A Visit To Artist Theodore Boyer's Studio Before Art Los Angeles Contemporary

Los Angeles-based artist Theodore Boyer's new works will be on view at Shulamit Nazarian's booth at Art Los Angeles Contemporary,  along with work by Sarah Meyohas and May Wilson. Through their respective media each artist explores the notion of infinite space and the physicality of the unknown. Booth D16. Art Los Angeles Contemporary will be on view from January 26 to Jan 29 at the Barker Hangar, 3021 Airport Avenue Santa Monica, CA. photographs by Oliver Maxwell Kupper

Mark Leckey "Containers and Their Drivers" @ MOMA PS1 in New York

MoMA PS1 presents the first comprehensive U.S. survey of the pioneering British artist Mark Leckey and the largest exhibition of his work to date. Since coming to prominence in the late 1990s, Mark Leckey’s dynamic and varied practice has combined formal experimentation with pointed explorations of class and history. His art has addressed the radical effect of technology on popular culture, and given form to the transition from analog to digital culture, powerfully influencing younger generations of artists. The exhibition brings together major bodies of Leckey’s work, including a broad array of video works and sculptural installations alongside new pieces made specifically for the exhibition. Mark Leckey "Containers and Their Drivers" will be on view until March 5, 2017 at MOMA PS1 in New York. photographs by Adam Lehrer

Listen To The Exclusive Premiere Of Kera And The Lesbians' Track "I'm Late"

Autre is excited to premiere a new track by Los Angeles-based Kera And The Lesbians called I'm Late. Singer Kera Armendariz describes the romantic history behind track: "This song came almost effortlessly. I remember writing it as she was swimming in the pool, watching her and realizing how lucky I was at that moment. Lucky to know someone who believed, challenged and brought out the best in me in the nine years of knowing her. I realized long ago that not all relationships last. Coming and going in waves, that all you can really do is appreciate the time spent in one another's lives. It will always be heartbreaking no matter how much time passes losing someone you deeply care about. I wrote it for you, for me, for us." Click here for upcoming tour dates. 

Watch The Premiere Of Cass McComb's Track "I'm A Shoe" Off Mangy Love

Creation, destruction, boom, ghost. In the song 'I'm a Shoe,' Cass references the California boomtown / ghost town of Bodie, a town that rose to peak population in the late 1800's gold rush. As people swarmed Bodie and scrambled to strike it rich, the town developed an unrivaled reputation for great violence, murder and a much feared figure - the ‘Bad Man of Bodie.’ The video for 'I’m a Shoe' was filmed at the ghost town of Mare Island, Vallejo, California which in the chronology of California boomtown /ghost towns, directly follows the demise of Bodie. Bodie’s official end and Mare Island’s boom both came about to service the needs of World War II. The Roosevelt’s government’s War Production Board ordered the closure of Bodie’s gold mines in order to divert labor and equipment to the requirements of the war. Mare Island peaked at this time employing over 40,000 people building warships and submarines, it now sits in ruins. It is a very compelling ghost town with a strange discomforting atmosphere. How will this next uncertain chapter of US history unfold? What will be swarmed, extracted or built? What will be abandoned in the future for the vultures to inherit? Click here to download or order Mangy Love

Artists Talk "LA Legends" With Larry Bell, Billy Al Bengston, Ed Moses, and Ed Ruscha @ The Broad Stage In Los Angeles

Presented by The Broad Stage and Sotheby's Institute Of Art, Artist Talk: LA Legends is the first of a series of talks with influential California-based artists, established to explore the living legacy of Los Angeles' arts scene. Art legends and postwar trailblazers set the stage for L.A.'s vibrant contemporary art scene and continue to define L.A.'s cultural landscape today. photography Oliver Maxwell Kupper

Anselm Kiefer "Walhalla" @ White Cube Gallery In London

White Cube presents an exhibition by Anselm Kiefer featuring new, large-scale installation, sculpture and painting. Titled ‘Walhalla’, the exhibition refers to the mythical place in Norse mythology, a paradise for those slain in battle, as well as to the Walhalla neo-classical monument, built by Ludwig I King of Bavaria in 1842 to honour heroic figures in German history. The exhibition focuses on the major new installation Walhalla in the central corridor space, from which the other works thematically depart. Featuring a long, narrow room lined with oxidised lead, rows of fold-up steel beds are set close together and draped with dark grey crumpled lead sheets and covers. At the far end of the room, a black and white photograph mounted on lead depicts a lone figure walking away into a bleak, wintery landscape. The whole installation is dark, sombre and sparsely lit by a series of bare light bulbs, suggesting an institutional dormitory, military sleeping quarters or battlefield hospital. This sense of morbid claustrophobia is countered nonetheless by the offer of rest, of a break in the journey; a place perhaps of transformation. Anselm Kiefer "Walhalla" will be on view until February 12, 2017 at White Cube in London. photographs by Mazzy-Mae Green

Holton Rower "Cutaways" @ Venus LA In Los Angeles

Venus Los Angeles presents Cutaways, an exhibition of new work by Holton Rower. The show, comprised of sculptures and wall-based works, will be on view from January 14th through February 24th, 2017. Cutaways marks Rower’s debut exhibition in Los Angeles. Rower’s work has long been concerned with notions of accumulation and sequencing. With this most recent body of work, he begins his process by designing a rigorous order and color scheme for the paint, which he applies layer upon layer onto a base. After the paint has built up considerable mass, Rower carves networks of intuitively placed marks into the material. These violent cuts reveal the nearly geological strata of his layered paint, which create intricate optical patterns that impart perceptibly changing frequencies to the viewer. photographs by Oliver Maxwell Kupper