Employing absurdist satire to address the critical issues of our time, Rottenberg creates videos and installations that offer subversive allegories for contemporary life. Her works interweave documentary elements and fiction, and often feature protagonists who work in factory-like settings to manufacture goods ranging from cultured pearls (NoNoseKnows, 2015) to the millions of brightly colored plastic wholesale items sold in Chinese superstores (Cosmic Generator, 2017). The exhibition presents several of her recent video installations and kinetic sculptures, and premieres a new video installation, Spaghetti Blockchain (2019), that explores ancient and new ideas about materialism and considers how humans both comprise and manipulate matter. Together, the works in the exhibition trace central themes in Rottenberg’s oeuvre, including labor, technology, distance, energy, and the interconnectedness of the mechanical and the corporeal. Easy Pieces is on view through September 15 at the New Museum 235 Bowery, New York. photographs courtesy of the gallery
Soil is the debut film by Mathilde Huron & Julian Feeld. It was shot on Fuji Super 16mm film in the Bouches-du-Rhône department of Southern France and scored by Pontus Berghe, ex-member of Thieves Like Us and current member of Thunder Tillman, with featured actors Joe Rezwin, Liza Journo & Sati Leonne Faulks.
A young filmmaker with mixed intentions sets out to document the friendship between a fifteen-year-old Parisian girl and a homeless alcoholic on the verge of death. Between documentary and fiction, Soil is an exploration of manipulation, dependency, and objectification. This experimental psycho-thriller — a mix of documentary and fiction — was screened in Paris, Tokyo and Los Angeles.
photograph by Adam Lehrer