Oliver Clegg "Life Is A Gasssss" @ Erin Cluley Gallery In Dallas, Texas

Exploring themes of change and resilience, Life Is a Gasssss will depict 20th century pop icons as an allusion to how the information overload of the 21st century has impacted visual culture. The cross-media selection of works will reflect the breadth of the artistโ€™s practice. Click here to read our interview with the artist. Life Is a Gasssss will be on view until May 7, 2016 at Erin Cluley Gallery, 414 Fabrication Street, Dallas Texas

Paola Pivi "Ma'am" @ The Dallas Contemporary in Dallas, Texas

Paola Piviโ€™s first museum solo exhibition in the United States addresses the viewer as โ€œmaโ€™am.โ€ Women, men, and children are greeted with this term of reverence and kindness along with its common, unintentional undertones of comedy and pretension. Maโ€™am brings together iconic past works with new commissions. Piviโ€™s feather-covered polar bears occupy the gallery in the company of an inverted Fiat G-91 fighter jet. Canvases of cascading real pearls converse with photographs of zebras on a snowy mountaintop. Spinning, feather-dressed wheels evoke dream catchers, while a giant inflatable ladder elicts wonder and aspiration. photographs by Oliver Maxwell Kupper

Dan Colen "Oil Painting" @ Dallas Contemporary in Dallas, Texas

Dan Colen "Oil Painting" provides an unprecedented opportunity to track the major developments in the artistโ€™s practice, beginning with his earliest works and continuing through his most recent. For the first time, viewers will be offered new insights into those developments through never-before exhibited preparatory drawings, source material, studies, and experimental paintings from the artistโ€™s studio. The exhibition includes several pieces from 2001, the year Colen graduated from the Rhode Island School of Design and began working toward his first gallery exhibition. Photographs and graphite-on-velum pieces from that year reveal Colenโ€™s longstanding interest in and mastery of traditional paintingโ€”a practice that is explored, exploded, and returned to throughout the works that follow. This is particularly evident in several examples of his well-known โ€œCandle Paintingsโ€, which are paired with a suite of drawings that map the artistโ€™s process, laying bare Colenโ€™s attention to detail and composition. Additional paintings in the exhibition represent several of Colenโ€™s major series, including Confetti, Trash, and Miracle paintings. Four large-scale Trash paintings, all made in 2016, show Colenโ€™s newest painterly intervention into the pictorial planeโ€”using detritus discovered on New York City streets as sculptural painting materials. Dan Colen "Oil Painting" will be on view until August 21, 2016 at Dallas Contemporary, 161 Glass Street Dallas, Texas  

Gardens of Pleasure: Read Our Interview With Ottoman Princess of Plexiglass and Designer Yaz Bukey

On a quick trip to Los Angeles, we caught up with Paris-based designer Yaz Bukey. Her eponymous label is a trompe lโ€™oeil pop art explosion of plexiglass that combines the aesthetics of advertising and everyday objects, like cigarette boxes and lipstick. Bukey is also an Ottoman princess and her ancestors were once the rulers of Egypt. In fact, one of those ancestors, Mehmet Ali Pasha, King of Egypt, gave the Concorde Obelisk to Napoleon. Despite her royal blood, Bukey is more modern than ever. Her collections are inspired by everything from ancient mythology to Boy George. In fact, Boy George is a customer of hers โ€“ so is Bjรถrk. Lately, Bukey has been eschewing the traditional runway presentation and showing her collections in the form of a performance that is half burlesque and half vaudeville shtick, with a splash of erotic revue. One regular performer is retired gay male pornstar Franรงois Sagat. We got a chance to catch up with Bukey in the Hollywood Hills to talk about her work, life and inspiration behind her current collection โ€“ as well as her wildly ambitious plans for the future of her label, which includes an all encompassing universe splashed with her vision. Click here to read the full interview. 

Home Improvements Group Show, Curated by John Waters @ FraenkelLAB in San Francisco

FraenkelLAB presents its first exhibition, Home Improvements, curated by John Waters. This eclectic group exhibition will encompass works in a wide range of media by Martin Creed, Moyra Davey, Vincent Fecteau, Paul Gabrielli, gelitin, Paul Lee, Tony Matelli, Doug Padgett, Karin Sander, Gedi Sibony, Lily van der Stokker, and George Stoll. John Waters describes the exhibition as โ€œa celebration of the low-tech concept of โ€˜remodelingโ€™. These twelve artistsโ€™ humble but surprisingly imperious paintings, sculptures, photographs and drawings will hopefully make any serious property owner want to throw caution to the wind, pack up their living space, and start over.โ€ Home Improvements will be on view until May 16, 2016 @ FraenkelLAB, 1632 Market Street, San Francisco, CA. photographs by Bradley Golden

Lee Broom's Salone del Automobile Installation On the Streets of Milan

Lee Broom drove from London to Milan on this truck/mobile Palazzo to display his new collection of lighting fixtures. When asked about it he said: "Last year I went to a lot of exhibitions that were all about the Palazzo and everybody was talking about that." So this year he decided to literally deliver his own Palazzo. Always in the fastlane this guy. You can follow the whereabouts of Salone Del Automobile here. text and photograph by Juanco Viso

Nendo Manga Chairs and Gebrรผder Thonet Presentation @ the Basilica Minore di San Simpliciano in Milan

Situated in the in Basilica Minore di San Simpliciano's main cloister, Gebrรผder Thonet's iconic chair evolution and reloads. High Design rugs from Nodus. And last, but certainly not least, 50 Manga Chairs by Nendo, presented by Friedman Benda Gallery, NYC during Salone De Mobile in Milan. photographs by Juanco Viso

One Work from Catherine Fairbanks' New Solo Exhibition @ Wilding Cran Gallery In Los Angeles

Wilding Cran Gallery presents Two Chimneys, Catherine Fairbanksโ€™s first solo show in Los Angeles. The exhibition will feature new sculptures and works on paper. The exhibition is structured around two large chimney sculptures that reflect on the ruins of domestic buildings across the West. Originally constructed according to a particular purpose, over time abandoned chimneys gradually assume the function of a monument. Like these chimneys, Fairbanks often makes use of forms and materials which first appear in culture one way, only to reappear later in another way, transformed. Catherine Fairbanks "Two Chimneys" will be on view until May 28, 2016 at Wilding Cran Gallery, 939 South Santa Fe Avenue, Los Angeles CA