Artist Dennis Hoekstra Recreates Rodney Bingenheimer's English Disco At LTD Los Angeles

Hoekstraโ€™s sculpture, painting and installation practice is informed by the European artisanal traditions of faux-bois and faux-marbre, Hollywood set fabrication techniques, suburban backyard Halloween haunted houses and the vernacular of Disney theme parks especially their โ€œdark rides.โ€ In his formative years, the artist toured Disneylandโ€™s fabrication facilities extensively with his father, โ€œDutchโ€ Hoekstra, a member of their creative fabrication team from 1964 until 1979. In January 2010, Rodney Bingenheimer visited LTD Los Angeles on its opening day and shared the history of the gallery space with LTD Los Angeles founder, Shirley Morales. Since then, they have discussed the possible re-presentation of his eponymous club. Morales invited Hoekstra to work in close collaboration with the gallery and Bingenheimer to realize a re-presentation of this iconic 1970s glam club. Bingenheimer generously provided unprecedented access to an archive of vintage photos, videos, vinyl records, posters and celebrity memorabilia originally displayed in the club. photographs by Oliver Maxwell Kupper

Opening Night Preview of Art Los Angeles Contemporary 2016 At the Barker Hangar Part Two

Art Los Angeles Contemporary presents top established and emerging galleries from around the world, with a strong focus on Los Angeles galleries. Participants present some of the most dynamic recent works from their roster of represented artists, offering an informed cross section of what is happening now in contemporary art making. ALAC will be on view until January 31, 2016 at The Barker Hangar 3021 Airport Avenue Santa Monica, CA. photographs by Oliver Maxwell Kupper

Opening Night Preview of Art Los Angeles Contemporary 2016 at the Barker Hangar Part One

Art Los Angeles Contemporary presents top established and emerging galleries from around the world, with a strong focus on Los Angeles galleries. Participants present some of the most dynamic recent works from their roster of represented artists, offering an informed cross section of what is happening now in contemporary art making. ALAC will be on view until January 31, 2016 at The Barker Hangar 3021 Airport Avenue Santa Monica, CA. photographs by Oliver Maxwell Kupper

Opening Vernissage for Betty Tomkins' "Women Words, Phrases, and Stories" @ The Flag Art Foundation

Betty Tompkins' exhibition Women Words, Phrases, and Stories marks the first comprehensive presentation of 1,000 intimately-scaled, hand-painted works, each of which features a word or words used to describe women. The language in the exhibition ranges from flirtatious to derogatory, and emanates from Tompkins's career-long commitment to challenge the representation of female identity, the politics of pleasure, and the role of sexuality in contemporary culture. Betty Tomkin's "Women Words, Phrases, and Stories" will be on view until May 14 at the Flag Art Foundation, 545 West 25th Street, New York. photographs by Scout Maceachron  

Cecily Brown, Jeff Koons, Charles Ray The Flag Art Foundation in New York

Ranging from lushly painted canvases to sculptures of extraordinary technical acumen, Cecily Brown, Jeff Koons, Charles Ray includes three artworks by each artist that address themes of youth, nostalgia, and intimacy, and highlight the intersection of innocence and subversion. Jeff Koons and Charles Ray's unprecedented approach to material, scale, and surface have redefined the possibilities of sculpture. Mining the rich psychological territory of childhood and familial relationships, both artists elevate innocent subject matter to monumental status. Cecily Brown explores youth and transience in kaleidoscopic compositions of fleshy, abstracted figures, utilizing the materiality of paint to replicate physical sensation and the illusion of motion. The exhibition will be on view until May 14, 2016 at the Flag Art Foundation, 545 West 25th Street. photographs by Scout Maceachron

Yutaka Sone "Day and Night" @ David Zwirner Gallery In New York

David Zwirner present an exhibition of recent and new works by Yutaka Sone. This will be the artistโ€™s seventh solo show since his first exhibition with the gallery in 1999. Across a wide range of mediaโ€”predominantly sculpture but also painting, drawing, photography, video, and performanceโ€”Soneโ€™s work revolves around a tension between realism and perfection. A conceptual framework, paired with a meticulous attention to detail, has characterized his practice since the early 1990s, informing equally his self-contained jungle environments, life-size roller coasters, magnified snowflakes, and staged events. His sculptural works in particular attest to a profound interest in landscapes, whether natural or architectural, and their extraordinary ability to capture light relates them to a genre primarily associated with painting and photography. Yutaka Sone "Day and Night" will be on view until February 20, 2016, at David Zwirner Gallery in New York. photographs by Adam Lehrer and Tenlie Mourning

