Mary Heilmann's First Solo Exhibition In Over 20 Years @ Hauser & Wirth Los Angeles

‘Memory Remix,’ Mary Heilmann’s first Los Angeles solo exhibition in over 20 years, is a survey of paintings, ceramics, and furniture in which the artist’s unwavering dedication to abstraction merges with sly references to her favorite landscapes, songs, movies, and Mexican weavings. This preeminent American artist is acclaimed for her unique ability to deploy the analytical geometries of Minimalism with the spontaneous freehanded spirit of the Beat Generation from which her generation emerged, and for her weaving of pop culture influences into a wholly original and pioneering oeuvre. Heilmann’s deft handling of paint and spatially dichotomous compositions have exerted a profound influence upon a younger group of artists.

Grounded in the soul of California, Mary Heilmann’s work draws from her memories of the distinctive colors and lines of the West Coast’s landscape and surf culture. Throughout a childhood accompanied by the radio’s ubiquitous soundtrack, Heilmann often watched the ocean tumble to the shore, rode the ‘mountain waves’ at Manhattan Beach, and read Allan Ginsberg’s ‘Howl’ and Walt Whitman’s ‘Leaves of Grass,’ which stoked her great admiration for poetry, jazz, and the idea of the Beats. Under these influences and through the deceptively simple means of painting – color, surface, and form – Heilmann physically manifests nostalgic impulses, memories, and allusions to popular culture that remain accessible on both personal and universal levels. In this way, her work transcends the seemingly opaque structures of geometrical abstraction by infusing it with the content of daily life. ‘Memory Remix’ is on view through September 23 at Hauser & Wirth 901 E 3rd Street Los Angeles. photographs by Oliver Kupper

Ranch Of The Rising Sun Presents Sensual Assault In Pioneer Town, California

Curated by Leyden Pavlova, Sensual Assault is a special group exhibition highlighting the physical sensations that dominate in this wild desert space. One feels the wind, the heat, the sun, and an overwhelming visceral sensation of the vastness of geological time. Visually, these forces can be seen in the earth, dry and sharp, worn smooth in places, and the plants that grow imperceptibly only to explode with flowers in the spring. The overwhelming sensations from this landscape provide a context to explore the human body’s violence and vulnerability. Through texture and movement, sensuality and savagery, the human experience is shown through the traces and imprints that people and places leave on each other. Featuring artists Theodore Boyer, Pola Esther, Marie Tomanova, William Kaner, Shig and Ethan Rider. photographs by Marielle Stobie