Read Our Interview Of Double Diamond Sun Body On His Musical Beginnings In Seattle's Grunge Scene and His Current Spiritual Investigations →

When Miles Davis scored Louis Malle’s Elevator To The Gallows, he took a wild approach that was as daring as it was genius. He simply watched the film from beginning to end, took some notes, wrote a few themes in his hotel room and then handed them to a small band in the morning. From there they followed his lead as he improvised his way through a second screening of the film. He didn’t read the script, he didn’t speak French, and he certainly didn’t know much about French new wave. Miraculously, the result was uncanny in its ability to capture the very essence of loneliness and desperation. He had an incredible facility for processing an image and then giving it a sonic projection that glides right past the intellectualization process and rings clear as a bell right in the central nervous system. Thus is the facility that is immediately evident in the work of Robbie Williamson, otherwise known as Double Diamond Sun Body. Click here to read more

Read Our Interview Of Legendary Japanese Photographer Keizo Kitajima On The Photographic Process And His New Solo Show In Los Angeles →

You could say that Keizo Kitajima is an heir to the Provoke photography movement’s electrifying foundation and principle idea that a photographic image can be a completely new type of language. It’s a language fired from the shutter of a camera – a lexicon that can encapsulate a fraction of a moment, yet recite an epic in a single explosive image. Often blurry, out of focus and with choking contrast, the short lived movement made icons out of photographers such as Daido Moriyama. Moriyama also seemed to have the most influence, especially on Kitajima who was encouraged to carry on in the tradition of Provoke, but also expand beyond its confines – to travel the world to see if that same language could tell a more universal story. Click here to read more. 

Adel Abdessemed "Politics Of Drawing" @ Cahiers d'Art in Paris

Cahiers d'Art presents the exhibition, entitled Politics Of Drawing, of new works by Adel Abdessemed in their gallery space at 14, rue du Dragon, Paris 6th, which will be open until January 28, 2017. The exhibition will show three new editions by Adel Abdessemed published by Cahiers d'Art as well as one original drawing. photographs by Mazzy-Mae Green

Tom Wesselmann "A Different Kind of Woman" @ Almine Rech Gallery In Paris

In October 2016, Almine Rech Gallery will host an exhibition of historical artworks by Tom Wesselmann, inspired by the artist’s 1970 exhibition at Sidney Janis Gallery in New York. Wesselmann’s ‘Bedroom Tit Box’, a key performative work from the Janis exhibition, will be restaged in Paris for the first time. The work will be installed alongside seminal examples of Wesselmann’s post-collage works, making the exhibition at Almine Rech the most significant presentation of the artist’s work in Paris since his 1995 retrospective at the Fondation Cartier, and groundbreaking 1967 exhibition at Ileana Sonnabend Gallery. Tom Wesselmann "A Different Kind of Woman"  will be on view until December 21, 2016 at Almine Rech Gallery in Paris. photographs by Mazzy-Mae Green