Mellissa Broder has been at the cutting edge of the poetry world for a decade publishing titles such as Meat Heart and When You Mean One Thing and Say Your Mother. Melissa Broder always struggled with anxiety. In the fall of 2012, she went through a harrowing cycle of panic attacks and dread that wouldn't abate for months. So she began @sosadtoday, an anonymous Twitter feed that allowed her to express her darkest feelings, and which quickly gained a dedicated following. In her new book, So Sad Today, Broder delves deeper into the existential themes she explores on Twitter, grappling with sex, death, love low self-esteem, addiction, and the drama of waiting for the universe to text you back. Here she is "ballsy and beautiful, aggressively colloquial and achingly poetic" in her book trailer that's goth as fuck. Melissa Broder is the author of four collections of poems, including the forthcoming Last Sext (Tin House, 2016). Her poems have appeared in POETRY, Guernica, and The Iowa Review, among other journals. She lives in Venice, California. Click here to preorder So Sad Today.
Gypsy Sport FW 2016 Presentation During New York Fashion Week Mens @ Skylight Clarkson
Gypsy Sport’s FW 2016 presentation shunned a runway for an aesthetic so much more powerful. Designer Rio Uribe opted for a podium of his typically streetcasted models. Once telling Dazed that he streetcasts because he wanted the label to “span all five boroughs of NYC and the different races, genders, and cultures,” the models, while all professional soccer player ripped, were of a mixed bag of racial backgrounds. Can high fashion actually be inclusive? Doesn’t that sort of go against the whole idea of luxury? Uribe doesn’t care one fucking bit. Sick clothes for culturally ignored cultures. FW 2016 menswear felt like a new high in the brand’s aesthetic. Many of the looks exhibited the brand’s pension for gender fluidity: beautifully patterned smocks, blue dresses with smartly placed zippers, and jumpers elongated up at the sleeves and cropped at the waist. But, there were also pieces a more conventional dresser would feel nothing less than confident wearing, such as the excellent denim-esque fabric sweatshirt in baby blue, wildly oversized but fitted just right. Gypsy Sport usually does a good show, but a presentation felt right here somehow. It seemed to elevate the brand beyond the early beginnings of a passive concept and into a new stage of active manufacturing of desirable products. Text and photographs by Adam Lehrer
"The Real Thing" Group Show With Juno Calypso, Natasha Caruana, Pixy Yijun Liao and Melanie Willhide At Flowers Gallery In New York
The Real Thing, a group show at Flowers Gallery in New York, showcases the work of four female photographers who experiment with the concepts of gender, sexuality and identity. Most artists take center stage in their own work exploring their relationship with others or the construction of their own identity like Juno Calypso. The artist created a fictional persona called Joyce who she documents while performing private rituals of seduction. The elaborately staged images and outfits of the character are a commentary on the exhausting construction of femininity. Pixy Liao documents shifting power dynamics between partners in her series Experimental Relationships by constructing a fictional narrative for her partner and herself. The woman is seen embracing the partner, shielding and protecting his often-naked body, reversing ideas of fragility and helplessness often associated with femininity. Natasha Caruana also questions relationships in her series Married Man. The anonymous photographs capture different men that the artist contacted through a dating site for married people. The documentary style of the series assists in creating a sense of loneliness and alienation instead of judgment. The artist Melanie Willhide takes a different approach to the idea of photography by creating artificial artifacts that are reminiscent of tokens passed between lovers. By using digital technology to alter the images and make them seem older the work becomes a meditation on obsolete acts of romance. The Real Thing will be on view until February 27th, 2016 at Flowers Gallery in New York. text and photographs by Adriana Pauly
Carlos Campos Fall Winter 2016 Runway Show At New York Fashion Week Mens
Click here to read our review of this collection. photographs by Adam Lehrer
Artist Cole Sternberg At The Opening of His Solo Show @ MAMA Gallery In Los Angeles
Go see Cole Sternberg's exhibition, the Nature of Breathing Salt, at MAMA Gallery until March 7, 2016. photograph by Oliver Maxwell Kupper
Check Out All Our Coverage of New York Fashion Week Mens →
Read Adam Lehrer's review of the best of the best from day one of New York Fashion Week Mens here.
