Life's A Gasssss: Oliver Clegg Talks About His First Solo Exhibition In the US, Making Art For Sigmund Freud's Desk and The Information Age →

Click here to read the full interview. 

Read Our Exclusive Interview With The Legendary Artist and Sculptor Allen Jones From Autre's LOVE Issue Out Now →

Allen Jones is a living legend. To this day, his iconic furniture sculptures literally stand, kneel and hunch over, as life-like remnants of not only the pop art movement, but also the sexual revolution of the 1960s. When Jones’ trademark fornophillic work, Hatstand, Table and Chair was unveiled in 1970, it was met with both praise and militant protest. Indeed, the work is combustible and tears down some of the tallest walls we have built around our understanding of figurative art. But if you ask Jones if he is a rebel, as we did in the following interview, he will tell you that he is only carrying the torch that many artists have carried before him and not using the torch to burn down the institution. If you’ve seen Stanley Kubrick’s film adaptation of the novel A Clockwork Orange, you’ve seen interpretations of Jones’ oeuvre in the famous Korova Milk Bar. Kubrick asked Jones if he would recreate some of his furniture sculptures for the film, but the artist politely declined. Click here to read more. 

Hanna Liden "No Weather Data Available" @ 56 Henry Gallery In New York

In the main gallery Liden presents three cast-concrete sculptures, all molded from crook-handle umbrellas. Rendered in battleship grey, deep charcoal, and cautionary orange, the umbrella sculptures are suspended at inconsistent heights from the gallery ceiling. Two umbrellas dangle from welded industrial chain, and a third hangs from a noose looped around its handle. Strung up by their necks, the casts begin to resemble bodies hanged from an executioner’s scaffold. Hanna Liden "No Weather Data Available" will be on view until May 1, 2016 at 56 Henry Gallery in New York. photographs by Adam Lehrer

Last Chance to Catch Christian Eckhart "Post-Post" @ Wilding Cran Gallery In Los Angeles

Wilding Cran Gallery is presents Post-Post, a solo exhibition by internationally acclaimed, Houston based artist Christian Eckart. Featuring new works, the exhibition explores Eckart’s philosophical inquiry and interrogation of the concept of “Art” articulated in the form of painting/sculpture hybrids. A highlight of the exhibition is The Absurd Vehicle, which was produced over a five year period from 2006-2011. Considered to be one of Eckart’s seminal and summary objects, he regards The Absurd Vehicle as a painting with an identity crisis, extending from the tradition of the Northern Romantic Sublime. He sees the work as a painting that decided to become a sculpture, then a hot-rod, then a space vehicle, then a time machine and finally resolving itself, seemingly, as an oracle. The title, The Absurd Vehicle, references the motivations, aspirations and perhaps implausibility for paintings to be used as mechanisms of and for transcendence. Christian Eckhart "Post-Post" will be on view until April 2, 2016 at Wilding Cran Gallery, 939 South Santa Fe Avenue Los Angeles CA

A Samurai of The Sea: Read Our Interview With Nolan Hall On Surf Culture, Deadbeat Photographers Club And His Upcoming Solo Exhibition →

Surf culture has a certain spiritual mysticism that extends beyond the sport and enters the realm of the samurai. There are codes, there are secrets and there are veils split by the curling lip of the tide. Surfers are like samurai warriors of the sea. Growing up in Capistrano Beach, the waves beckoned a young Nolan Hall and so did the clandestine beaches, and secret surf locales and the legends of the sport. And since, surf culture has become a way of life for Hall; not only as a surfer, but also a documentarian. His photographs have taken him on wild adventures – a selection of those images will be shown at his solo exhibition, entitled Peregrines, opening this weekend at Paul Loya Gallery. Click here to read the interview. 

Vhils "Debris" Neon Installation At Pier 4 In Hong Kong Presented by HOCA

Presented by HOCA, “Debris”, the first solo exhibition of celebrated Portuguese artist Alexandre Farto AKA Vhils in Hong Kong is a multi-site initiative that will include an intervention on one of the city’s iconic trams  and an exhibition at Pier 4 (open between 22 March– 4 April 2016), encouraging visitors to explore the city and reflect on the nature of the urban environment through the lens of the artist. The Pier 4 Solo Exhibition will be open until April 4. 

Last Week To Check Out Dash Snow's Retrospective Show Freeze Means Run At The Brant Foundation in Connecticut

The Brant Foundation Art Study Center presents Freeze Means Run, the first US solo exhibition of work by Dash Snow since 2006. Freeze Means Run will include an expansive amount of artwork across disparate media: over 100 Polaroid photographs (many on view publicly for the first time); sculpture; installation; film; and collage, including the iconic 45-part work, Fuck the Police (2005). Freeze Means Run will be on view until April 1, 2016 at the The Brant Foundation. photographs by Christopher Burke

Samara Golden "A Trap In Soft Division" @ The Yerba Buena Center for the Arts in San Francisco

YBCA presents a brand new commission by Los Angeles based artist Samara Golden. Known for creating dreamlike, uncanny, and immersive environments, Golden attempts to stage the sixth dimension–a place where the future, present, and past exist simultaneously. Golden’s installations use mirrors, video, sound, and handmade sculptures to create a hypnotic, hallucinatory space that draws the viewer in completely. This exhibition is Golden’s largest installation to date and will take over a substantial gallery at YBCA. A Trap In Soft Division will be on view until May 16, 2016 at YBCA in San Francisco. Photographs by Bradley Golden. 

Luke Austin "Soft Instant" @ Jason Vass Gallery In Los Angeles

Jason Vass presents Soft Instant, featuring new works by Australian-born, Los Angeles-based photographer Luke Austin. This is the artist’s first solo exhibition in Los Angeles. Known for his intimate nude male portraits, Austin captures images that reveal the individuality of his subjects in a moment of disarming contact. Austin intuitively conveys the vulnerability of his sitters through the empathetic quality of his photographic gaze, extending a care to his subjects and humanizing their masculinity beyond the momentary arrest of the frame. Luke Austin "Soft Instant" will be on view until April 16, 2016 at Jason Vass Gallery in Los Angeles. photographs by Douglas Neill. 

Cult Chinese Photographer Ren Hang Debuts His New Series, Athens Love, This Week In New York

“Athens Love” consists of snapshots Ren Hang took in Athens and other parts of Attica, Greece, during an artist residency in April, 2015. The images evoke faded memories of escapades with friends and lovers against the saturated backdrop of the Mediterranean. An incandescent face rises from a tumble of long black hair, bordered by a blue sky and sea; protruding genitals cheekily reflect the surrounding natural landscape. Linking these images is a narrative Ren Hang subtly pursues in all his work, in which man and nature each react to the other’s magic. Ren Hang will be signing copies of monograph, Athens Love, at New York’s Dashwood Books on March 25, 2016 with an exhibition at Klein Sun Gallery  in New York from 24 March 2016 to April 30, 2016. Click here to read Autre's short interview with the photographer.