Activating The Vehicle of Ascension: An Interview of Filmmaker Floria Sigismondi On Working With Rihanna and David Bowie

Floria Sigismondi’s work, like her music videos for Marilyn Manson, David Bowie or Leonard Cohen, is a perfect amalgamation of her unique upbringing. Spending her early years in the coastal town of Pescara, Italy and her formative years in the rough steel manufacturing town of Hamilton, Ontario – with opera singers for parents – Sigismondi has developed a unique aesthetic that blends classicalism with a certain darkness that harkens 1970s Giallo films and the nightmarish tableau vivants of Joel Peter Witkin. As a music video director, Sigismondi brings a distinctive world to life with an unsettling and jarring pastiche of imagery that flickers as if each scene was shot with a camera perched on the wing of a hummingbird. Lately, though, her work has taken a turn for the meditative and ethereal, like her most recent music video for Rihanna’s track Sledgehammer – made for the newest Star Trek film. Click here to read more. 

Praying Mantis Disco Queen: Read Our Interview of Artist Joyce Pensato

Walking into Joyce Pensato's vast studio in Bushwick I’m first greeted by Elizabeth Ferry, an artist and Pensato's studio assistant, as well as Charlie, an eerie looking, sweet dog whose right eye is blind by cataracts. Pensato herself is short, but tall in personality. Her shoes, feel more stylish, remnants perhaps of days in Paris, but still they’re perfectly covered in her signature paint drippings. As we sit, Ferry is busily packing up the space because they leave the next day for the closing of Pensato’s recent show, “The Fizz,” which as has been on display at Grice Bench Gallery in Los Angeles. After this, they come back briefly to prepare and work for upcoming exhibitions in Chicago, and then Austria. Click here to read more.