Opening Vernissage for Betty Tomkins' "Women Words, Phrases, and Stories" @ The Flag Art Foundation

Betty Tompkins' exhibition Women Words, Phrases, and Stories marks the first comprehensive presentation of 1,000 intimately-scaled, hand-painted works, each of which features a word or words used to describe women. The language in the exhibition ranges from flirtatious to derogatory, and emanates from Tompkins's career-long commitment to challenge the representation of female identity, the politics of pleasure, and the role of sexuality in contemporary culture. Betty Tomkin's "Women Words, Phrases, and Stories" will be on view until May 14 at the Flag Art Foundation, 545 West 25th Street, New York. photographs by Scout Maceachron  

Cecily Brown, Jeff Koons, Charles Ray The Flag Art Foundation in New York

Ranging from lushly painted canvases to sculptures of extraordinary technical acumen, Cecily Brown, Jeff Koons, Charles Ray includes three artworks by each artist that address themes of youth, nostalgia, and intimacy, and highlight the intersection of innocence and subversion. Jeff Koons and Charles Ray's unprecedented approach to material, scale, and surface have redefined the possibilities of sculpture. Mining the rich psychological territory of childhood and familial relationships, both artists elevate innocent subject matter to monumental status. Cecily Brown explores youth and transience in kaleidoscopic compositions of fleshy, abstracted figures, utilizing the materiality of paint to replicate physical sensation and the illusion of motion. The exhibition will be on view until May 14, 2016 at the Flag Art Foundation, 545 West 25th Street. photographs by Scout Maceachron

Punk and Hardcore Fliers, Zines and Ephemera @ Printed Matter In New York

Punk and Hardcore Fliers, Zines and Ephemera is a dynamic representation of a period when music subcultures adopted methods used by earlier culture-jamming groups such as the DaDaists and Situationists to creatively promote their own movement. The materials span from the early 1970s covering the glam rock and punk scenes of New York, Los Angeles, and San Francisco, as well as the garage rock and power pop revivals, American hardcore, English peace-punk, and industrial music scenes to form an overview of underground music culture of the last forty years. Punk and Hardcore Fliers, Zines and Ephemera will be on view until February 13, 2016 at Printed Matter, 231 Eleventh Avenue New York, NY. Photographs by Scout MacEachron

A Belgian Artist Makes His Big Break In America: Read Our Interview With Musician and Artist Joris Van de Moortel →

Joris Van de Moortel, 31, has intrusive bluish-gray eyes. They are unsettling; despite the subdued kindness that surrounds them. Looking in to them one realizes Moortel doesn’t see the same boundaries most of us do, the boundaries that most of us construct our lives around. Moortel smashes, sometimes literally, the line between art and music. He is both musician and artist and the two feed off one another. Moortel makes mixed media pieces that often incorporate elements of his musical performances; a guitar he smashed on stage the night before, panels from a stage he played on. Sometimes the work comes after a performance; sometimes it’s made during. Read our interview with the artist here. 

Erik Parker "Undertow" @ Paul Kasmin Gallery in New York

Employing his own wildly inventive architecture and signature neon palate, Erik Parker creates bold, graphic compositions that riff on the traditional genres of portraiture and still-life.  His visionary paintings draw their inspiration from diverse elements of American subculture—psychedelia, underground comic books, the Chicago Imagists, hip hop and heavy metal— as well as Picasso,  Francis Bacon and Roy Lichtenstein. Erik Parker "Undertow" will be on view until January 16, 2016 at Paul Kasmin Gallery. photographs by Scout MacEachron

Devonté Hynes and Ryan McNamara “Dimensions” Performance at the Pérez Art Museum Miami

Last week, during Art Basel Miami, Pérez Art Museum Miami (PAMM) commissioned a collaborative performance between musician Devonté Hynes (Blood Orange) and artist Ryan McNamara. The performance on PAMM’s terrace included an original multi-part composition by Hynes, an internationally-acclaimed musician and producer, and sculptural elements and choreography by McNamara, a celebrated performance artist. Presented within the global context of Miami Art Week, the performance was an allegory of Miami’s history as a place of fantasy and fragmentation. photographs by Scout MacEachron