments, the pavilions create unusual optical and physical experiences for the viewer – blurring the lines between public and private space – and making apparent that our material surroundings structure the very core of our societies by determining the form of our vision and sight.

A selection of photographs relating to his seminal magazine artwork, Homes for America(1966), and taken by Graham during a 2006 visit to his native suburban New Jersey, feature images of diverse architectural styles punctuated with lawns, topiaries, and shrubs. Displayed in a sequenced formation on the gallery walls, each image highlights Graham’s interest in serial structures, topology, and systems of information as evident in the peculiar color ranges, materials, and repetitive geometries of the suburban American landscape. A series of architectural models and video works provide further context for his ongoing exploration of the built world. New Works By A Small-Town Boy is on view at Regen Projects through August 18. 6750 Santa Monica Boulevard, Los Angeles. photographs Oliver Kupper

Read Our Interview Of Lauren Halsey On The Occasion Of Her Funkadelic Installation At MOCA Los Angeles


Lauren Halsey’s dream-world is cosmic, funky, carpeted, and technicolored; an atemporal, fantastical, and hyperreal vision of black liberation which she conjures via site-specific installations that celebrate her childhood home. Click here to read more.

Kate Parfet's Mirror Domme Launch Party @ The Home of Kulapat Yantrasast In Venice

Autre launches Mirror Domme, Kate Parfet’s debut book of poetry. This first collection is strewed buckshot of intimate recollections told in delirious balancing of lyrical phrase and fragmented prose. Inspired by the sudden death of a lover, these poems – as if written in part with invisible ink – illumine for the speaker a new self, one that dares to be visible in the context of loss. photographs by Oliver Kupper

Highlights from Olafur Eliasson's Reality Projector Experience @ The Marciano Art Foundation

Reality Projector is a site-specific installation created for the foundation’s expansive first floor Theater Gallery. Eliasson has conceived of a seemingly simple, yet complex installation that uses projected light and the existing architecture of the space to create a dynamic shadow play. The artwork references the space’s former function as a theater as well as the history of filmmaking in the city by turning the entire space into an abstract, three-dimensional film. Eliasson’s exhibition offers visitors the opportunity to fully experience the magnificence of the space free of objects. Reality Projector will be on view beginning March 1, 2018 and will remain on view until August. photographs by Oliver Kupper

"On the Verge of an Image: Considering Marjorie Keller" Group Show At The Historic Gamble House in Pasadena

On the Verge of an Image: Considering Marjorie Keller is a group exhibition of sculpture, painting, photography, video, and performance centered on the themes present in the work of under-recognized avant-garde filmmaker Marjorie Keller (1950-1994), co-curated by Los Angeles-based artists Alika Cooper and Anna Mayer. Cooper and Mayer seek to establish the significance of Keller’s contributions to visual culture, and to make visible states of being that are difficult to articulate or are deliberately avoided by mainstream culture. "On the Verge of an Image: Considering Marjorie Keller"  will be on view until December 11, 2016 at the Gamble House, 4 Westmoreland Pl, Pasadena, CA. photographs by Oliver Maxwell Kupper

"The Art Of Nexus" At The Japanese Pavilion for the Venice Architecture Biennale 2016

With the additional sense of loss that arose in the aftermath of the Great East Japan Earthquake, which occurred on March 11, 2011, Japanese society is currently on the verge of a huge turning point. While the notion of a happy family life in the city, created by the modern state, has collapsed, a new community, based on “sharing” (values, lifestyles, etc.) has appeared in its place. How is our architecture changing to fit this new era? And where is our architecture headed? Many of the things that we are now focusing on have the potential to exert huge changes (at least superficially) on beautiful decorative elements such as architecture magazines (a propaganda tool for Modernism), and the architectural framework shaped by the modern state that is concealed in many buildings. This is why it is essential to place a strong emphasis on altering the state of society and various relationships – or in other words, the en (connections, relation, ties, chance, edge, fringe, rim), which serve as the theme of this exhibition. The Art Of Nexus will be open to the public throughout the 15th International Architecture Exhibition – La Biennale di Venezia from 28 May to 27 November 2016 - at the Giardini. photographs by Sara Kaufman

