Harmony Korine 'Raiders' @ Gagosian Beverly Hills

To create Raider Burst (2014), Korine stuck overlapping segments of masking tape to the center of an unprimed canvas, then used a broom to spread primary red, yellow, and blue dyes over the surface. He then removed the tape to reveal bright, irregular stars shining through colorful mists; the final composition is characterized by a spontaneous, explosive radiance. Other paintings are inhabited by shadowy, clawed creatures reminiscent of Goya’s ghastly Caprices, obscured by layers of housepaint, sprayed with letters, and repainted over the course of several years. Raiders will be on view until February 14, 2015 at Gagosian Gallery in Beverly Hills. photographs by Douglas Neill 

Mike Kuchar 'Saints and Sinners' @ François Ghebaly

François Ghebaly presents a Banquet of Beefcake celebrating Satyrs, Stone Age He-Men, Sugar Daddies, and Bawdy Buccaneers, drawn painted, digitized, and hosted by underground cartoonist and movie maker, Mike Kuchar. Saints and Sinners is on view until February 14 at François Ghebaly Gallery, 2245 E Washington Blvd, Los Angeles. photographs by Jason Levins

TAL R "ALTSTADT GIRL" @ Cheim & Read in New York

Cheim & Read presents an exhibition of recent paintings and drawings by Copenhagen-based artist Tal R. For the past two years, Tal R has been drawing women in confined interior spaces – hotel rooms, bedrooms, corridors, in the shower, and in front of mirrors. Though carefully chosen, his subjects are strangers and casual acquaintances. Tal R’s artistic process begins when he asks the women to pose for him: the foundation of his paintings rest on the anxiety of an uncertain exchange. This provides his work with palpable intensity and, as he notes, “awkwardness,” and is further emphasized by his use of saturated color and off-kilter compositions. Altstadt Girl will be on view until February 14, 2015 at Cheim & Read, 547 West 25 Street, New York. photographs by Agnes Fischer 

Cameron: Songs for the Witch Woman @ MOCA

MOCA presents Cameron: Songs for the Witch Woman from October 11, 2014 to January 18, 2015 at MOCA Pacific Design Center. Organized by guest curator Yael Lipschutz, the exhibition will be the largest survey of Cameron’s work since 1989 and will include approximately 91 artworks and ephemeral artifacts. The exhibition features Cameron’s role as a pivotal figure in the development of postwar Los Angeles art. "A seminal figure within LA's mid-century counterculture, Cameron's work contains echoes of an important time that is also our time. A younger generation will be fascinated by her unique melding of surrealism and mysticism, and by her commitment to live her life as art," explains guest curator Lipschutz.

John Waters 'Beverly Hills John' @ Marianne Boesky Part One

Marianne Boesky Gallery presents Beverly Hills John, an exhibition of new work by John Waters. This is the artist’s third solo show at the gallery. On view from January 9 to February 14, 2015, at 509 W. 24th Street, New York. photographs by Lily Landes

Rascal House @ Half Gallery

Half Gallery presents Rascal House, a collaborative project conceived by and including Blair Thurman along with John Armleder, Justin Adian, and Stéphane Kropf. The exhibition is the result of a strange confluence of memory, sensory perception, and association (both free and mediated): a 3-D painting installation-cum-diner booth born of historical, personal, aesthetic and ulterior connections.  Rascal House will be on view until February 4, 2015 at Half Gallery, 43 East 78th Street, New York. photographs by Paige Silveria

Learn to Read Art On View @ 80 WSE Gallery

80 WSE Gallery presents Learn to Read Art: A Surviving History of Printed Matter, an exhibition chronicling the thirty-nine year history of iconic artist’s book organization Printed Matter, and subsequently the larger history of artists’ book production from the 1970’s through the present. The exhibition will be on view until February 14, 2015 at 80 WSE Gallery. 

