Marc Horowitz "Diagrams For Living" @ No Gallery LA

No Gallery is pleased to present Diagrams for Living, an exhibition of paintings, collages, and video work from Marc Horowitz. The first room of the gallery is occupied by new paintings completed in Los Angeles during quarantine. The second room hosts collage works on paper and collage-like video culled from the artist’s vast archive of personal footage gathered throughout pre-pandemic travels. Marc Horowitz - "Diagrams For Living" will be on view until December 13 at No Gallery, 961 Chung King Rd Los Angeles, CA 90012.

Art Of The Divine: Kilo Kish and Rikkí Wright In Conversation →

Film still from A Song About Love by Rikkí Wright

Film still from A Song About Love by Rikkí Wright

Rikkí Wright and Kilo Kish are two of the eight artists exhibiting in this year’s edition of Womxn in Windows, a socially distant group show that clearly presaged the conditions of our current moment in its first edition last year. Visitors are invited to walk along the storefronts of Chung King Road in Chinatown and watch short films through each window with scores that can be accessed via QR code. Founded and curated by Zehra Ahmed, this year’s artists were invited to exhibit work that examines the intertwined relationships between culture, religion, and society. These films remind us how womxn have relied on faith and on each other as well as on a desire for equality, understanding, and the power to make the right choices for ourselves. In both Wright and Kish’s films one observes an intimate relationship with the spiritual, however from highly contrasting perspectives and with completely unique aesthetics. Click here to read more.

Read Our Interview Of Artist, Abolitionist & Facilitator Brianna Mims →

Brianna Mims is a polymath if I’ve ever seen one. Along with a lifetime of training in myriad dance forms and becoming a multidisciplinary movement artist, she can likely be found speaking publicly on the role of the NAACP and transformational justice in the abolitionist movement, or walking runway at any number of fashion weeks, or developing curriculum for children to feel safe in moving and communicating freely. Then again, she might just be researching the efficacy of our local welfare system, or brushing up on her Arabic. click here to read more

Romancing A Wound: Read Our Interview With Multidisciplinary Artist Estefania Puerta →

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“I am not thinking of the womb as an organ attached to a cis female but rather the womb as a place we all have within us, a place of making selves, of nurture, of “the animal within the animal,” and very much about a holding place and how that slippery sense of “holding” can become a place of containment, detainment, of being trapped. The wound aspect of it is that piece around finding a healing place within the wound and not an escape or sutured repression from it.” Click here to read the full interview. Estefania Puerta’s Womb Wound is on view October 11 - Novermber 15 at Situations in New York.

Kenny Scharf Karbombz! Rally Presented By Jeffrey Deitch in Los Angeles

Kenny Scharf’s Karbombz! are regularly seen driving on the Los Angeles streets and freeways. Since starting the project in 2013, Scharf has painted 260 cars around the world, about 100 of which are in Los Angeles. For the rally Scharf invited all of the Karbombz! drivers in Los Angeles to participate in a rally, which will took place on Santa Monica Boulevard between San Vicente and Sycamore. About fifty Karbombz! participated. Scharf’s Karbombz! range from beat up jalopies to luxury brands. The drivers come from all walks of life. Potential Karbombz! owners connect with Scharf on the street in front of his murals, through other drivers, and through Instagram. An essential part of the project is that the cars are always painted for free. Kenny Scharf currently has a exhibition on view at Jeffrey Deitch gallery with two hundred fifty new paintings of faces, all of them different, called MOODZ, on view until October 31st. photographs by Oliver Maxwell Kupper

Ed Clark "Expanding The Image" @ Hauser and Wirth Los Angeles

Los Angeles... A pioneer of the New York School, Ed Clark (1926 – 2019) extended the language of American abstraction beyond expressionism through his inventive use of pure color, abstract form, and the seductive materiality of paint. Following Hauser & Wirth’s recent New York exhibition of Clark’s paintings made from 2000 to 2013, ‘Expanding the Image’ will be the gallery’s first exhibition in Los Angeles devoted to the artist. On view will be works from his highly formative years of 1960 through 1980, two decades during which Clark made pivotal breakthroughs that expanded the language of abstraction. Make an appointment to see the exhibition here. On view until January 10, 2021 at Hauser & Wirth Los Angeles, 901 East 3rd Street Los Angeles CA 90013. Installation photographs by Fredrik Nilsen, courtesy of Hauser & Wirth.