Punk and Hardcore Fliers, Zines and Ephemera @ Printed Matter In New York

Punk and Hardcore Fliers, Zines and Ephemera is a dynamic representation of a period when music subcultures adopted methods used by earlier culture-jamming groups such as the DaDaists and Situationists to creatively promote their own movement. The materials span from the early 1970s covering the glam rock and punk scenes of New York, Los Angeles, and San Francisco, as well as the garage rock and power pop revivals, American hardcore, English peace-punk, and industrial music scenes to form an overview of underground music culture of the last forty years. Punk and Hardcore Fliers, Zines and Ephemera will be on view until February 13, 2016 at Printed Matter, 231 Eleventh Avenue New York, NY. Photographs by Scout MacEachron

John Stezaker "The Truth of Masks" at Richard Gray Gallery in Chicago

"The Truth of Masks" marks the latest exhibition of new collages by English artist John Stezaker, the largest U.S. exhibition of his work to date. For the past forty years, Stezaker has searched meticulously through vast archives of antique travel postcards, Hollywood film stills, and anonymous photographs to create collages that are sharp, poignant, and surreal. Through the reappropriation, alteration, and repurposing of these forgotten worlds, Stezaker creates new ones. Both minimal and complex, the collages are โ€œtransmissions of a Mass Age dream world.โ€ "Truth of Masks" is on view until January 30th at Richard Gray Gallery, 875 N Michigan Ave #3800, Chicago. Text and photographs by Keely Shinners. 

"Like-ness" Group Show At Albertz Benda Gallery in New York

Albertz Benda presents "Likeยทness," a group exhibition featuring works by seven contemporary artists โ€“ Del Kathryn Barton, Sara-Vide Ericson, Dongwook Lee, Kalup Linzy, Nathaniel Mary Quinn, Terry Rodgers, and Dennis Scholl โ€“that focus on physical egocentricity in the digital age. Through a variety of mediums including film, painting and sculpture, likeยทness offers an aesthetic overview of social pressures, the human body and the correlation between vanity, insecurity, and self-obsession. Like-ness will be on view until February 13, 2016 at Albertz Benda gallery. Photographs by Scout MacEachron  

Hippie Modernism: The Struggle for Utopia @ The Walker Art Center in Minneapolis

It is a strange wonder to see the past's imagination of the future. The Walker Art Center in Minneapolis presents Hippie Modernism: The Struggle for Utopia. This psychedelic, powerful, and comprehensive exhibition examines the intersections of art, architecture, and design with the counterculture of the 1960s and early 1970s. A time of great upheaval, the works radically challenge social norms that are relevant to the present--the control of female sexuality, domestic & international warfare, ecological destruction, implicit & explicit racisms... As they comment on their present moment, these artists, architects, and designers in turn imagine alternative utopias--communities of empowerment, creation, education, and freedom. Challenging traditional mediums, the exhibition features experimental furniture, alternative living structures, immersive and participatory media environments, alternative publishing and ephemera, and experimental film. Check out Hippie Modernism: The Struggle for Utopia at the Walker Art Center, 1750 Hennepin Ave, Minneapolis, Minnesota, until February 28th. Text by Keely Shinners. Photographs by Keely Shinners and Neelufar Franklin.

Dreams In Blue: Read Our Interview With Artist and Painter Phillip Mueller On The Eve Of His Solo Show At Carbon 12 Gallery In Dubai →

Viennese artist Phillip Muellerโ€™s art is mythical, fantastical and deranged. It exists on a plane somewhere between Hieronymus Bosch splashed with modern pop references, Thomas Kinkade on acid and a print out from your brain of a recurring nightmare. However, there is also something so sweet, alluring and romantic about his work. Mueller, whose solo show opens tonight at Carbon 12 Gallery in Dubai, is a genuine painter and he is studious about his work. In a world devoid of figurative meaning in painting, Mueller uses his paint and brushes almost like a protest, and the depth of his work is a war against contemporaryโ€™s artist stodginess. Click here to read more. 