[TOUR] Tom of Finland Foundation in Los Angeles

Located in the quaint and cozy back streets of Echo Park in Los Angeles, the Tom of Finland Foundation is not so much a gay mecca as it is a mecca of sexuality and a celebration of desire. The house – an early craftsman built in 1910 – was purchased by Durk Dehner in the late 70s. After Durk met Touko Laaksonen (aka Tom of Finland), the house became their sanctuary and the attic became Touko’s private studio. The house also became a safe haven for art with homosexual overtones when AIDS was painted as a gay disease. Today, the home is full of Tom of Finland’s distinctive black and white illustrations of buxom men with their muscles glistening and members bulging. Even though Tom of Finland died a little more than twenty years ago, his room is virtually the same – with his boots propped up and a smudge of ash still in the ashtray. We were fortunate to be given a tour of the foundation by its vice-president and curator S.R. Sharp who took us on an extensive journey that started with the entry drawing room and ended in the backyard – dubbed Pleasure Park – where palm trees swayed and Los Angeles sparkled under a crepuscular sky. Text and photographs by Oliver Maxwell Kupper

A Visit to the Studio of James Georgopoulos

Upon first impression, the studio of James Georgopoulos – which is located in a nondescript and industrial section of El Segundo in Los Angeles – looks like a classic car garage. There are car doors, car hoods, a full size Mercury Comet, and a giant robotic arm that was used in 1980s American vehicle manufacturing – it in its raw form now, but it is being prepped for an upcoming show. Georgopoulos calls it ‘Zeus.' Georgopoulos – who is most well known for his ‘Guns of Cinema’ series – is branching out with more three-dimensional, sculptural work, like ‘Vacation,’ which includes the disembodied cab of a truck with a video projection of a road stretching out behind it; Benny Goodman crackles on the radio. That piece is on view now at MAMA gallery in Los Angeles. Just recently, we were lucky enough to take a tour of James Georgopoulos’ studio and he was kind enough to show us around. Text and photographs by Oliver Maxwell Kupper

Portrait in the Twenty-First Century @ Postmasters

Postmasters presents a show of portraits, real and imagined, that reflect our moment in time, the currently available technologies and the growing popular fascination with portraiture over social media platforms. Portrait in the Twenty-First Century will be on view until January 17, 2015 at Postmasters Gallery, 54 Franklin Street New York, NY

Friedrich Kunath 'Earth to Fuckface' @ White Cube

White Cube Hong Kong presents a new exhibition by Los Angeles based German artist Friedrich Kunath. Kunath’s work, which covers a range of mediums including drawing, painting, sculpture, installation and photography, presents an altered reality whose subject matter taps into universal and existential concerns. For this exhibition Kunath has pushed his personal vision even further, producing a series of new paintings that explores the limits and extent of an inner, psychic landscape whose kaleidoscopic and fragmented scenes seem to uncannily cohere. Earth to Fuckface will be on view until January 31 at White Cube Hong Kong, 50 Connaught Road Central

Spain & 42 St @ Foxy Production

SPAIN & 42 ST. is the title of a William S. Burroughs cut-up poem that transforms found fragments of text into a new whole. The works in the exhibition challenge the narratives of photography and fashion and parallels between them, just as Burroughs constantly challenged the structure of prose. They move beyond expectations of fashion or fine art: they are neither exclusively one nor the other. Each is a cut-up in itself and within the context of the exhibition, which features artists Darja Bajagić, Jimmy DeSana, Peter Hujar, Robert Mapplethorpe, Paul Mpagi, Sepuya Heji Shin, Laurie Simmons, and Deborah Turbeville. SPAIN & 42 ST. will be on view until January 31, 2015 @ Foxy Productions, 623 W. 23rd St. New York. 

Brant Foundation Presents Dan Colen's The L...o...n...g Count

Brass rods, cement slabs, specks of dirt, stainless steel bars, faceted metal studs, cigarette butts, ashes, empty bottles of booze, strands of hair, Dan Colen creates a anti-world that looks left behind by misfits and miscreants. Dan Colen The L...o...n...g Count is on view now un December 21 in Walter De Maria's former studio – the space is now The Brant Foundation Art Study Center at 421 East 6th St, New York. photographs by Fredrica Duke 

The Thing and the Thing-In-Itself @ Andrea Rosen Gallery

Andrea Rosen Gallery presents The Thing and the Thing-in-Itself, an exhibition comprising a tightly focused group of 20th-century masterworks curated by noted art historian Robert Hobbs.  Bringing together a compelling group of significant works, one by each of seven key 20th-century artists – Marcel Duchamp, Joseph Kosuth, René Magritte, Piero Manzoni, Yoko Ono, Ad Reinhardt, and Robert Smithson – this exhibition offers viewers the opportunity to look at familiar artists in a new way and with much greater depth. The Thing and the Thing-in-Itself will be on view until January 24, 2014 at Andrea Rosen Gallery, 525 West 24th Street. photographs by Jena Cumbo for Autre.