Denise Scott Brown "Wayward Eye โ€“ Venice To Venice" As Part Of The Venice Architecture Biennale @ Palazzo Mora

"Wayward Eye โ€“ Venice To Venice" by Denise Scott Brown, as a part of the Venice Architecture Biennale collateral event "Time, Space, Existence", hosted in Palazzo Mora from 28th May to 27th November 2016. photographs by Sara Kaufman

"Stratagems in Architecture: Hong Kong in Venice" During The Venice Architecture Biennale 2016

Hong Kong is a city known for its versatility and resilience; yet what is often seen in daily life is rigidity and lack of alternatives. Architecture, under such circumstance, becomes an agency reflecting on human, social and even political conditions, and at the same time moulding the values of the public. On one hand, it conforms to the rules of capitalism and private demand; on the other, it seeks to transcend the norm and open up imagination. What lies in between could be conflictive and creates endless and ever-changing battlefields. New ideas are put to test at the borderline; they may fail or they may transform into new set of values. Working on the margins often unveils the social dilemma โ€“ whether human need should be replaced by the need for progress and wealth. The classical Chinese essay Thirty-Six Stratagems is a collection of military tactics applied at wars in ancient China. The wisdom provides guides in politics, business and civil interaction in modern time. The stratagems are categorized into chapters that illustrate different situations, both advantageous and disadvantageous. Drawing reference from the classic, the exhibiting architects and artists examine the challenges they face and attempt to provide solutions to the complexity of reality. โ€œStratagems in Architecture: Hong Kong in Veniceโ€ will be on view as a collateral event during the Venice Architecture Biennale, which runs until November 26, 2016. Location: Venue Campo della Tana, Castello 2126-30122 Venezia, Italia (opposite the main entrance of Arsenale)

"Home Economics" At the British Pavilion For The Venice Architecture Biennale 2016

Visitors approaching the British Pavilion are welcomed by an over-sized Georgian panelled door. To prevent the spread of plague, Queen Elizabeth I forbade families from sharing homes by saying โ€œeach must have their own front doorโ€, a decree that led to the advent of the terraced house and entrenched the importance of the front door in the British psyche. Black, glossy and monolithic, the Home Economics front door dominates the central axis of the Giardini as a monument to the British home, inviting visitors to explore the different environments. Home Economics responds to the Biennale Architettura 2016 curator Alejandro Aravenaโ€™s theme Reporting from the Front by tackling the frontline of British architecture: the home. The curators, Shumi Bose, Jack Self and Finn Williams, were chosen following an open call organized by the British Council and have invited established and emerging artists, architects and designers to produce immersive 1:1 environments, which challenge the status quo and propose new models for the home. Home Economics asks questions of British society and architectural culture that have come about as a result of changes in patterns of everyday life. The exhibition unfolds through a series of five architectural propositions, designed around incremental amounts of time: Hours, Days, Months, Years and Decades. Each room designer has been asked to propose architectural responses, rather than solutions, to the conditions imposed on domestic life by varying amounts of occupancy, and each response inhabits one of the five rooms in the British Pavilion. Home Economics will be open to the public throughout the 15th International Architecture Exhibition โ€“ La Biennale di Venezia from 28 May to 27 November 2016 - at the Giardini. photographs by Sara Kaufman

Pamela Rosenkranz 'Our Product' @ The Swiss Pavilion

Curated by Susanne Pfeffer, Pamela Rosenkranzโ€™s exhibition for the 2015 Venice Biennale transmutes the Pavilion of Switzerland into a body of a local skin color through fluid, sound and movement. A pigment that originally emerged as the specific product of migration, sun-exposure, nutrition, and any number of other contingent factors is resynthesized as a stock formula, composed of unknown ingredients. You can see Pamela Rosenkranz 'Our Product' until November 22, 2015 at the Swiss Pavilion

10 Exhibitions You Need to See at the 56th Venice Biennale

What is the Venice Biennale and why is everyone talking about it? โ€“ The Venice Biennale is largely considered one of the most important art exhibitions in the world. Located in Venice, Italy, the exhibition is sort of like the art world's Olympics - each country chooses a single artist as a representative and that artist is given a "pavilion" to show their work. This year, there are over 136 artists and 53 countries showing. There are also many satellite and pop up exhibitions.  Here are Autre's picks for the top exhibitions. 1. U.K. artist Sarah Lucas presents 'I Scream Daddio' for the British Pavilion 2. The late Mario Merz will be holding an exhibition, entitled 'Unreal City,' at the Gallerie dellโ€™Accademia di Venezia 3. The late, great Cy Twombly will have an exhibition entitled 'Paradise' at Ca'Pesaro 4. New York based artist Aurel Schmidt will be showing her series 'New Gods' at Cannaregio 5. Part of the unique Vanhaerents Collection will be on display for an exhibition entitled Heartbreak Hotel at the Zuecca Projects Space 6. Jonas Mekas: Internet Saga at the Palazzo Foscari Contarini 7. Artist Rob Pruitt's unique Flea Market in Venice will be on display at A Plus A gallery 8. Pamela Rosenkranz has been nominated by her country to exhibit at the Swiss Pavilion with an exhibition that averages European skin color 9. At the age of 78, Joan Jonas represents the United States at the 56th Venice Biennale with They Come To Us Without A Word 10. Frontiers Reimagined, a major group exhibition with 44 artists will be on view at Museo di Palazzo Grimani