Serkan Sarier’s "They Eat Their Young" Is A Prescient Reflection Of The Current Moment

 
 

Serkan Sarier’s first solo exhibition in Germany features installations and complementary paintings made onsite during a nine-week residency hosted by the Stiftung Reinbeckhallen. It draws inspiration from The Little Mermaid, a story written in 1836 by Hans Christian Andersen after he was rejected by the man he loved, as well as the artist’s own memories of rejection, feelings of otherness, and moment of transformation. As a member of a Turkish migrant family (Gastarbeiter Familie) and a German citizen, Sarier often explores the subaltern in his work; in the case of They Eat Their Young, he does this through mythical bodies that are not only trapped and isolated, but removed (both socially and geographically) from each other and the observer. It is a hybrid of classical Greek and Roman sculptural references combined with the artist’s own cultural heritage. An exploration made relevant by the scores of younger immigrant generations currently seeking asylum in the Western world.

Shaped by the environment of both his family’s culture and everyday life in Hanau, Serkan expresses this juxtaposition in his use of color and materials. The pervasive and suffocating nature of humankind is made visceral by way of large rocks drenched in iridescent car paint, the weight of them supported by metal grates that line industrial plastic containers; a proper plinth for a rodent being studied in a lab. Great care is taken in the details of faces, gloves and feet. Yet, the genitalia remain vague, if not feminine, on otherwise masculine bodies. One figure dons a large pair of rubber gloves identical to those worn by the artist’s father years ago when he was of working age, its face composed of a deflated rubber mask is squashed and frozen in a moment of anguish. Mannequins made from a soft, rubbery material bring a haunting humanity to wholly cold forms. Each sculpture is immersed in a fresh new coat of car paint that harkens Western Germany from the 1950s through the 1970s, an era when most Turkish immigrants were employed by the automobile industry. They glitter with the promise of assimilation: an opportunity to provide for one’s family in a new Western life.

They Eat Their Young is on view through September 20 @ Stiftung Reinbeckhallen Reinbeckstr. 17, 12459 Berlin. text by Mimi Krtinić Rončević, photographs courtesy of the gallery

Majeure Force: Part II Group Show Marks Tenth Anniversary Of Night Gallery In Los Angeles

In this second installment of Night Gallery’s tenth-anniversary exhibition, forty-one artists have been assembled from its roster and surrounding community to celebrate the exuberant city of Los Angeles. It is a testament to the endurance of creativity and the power of art to continue bringing people together. The closing celebration included a performance by Daniel Gaitor-Lomack photographed below by Lani Trock. Majeure Force Part Two features work by Sarah Awad, Cara Benedetto, Josh Callaghan, Cynthia Daignault, Mira Dancy, Ian Davis, Daniel T. Gaitor-Lomack, Samara Golden, Paul Heyer, Ridley Howard, Khari Johnson-Ricks, JPW3, Grant Levy-Lucero, Tau Lewis, Anne Libby, Rose Marcus, Jesse Mockrin, Luke Murphy, Rashaad Newsome, Sterling Ruby, Melanie Schiff, Elaine Stocki, Claire Tabouret, Marisa Takal, Kandis Williams, and Andy Woll.

Pornhub launches Scrubhub To Encourage Handwashing And Collect Donations

Pornhub, the premier online destination for adult entertainment, in partnership with creative duo Ani Acopian and Suzy Shinn, today announced the launch of Scrubhub, a collection of satirical videos made by everyday people as well as select Pornhub models -- including Pornhub Brand Ambassador Asa Akira, Angela White, Austin Wolf and others. The site focuses on the mundane yet very necessary task of handwashing through the lens of humor and entertainment. In addition to comical videos under the guise of typical Pornhub genres, Scrubhub will host live takeovers twice daily at 12 p.m. PST and 6 p.m. PST, featuring a range of personalities, from musicians to comedians and beyond. Donations will be collected via Scrubhub for two charitable organizations born out of COVID-19; Invisible Hands, which is a volunteer-based program that delivers groceries and supplies to the elderly, disabled and immunocompromised in the New York area, and Frontline Foods, who donate healthy meals to hospital clinicians in Los Angeles by partnering with local restaurants who have been devastated by the pandemic. Pornhub will be making an initial donation in support of these initiatives as well. Click here to visit.

Watch Doug Aitken's Experimental Short Film "Autumn" (1994) Starring Chloe Sevigny

In the case of Autumn, Aitken wanted to create three music videos, each with their own narrative, to be aired separately at different times as part of his commercial production. The resulting video, shown in galleries, fuses together the three separate narratives in a non-linear fashion. Located on the precipice between the oft-thought mutually exclusive realms of art and entertainment, Autumn stands as an emblematic example of Aitken’s video practice, investigating the cultural numbness generated by the flow of media images.

Watch John Baldessari's Short Experimental Film "Title" (1973)

Baldessari progresses from simple, static images, such as a rock in an empty room, to complex narrative scenes, like a woman eavesdropping on her next-door neighbor. Through the gradual integration of cinematic techniques—motion, color, sound, acting, editing and arc—the artist inverts the traditional Hollywood model, stressing structure over narrative coherence.