Mickalene Thomas "Do I Look Like a Lady?" @ MOCA Los Angeles

MOCA presents Mickalene Thomas "Do I Look Like a Lady?," an exhibition of new and recent work by New York–based artist Mickalene Thomas. For this exhibition, Thomas has created a group of silkscreened portraits to be featured alongside an installation inspired by 1970s domestic interiors, and a two-channel video that weaves together a chorus of black female performers, past and present, including standup comedians Jackie “Moms” Mabley and Wanda Sykes, and pop-culture icons Eartha Kitt and Whitney Houston. An incisive, moving, and at times riotous portrait of the multiplicities of womanhood, Do I Look Like a Lady? builds upon Thomas’s ongoing reconsideration of black female identity, presentation, and representation through a queer lens. Mickalene Thomas "Do I Look Like a Lady?" will be on view from October 16 to February 6, 2017 at MOCA Los Angeles.

Marianne Vitale "Equipment" @ Invisible Exports Gallery In New York

Invisible-Exports presents Marianne Vitale’s “Equipment," the artist’s first exhibition with the gallery, consisting of a fleet of handcrafted wooden torpedoes, each hand-painted and adorned with a unique insignia. Equipment will be on view until October 16, 2016 at Invisible Exports Gallery in New York

Watch The Music Video For Anohni's Track "I Don't Love You Anymore"

Anohni, lead singer of Antony and the Johnsons, released HOPELESSNESS earlier this year via Secretly Canadian and Rough Trade.

"On the Verge of an Image: Considering Marjorie Keller" Group Show At The Historic Gamble House in Pasadena

On the Verge of an Image: Considering Marjorie Keller is a group exhibition of sculpture, painting, photography, video, and performance centered on the themes present in the work of under-recognized avant-garde filmmaker Marjorie Keller (1950-1994), co-curated by Los Angeles-based artists Alika Cooper and Anna Mayer. Cooper and Mayer seek to establish the significance of Keller’s contributions to visual culture, and to make visible states of being that are difficult to articulate or are deliberately avoided by mainstream culture. "On the Verge of an Image: Considering Marjorie Keller"  will be on view until December 11, 2016 at the Gamble House, 4 Westmoreland Pl, Pasadena, CA. photographs by Oliver Maxwell Kupper

Roman Moriceau "In Heaven Everything Is Fine" @ Galerie Derouillon in Paris

Fragments of an idea of elsewhere, the scented evanescence of a utopic place, or even the songs of long lost birds, all whirl around us through Roman Moriceau’s works. Driven by a true need to experience works that communicate, the artist brings us to a dream Eden garden, a fantasized paradise. In the present age where we think that elsewhere must be better, this mythical sounding title invites us to an aesthetic journey which makes us reflect on the butterfly effects of our actions. Roman Moriceau "In Heaven Everything Is Fine" will be on view until November 12, 2016 at Galerie Derouillon in Paris. photographs by Mazzy-Mae Green

Oscar Murillo "Through Patches of Corn, Wheat and Mud" @ David Zwirner Gallery in New York

David Zwirner presents an exhibition of new works by Oscar Murillo. On view at 525 and 533 West 19th Street in New York will be paintings, drawings, sculptural elements, and film. Murillo addresses the conditions of display in the contemporary art world by engaging with a series of opposites—including work and play, production and consumption, and originality and appropriation. His practice is closely tied to notions of community and migration stemming from his cross-cultural ties to London, where he currently lives, and Colombia, where he was born. Oscar Murillo "Through Patches of Corn, Wheat and Mud"  will be on view until October 24, 2016. photographs by Adam Lehrer

Read Our Interview of The Legendary Lydia Lunch and Weasel Walter →

Of all the great unions of underground music, rock and otherwise; Bowie and Eno, Nick Cave and Blixa Bargeld, Justin Broadrick and Kevin Martin, John Cale and Terry Riley, Sonny Sharrock and Peter Brotzzman, and so on; the union between No Wave icon, transgressive artist, and spoken word warrior Lydia Lunch and free jazz, noise, and no wave musician Weasel Walter is perhaps the most harmonious and unquestionably the unholiest. When considering their respective biographies, both full of moments of sticking the middle finger in the faces of conventional standards of taste and decency, it’s difficult to believe that these revolutionaries didn’t find each other sooner. Click here to read more. 

Billy Al Bengston's Motorcycle Paintings Exhibition @ Venus Over Manhattan in New York

Venus Over Manhattan gallery is exhibiting both old and new works by legendary L.A. artist Billy Al Bengston. The show features 12 paintings from the “B.S.A Motorcycle” series from the 60s, where various motorcycle parts are isolated and presented on the canvas against abstract backgrounds. These paintings made Bengston a voice to be reckoned with in the Pop Art movement and appeared in the 1974 American Pop Art exhibition at the Whitney. Also included in the exhibition is the original motorcycle that inspired the series. Bengston’s new works that are on display feature his signature Chrevron motif in piercing blue tones. In true Pop Art manner, he originally painted the Chevron logo with lacquered spray paints, being one of the first artists to trade in the traditional oil on canvas back in the 60s. In his new pieces, however, Bengston comes full circle by using acrylic on canvas and leaving the glossy Pop Art behind for a softer finish.  The exhibition will be on view until November 2, 2016 at Venus Over Manhattan in New York. text and photographs by Helena Calmfors

Tamara Santibañez "Landscapes" @ Slow Culture Gallery In Los Angeles

Slow Culture presents artist Tamara Santibañez's first Los Angeles solo exhibition, “Landscapes.” As a multimedia artist and well-respected resident amongst many at Saved Tattoo New York. Tamara embodies more than meets the eye from the canvas of her on clients to the canvas of her paintings. Known for representations of objects such as handcuffs, whips, chains and leather, she moves to educate her audience in the scope of BDSM culture, that these objects and materials signify more than subversive notoriety or sexual innuendo. Tamara’s diverse forms of art and authorship in totality have created social mindfulness and aim to defeat ignorance in the eyes of fear and judgement. Landscapes will be on view until October 22, 2016 at Slow Culture in Los Angeles. photographs by Oliver Maxwell Kupper