Chapter Fall 2016 Presentation At New York Mens Day
photographs by Adam Lehrer
A Few Looks From Robert James' Presentation During New York Mens Day
photograph by Adam Lehrer
Hvrminn Fall 2016 Collection Presentation During Fashion Week Mens In New York
photographs by Adam Lehrer
Plac Fall 2016 Ready To Wear Collection Presented In New York During Men's Day
photographs by Adam Lehrer
Garciavelez Men’s Fall 2016 Collection Presented During Men's Day In New York
David Hart New York Men's Presentation at Industria Studios in New York
photographs by Adam Lehrer
Edmund Ooi Fall/Winter 2016 Collection Presented During New York Men's Day
photographs by Adam Lehrer
Third Installment of The Paramount Ranch Art Fair In Agoura Hills, California
photographs by Oliver Maxwell Kupper
Krammer & Stoudt Men’s Ready To Wear Fall 2016 Collection Presentation During New York Men's Day
photographs by Adam Lehrer
Kenneth Anger @ Los Angeles Art Contemporary At the Barker Hangar in Santa Monica
photograph by Oliver Maxwell Kupper
Here It Is: Your Must See Art Guide During Zona Maco México Arte Contemporaneo 2016 →
This week, Mexico City will be awash with patrons of the art, artists, galleryists, gawkers, wannabes and creative adventure seekers. Opening on Wednesday, February 3rd, Zona Maco México Arte Contemporaneo will be ground zero for one of the world’s most important art fairs and by far the biggest in South America. Founded by Zélika García 2002, Zona Maco as built a bridge between Mexico’s capital and the world’s leading artistic institutions. Surrounding the fair, though, will be a number of exhibitions, events and satellite fairs, including the Material Art Fair and the Imprint Book Fair at Museo Jumex. You can also catch highlight exhibitions by the likes of Yoko Ono, Adam Green, and Los Angeles based artist on the rise Ariana Papademetropoulos. Here is your #mustsee art guide during Zona Maco 2016. Click here to read the full list.
More Tales From Rehab and Hell-A: Read Max Barrie's New Drug Sick Love Story →
Click here to read.
Artist Dennis Hoekstra Recreates Rodney Bingenheimer's English Disco At LTD Los Angeles
Hoekstra’s sculpture, painting and installation practice is informed by the European artisanal traditions of faux-bois and faux-marbre, Hollywood set fabrication techniques, suburban backyard Halloween haunted houses and the vernacular of Disney theme parks especially their “dark rides.” In his formative years, the artist toured Disneyland’s fabrication facilities extensively with his father, “Dutch” Hoekstra, a member of their creative fabrication team from 1964 until 1979. In January 2010, Rodney Bingenheimer visited LTD Los Angeles on its opening day and shared the history of the gallery space with LTD Los Angeles founder, Shirley Morales. Since then, they have discussed the possible re-presentation of his eponymous club. Morales invited Hoekstra to work in close collaboration with the gallery and Bingenheimer to realize a re-presentation of this iconic 1970s glam club. Bingenheimer generously provided unprecedented access to an archive of vintage photos, videos, vinyl records, posters and celebrity memorabilia originally displayed in the club. photographs by Oliver Maxwell Kupper
Read A Young Feminist's Perspective On Two Decades of American Apparel Advertisements →
American Apparel advertisements have been branded with that ambiguous scarlet letter “controversial” since the early 2000s. Are they edgy or exploitative? Are they misogynist or empowering? How have the ads evolved since Dov Charney got fired in 2014? Is “evolved” even the right word? Click here to read more.