Marcel Dzama and Raymond Pettibon "Forgetting the Hand" @ David Zwirner in New York

David Zwirner presents an exhibition of collaborative works by Marcel Dzama and Raymond Pettibon, on view at 533 West 19th Street in New York. Gallery artists since 1998 and 1995 respectively, this is the first time the pair has worked together. The drawings were originally created for a zine published by David Zwirner Books to coincide with Printed Matterโ€™s New York Art Book Fair at MoMA PS1 (September 2015). The collaboration began in Summer 2015 with the artists swapping the first of a series of drawings to be completed by the other. In a variation of the โ€œexquisite corpseโ€ method in which a partner is only given portions of an otherwise concealed drawing to work on, Dzama and Pettibon developed each otherโ€™s compositions through illustrations, collage, and writing. Just as the surrealists invented the technique in the early twentieth century as a playful and ultimately enriching exercise, the present drawings combine the two artistsโ€™ distinct styles in a revealing and often seamless fashion. In several works, it is almost impossible to determine who made what, which indicates how both strove to assimilate the otherโ€™s vision or anticipate his response. Marcel Dzama and Raymond Pettibon "Forgetting the Hand" will be on view until February 20, 2016 at David Zwirner Gallery, 533 West 19th Street in New York. photographs by Adam Lehrer

"Fall Out Shelter" Maya Jeffereis Gives An Artist Talk and Facilitates Hypothetical Dooms-Day Scenarios at Overnight Projects In Burlington, Vermont

New York based Maya Jeffereis invites participants to engage in a conversation about politics of identity and morality by participating in a military training exercise. The exercise is taken from a US military training document to test officersโ€™ values and decision-making processes. In a hypothetical end of the world scenario, ten people of diverse backgrounds occupy a fall-out shelter. However, the shelter can guarantee survival for only six people. Participants must decide which four are to be excluded from the group in order that the remaining six may live to rebuild society. In this exercise, participants must argue in favor of and against each of the occupants until the group reaches a full consensus. "Fall Out Shelter" will be held at Overnight Projects on January 16, 2016 in Burlington, Vermont. 

"Looking Back" The 10th White Columns Annual, Selected by Matthew Higgs

White Columns present โ€œLooking Backโ€, the tenth installment of the White Columns Annual. For the past decade the exhibition has been a fixture on White Columnsโ€™ calendar. Each year, an individual or a collaborative team (e.g. an artist, a curator, a writer, etc.) is invited to organize an exhibition based on their personal experiences with art in New York during the previous year. For the tenth โ€˜Annualโ€™ exhibition โ€“ coinciding with his tenth year as White Columnsโ€™ Director - Matthew Higgs has made this yearโ€™s selection. (Higgs also selected the inaugural Annual in 2006.) Looking Back will be on view until February 20, 2016 at White Columns, 320 West 13th Street, New York. photographs by Tenlie Mourning

Masami Teraokaโ€™s Apocalyptic Theater/The Pope, Putin, Peach Boy and Pussy Riot Galore at Catherine Clark Gallery In San Francisco

Catharine Clark Gallery presents Masami Teraokaโ€™s Apocalyptic Theater/Pussy Riot, The Pope, Putin, and Peach Boy, a solo exhibition of new and selected work by Masami Teraoka. The exhibit features four large triptych paintings more than a decade in the making, in which Teraoka continues his brazen portrayals of abusive power. While shocking and lurid, the exhibit (titled after the villains and heroes in the artistโ€™s theatrical renderings) is also sardonic and impishly humorous: power changes hands, traditional roles reverse, and fates are reimagined. Mirroring the triptych construction of his paintings, Teraokaโ€™s tableaus literally and figuratively open the secretive and dark underworlds of institutional power to Teraokaโ€™s singular brand of unabashed truthtelling, searing criticism, and playful ridicule. The exhibition will be on view until February 20, 2016 at Catharine Clark Gallery, 248 Utah Street, San Francisco. Photographs by Bradley Golden