Jean Pigozzi "Johnny's Pool" @ Gagosian Gallery in New York
photographs by Adam Lehrer
Wilding Cran Gallery presents Two Chimneys, Catherine Fairbanksβs first solo show in Los Angeles. The exhibition will feature new sculptures and works on paper. The exhibition is structured around two large chimney sculptures that reflect on the ruins of domestic buildings across the West. Originally constructed according to a particular purpose, over time abandoned chimneys gradually assume the function of a monument. Like these chimneys, Fairbanks often makes use of forms and materials which first appear in culture one way, only to reappear later in another way, transformed. Catherine Fairbanks "Two Chimneys" will be on view until May 28, 2016 at Wilding Cran Gallery, 939 South Santa Fe Avenue, Los Angeles CA
Last night the Catalan artist Moon Ribas performed Waiting for Earthquakes at the Chimney NYC in Bushwick. The one-night performance curated by Adriana Pauly was held in front of the backdrop of Kiran Chandraβs video installation Mother of Intentions. Ribas whose practice investigates the intersectionality of nature, technology and humanity, moved behind the thin curtains of Chandraβs exhibition. The hanging curtains and dancing shadows of the opposing projections mimic the shadow play of Platoβs Allegory Of The Cave, further underlined by the invisible power that determined Ribasβ movements. Ribas physically experiences the vibrations of earthquakes around the world in real time through a sensor implanted in her elbow, giving her an additional sense she calls the seismic sense. She becomes further removed from humanity than the prisoners of Platoβs cave yet more connected to the earth its powerful interplay. photographs by Andres Burgos
The Hole presents an exhibition of βAdam Greenβs Aladdinβ, a feature-length movie that is a βtotal artworkβ. Immersive painted sets replete with complex painted papier-mache sculptures will be on view in the main space, while Gallery 3 will feature a ticketed screening of the movie every night at 7PM. Adam Green "Aladdin" will be on view until April 14, 2016 at The Hole, 312 Bowery, New York. photographs by Adam Lehrer
Click here to read the full interview.
Allen Jones is a living legend. To this day, his iconic furniture sculptures literally stand, kneel and hunch over, as life-like remnants of not only the pop art movement, but also the sexual revolution of the 1960s. When Jonesβ trademark fornophillic work, Hatstand, Table and Chair was unveiled in 1970, it was met with both praise and militant protest. Indeed, the work is combustible and tears down some of the tallest walls we have built around our understanding of figurative art. But if you ask Jones if he is a rebel, as we did in the following interview, he will tell you that he is only carrying the torch that many artists have carried before him and not using the torch to burn down the institution. If youβve seen Stanley Kubrickβs film adaptation of the novel A Clockwork Orange, youβve seen interpretations of Jonesβ oeuvre in the famous Korova Milk Bar. Kubrick asked Jones if he would recreate some of his furniture sculptures for the film, but the artist politely declined. Click here to read more.
Click here to read our interview with Nolan Hall. photographs by Oliver Maxwell Kupper
In the main gallery Liden presents three cast-concrete sculptures, all molded from crook-handle umbrellas. Rendered in battleship grey, deep charcoal, and cautionary orange, the umbrella sculptures are suspended at inconsistent heights from the gallery ceiling. Two umbrellas dangle from welded industrial chain, and a third hangs from a noose looped around its handle. Strung up by their necks, the casts begin to resemble bodies hanged from an executionerβs scaffold. Hanna Liden "No Weather Data Available" will be on view until May 1, 2016 at 56 Henry Gallery in New York. photographs by Adam Lehrer
Wilding Cran Gallery is presents Post-Post, a solo exhibition by internationally acclaimed, Houston based artist Christian Eckart. Featuring new works, the exhibition explores Eckartβs philosophical inquiry and interrogation of the concept of βArtβ articulated in the form of painting/sculpture hybrids. A highlight of the exhibition is The Absurd Vehicle, which was produced over a five year period from 2006-2011. Considered to be one of Eckartβs seminal and summary objects, he regards The Absurd Vehicle as a painting with an identity crisis, extending from the tradition of the Northern Romantic Sublime. He sees the work as a painting that decided to become a sculpture, then a hot-rod, then a space vehicle, then a time machine and finally resolving itself, seemingly, as an oracle. The title, The Absurd Vehicle, references the motivations, aspirations and perhaps implausibility for paintings to be used as mechanisms of and for transcendence. Christian Eckhart "Post-Post" will be on view until April 2, 2016 at Wilding Cran Gallery, 939 South Santa Fe Avenue Los Angeles CA
Surf culture has a certain spiritual mysticism that extends beyond the sport and enters the realm of the samurai. There are codes, there are secrets and there are veils split by the curling lip of the tide. Surfers are like samurai warriors of the sea. Growing up in Capistrano Beach, the waves beckoned a young Nolan Hall and so did the clandestine beaches, and secret surf locales and the legends of the sport. And since, surf culture has become a way of life for Hall; not only as a surfer, but also a documentarian. His photographs have taken him on wild adventures β a selection of those images will be shown at his solo exhibition, entitled Peregrines, opening this weekend at Paul Loya Gallery. Click here to read the interview.