"Home Economics" At the British Pavilion For The Venice Architecture Biennale 2016

Visitors approaching the British Pavilion are welcomed by an over-sized Georgian panelled door. To prevent the spread of plague, Queen Elizabeth I forbade families from sharing homes by saying “each must have their own front door”, a decree that led to the advent of the terraced house and entrenched the importance of the front door in the British psyche. Black, glossy and monolithic, the Home Economics front door dominates the central axis of the Giardini as a monument to the British home, inviting visitors to explore the different environments. Home Economics responds to the Biennale Architettura 2016 curator Alejandro Aravena’s theme Reporting from the Front by tackling the frontline of British architecture: the home. The curators, Shumi Bose, Jack Self and Finn Williams, were chosen following an open call organized by the British Council and have invited established and emerging artists, architects and designers to produce immersive 1:1 environments, which challenge the status quo and propose new models for the home. Home Economics asks questions of British society and architectural culture that have come about as a result of changes in patterns of everyday life. The exhibition unfolds through a series of five architectural propositions, designed around incremental amounts of time: Hours, Days, Months, Years and Decades. Each room designer has been asked to propose architectural responses, rather than solutions, to the conditions imposed on domestic life by varying amounts of occupancy, and each response inhabits one of the five rooms in the British Pavilion. Home Economics will be open to the public throughout the 15th International Architecture Exhibition – La Biennale di Venezia from 28 May to 27 November 2016 - at the Giardini. photographs by Sara Kaufman

A Glimpse At The Gorgeous Deaton Sculptured "Sleeper" House on Genesee Mountain in Colorado

The Sculptured House, also known as the Sleeper House, is a distinctive elliptical curved house built on Genesee Mountain in 1963 by architect Charles Deaton. It is featured prominently in the 1973 Woody Allen sci-fi comedy Sleeper - to this day, the original Orgasmatron is still inside (in the form of a working elevator). Architect Charles Deaton has described his inspiration for the house: "On Genesee Mountain I found a high point of land where I could stand and feel the great reaches of the Earth. I wanted the shape of it to sing an unencumbered song." photographs by Oliver Maxwell Kupper

A Visit to Enoc Perez's Studio In New York

Last week, we had the rare and delightful opportunity to visit the studio of Enoc Perez in mid-town Manhattan. The Puerto Rican-born, New York-based artist was raised under the unique tutelage of an art critic and was exposed to culture and the arts at an early age, which explains not only his practice, but also his intense love for art and it’s romantic history. Indeed, Perez has an almost poetic view of art and his own art – there is a pervading idea that perhaps what we see on the outside is really what’s most important. This explains his works depicting iconic architectural structures, which are created using a unique printmaking process. It also explains his sculptural pieces, which are created using swizzle sticks from tropical resorts as inspiration. It also explains why, in the late 1980s, when he first started practicing, his peers dismissed his art as too sexy, too cool, and too seductive. You can almost hear a Walter Wanderly soundtrack as you look at some of his work. Today, Perez’s work can be found in the permanent collections of major institutions – from the Metropolitan Museum of Art to the Whitney. In May, Perez will be showing some of his newer photographic pieces alongside the work of Saul Steinberg at Danziger Gallery. When we visited his studio, there were a number of paintings in the works that recalled Picasso’s cubist muses, but with a unique postmodern twist. Instead of finding his muses on the streets of Paris, Perez’s muses are found in the tiny square windows of Instagram – just imagine Dora Maar with a Slasher skateboard magazine t-shirt on. As he showed me around, we talked about architecture, artistic process, Bob Dylan’s song lyrics, enlightenment, the zeitgeist and, of course, swizzle sticks. Photographs and text by Oliver Maxwell Kupper