The Museum Of Modern Art & MoMA PS1 Present First Major Retrospective Of Bruce Nauman In 25 Years

Co-organized by The Museum of Modern Art and Laurenz Foundation, Schaulager Basel, Bruce Nauman: Disappearing Acts draws upon the rich holdings of both institutions and nearly 70 lenders. Encompassing Nauman’s full career and featuring a total of 165 works, the exhibition occupies the Museum’s entire sixth floor and the whole of MoMA PS1. This joint presentation provides an opportunity to experience Nauman’s command of a wide range of mediums, from drawing, printmaking, photography, and sculpture to neon, performance, film and video, and architecturally scaled environments.

Disappearing Acts traces strategies of withdrawal in Nauman’s art—both literal and figurative incidents of removal, deflection, and concealment. Close relatives of disappearance also appear in many forms. They are seen, for example, in holes the size of a body part, in the space under a chair, in the self vanishing around a corner, and in the mental blocks that empty creative possibility. “For Nauman,” said Halbreich, “disappearance is both a real phenomenon and a magnificently ample metaphor for grappling with the anxieties of both the creative process and of navigating the everyday world.”

Bruce Nauman: Disappearing Acts is on view through February 18 @ The Museum of Modern Art, and through February 25 @ MoMA PS1, 22-25 Jackson Ave, Long Island City, New York. photographs courtesy of MoMA

Carolee Schneemann "Kinetic Painting" @ MoMA PS1 in New York

MoMA PS1 presents the first comprehensive retrospective of Carolee Schneemann, spanning the artist’s prolific six-decade career. As one of the most influential artists of the second part of the 20th century, Schneemann’s pioneering investigations into subjectivity, the social construction of the female body, and the cultural biases of art history have had significant influence on subsequent generations of artists. Carolee Schneemann: Kinetic Painting begins with rarely seen examples of the artist’s early paintings of the 1950s and their evolution into assemblages made in the 1960s, which integrated objects, mechanical elements, and modes of deconstruction. In the late 1960s Schneemann began positioning her own body within her work, performing the roles of “both image and image-maker.” As a central protagonist of the New York downtown avant-garde community, she explored hybrid artistic forms culminating in experimental theater events. The exhibition considers Schneemann’s oeuvre within the context of painting by tracing the developments that led to her groundbreaking innovations in performance, film, and installation in the 1970s, as well as her increasingly spatialized multimedia installations from the 1980s, 1990s, and 2000s. Carolee Schneemann "Kinetic Painting" will be on view until March 11, 2018 at MoMA PS1 in New York. photographs by Adam Lehrer

Mark Leckey "Containers and Their Drivers" @ MOMA PS1 in New York

MoMA PS1 presents the first comprehensive U.S. survey of the pioneering British artist Mark Leckey and the largest exhibition of his work to date. Since coming to prominence in the late 1990s, Mark Leckey’s dynamic and varied practice has combined formal experimentation with pointed explorations of class and history. His art has addressed the radical effect of technology on popular culture, and given form to the transition from analog to digital culture, powerfully influencing younger generations of artists. The exhibition brings together major bodies of Leckey’s work, including a broad array of video works and sculptural installations alongside new pieces made specifically for the exhibition. Mark Leckey "Containers and Their Drivers" will be on view until March 5, 2017 at MOMA PS1 in New York. photographs by Adam Lehrer

Katharina Grosse "Rockaway!" Presented by MoMA PS1 at the Gateway National Recreation Area at Fort Tilden, New York

MoMA PS1 presents Rockaway!, a special outdoor exhibit by artist Katharina Grosse, acclaimed for exploring the medium of painting in regards to its locations, conditions and possibilities. Through this temporary public art installation, Grosse turns Ft. Tilden's decaying aquatics building into a sublimely exhilarating exterior painting with her unique spray painting technique. In her practice, Grosse seeks to extend the scope of her paintings beyond the traditional borders of a canvas. She uses a technique in which brightly colored paint is sprayed directly onto site-specific structures. In doing so, she incorporates both the architectural features of the space, and materials located in its immediate vicinity, such as sand, trees, sea grass and pavement. These sprawling and sculptural landscapes evoke the physicality of action painting and earthworks through their gestures and monumentality. Grosse’s work seamlessly combines the subtle nuances of light and shadow, characteristic of traditional landscape painting, with the weight and spectacle of large scale sculpture. In this exhibition, Grosse’s singular approach highlights the possibilities of painting as a medium, and encapsulates the stark beauty of the natural and manmade structures in which this installation is contextualized. Rockaway! will be on view at the Gateway National Recreation Area at Fort Tilden, New York until November 30, 2016. photographs by Pablo Enriquez

Highlights From The Greater New York Survey @ MoMA PS1

On Sunday MoMA PS1 opened the doors to its awaited exhibition Greater New York and let anxious New Yorkers roam through the galleries. The exhibition has been co-curated by Peter Eleey, Douglas Crimp, Thomas J. Laz, and Mia Locks and encompasses the works of 150 New York based artists. Stepping away from the traditional focus on youth the fourth iteration of MoMA PS1’s landmark exhibition aims to balance our desire for the new and nostalgia for the past. Greater New York will be on view until March 16, 2016 at MoMA PS1, 22-25 Jackson Ave, Long Island City, NY. photographs and text by Adriana Pauly. Click here to read the full review. 

Cyprien Gaillard The Crystal World @ MOMA PS1


Cyprien Gaillard's (b. 1980, Paris) work navigates geographical sites and psychological states, addressing the relationship between architecture and nature, and evolution and erosion. Using a variety of artistic mediums ranging from painting and sculpture to photography, film, and video, Gaillard juxtaposes pictorial beauty and the atmospherically lush with elements of sudden violence, destruction, and idiosyncrasy culled from popular culture, pointing to the precarious nature of public space, social ritual, and the very viability of the notion of civilization. Cyprien Gaillard The Crystal World is on view until March 18, 2013 at MOMA PS1, 4601 21st St  Long Island City, NY

Clifford Owens Demands Sex from Audience at MoMA PS1


This is the last weekend to see Clifford Owens first exhibition, entitled Anthology, at a New York museum – MoMA PS1 – which is comprised of photography, video, and live performance. Anthology features performances scores—written or graphical instructions for actions—that Owens solicited from a multigenerational group of African-American artists. Twenty-six major artists have contributed scores, nearly all of whom composed new works specifically for Owens and his project. This weekend will prove especially challenging when he will "demand sex" from the audience/viewer. This Sunday, for his last performance, Kara Walker has written the score: "French kiss an audience member. Force them against a wall and demand Sex. The audience/viewer should be an adult. If they are willing to participate in the forced sex act abruptly turn the tables and you assume the role of victim. Accuse your attacker. Seek help from others, describe your ordeal. Repeat."  Clifford Owen's performance commences at 3 p.m. on the second floor of MoMA PS1 this Sunday, March 12.