Listen To The Exclusive Premiere Of Kera And The Lesbians' Track "I'm Late"

Autre is excited to premiere a new track by Los Angeles-based Kera And The Lesbians called I'm Late. Singer Kera Armendariz describes the romantic history behind track: "This song came almost effortlessly. I remember writing it as she was swimming in the pool, watching her and realizing how lucky I was at that moment. Lucky to know someone who believed, challenged and brought out the best in me in the nine years of knowing her. I realized long ago that not all relationships last. Coming and going in waves, that all you can really do is appreciate the time spent in one another's lives. It will always be heartbreaking no matter how much time passes losing someone you deeply care about. I wrote it for you, for me, for us." Click here for upcoming tour dates. 

Watch The Premiere Of Cass McComb's Track "I'm A Shoe" Off Mangy Love

Creation, destruction, boom, ghost. In the song 'I'm a Shoe,' Cass references the California boomtown / ghost town of Bodie, a town that rose to peak population in the late 1800's gold rush. As people swarmed Bodie and scrambled to strike it rich, the town developed an unrivaled reputation for great violence, murder and a much feared figure - the ‘Bad Man of Bodie.’ The video for 'I’m a Shoe' was filmed at the ghost town of Mare Island, Vallejo, California which in the chronology of California boomtown /ghost towns, directly follows the demise of Bodie. Bodie’s official end and Mare Island’s boom both came about to service the needs of World War II. The Roosevelt’s government’s War Production Board ordered the closure of Bodie’s gold mines in order to divert labor and equipment to the requirements of the war. Mare Island peaked at this time employing over 40,000 people building warships and submarines, it now sits in ruins. It is a very compelling ghost town with a strange discomforting atmosphere. How will this next uncertain chapter of US history unfold? What will be swarmed, extracted or built? What will be abandoned in the future for the vultures to inherit? Click here to download or order Mangy Love

Artists Talk "LA Legends" With Larry Bell, Billy Al Bengston, Ed Moses, and Ed Ruscha @ The Broad Stage In Los Angeles

Presented by The Broad Stage and Sotheby's Institute Of Art, Artist Talk: LA Legends is the first of a series of talks with influential California-based artists, established to explore the living legacy of Los Angeles' arts scene. Art legends and postwar trailblazers set the stage for L.A.'s vibrant contemporary art scene and continue to define L.A.'s cultural landscape today. photography Oliver Maxwell Kupper

Anselm Kiefer "Walhalla" @ White Cube Gallery In London

White Cube presents an exhibition by Anselm Kiefer featuring new, large-scale installation, sculpture and painting. Titled ‘Walhalla’, the exhibition refers to the mythical place in Norse mythology, a paradise for those slain in battle, as well as to the Walhalla neo-classical monument, built by Ludwig I King of Bavaria in 1842 to honour heroic figures in German history. The exhibition focuses on the major new installation Walhalla in the central corridor space, from which the other works thematically depart. Featuring a long, narrow room lined with oxidised lead, rows of fold-up steel beds are set close together and draped with dark grey crumpled lead sheets and covers. At the far end of the room, a black and white photograph mounted on lead depicts a lone figure walking away into a bleak, wintery landscape. The whole installation is dark, sombre and sparsely lit by a series of bare light bulbs, suggesting an institutional dormitory, military sleeping quarters or battlefield hospital. This sense of morbid claustrophobia is countered nonetheless by the offer of rest, of a break in the journey; a place perhaps of transformation. Anselm Kiefer "Walhalla" will be on view until February 12, 2017 at White Cube in London. photographs by Mazzy-Mae Green

Holton Rower "Cutaways" @ Venus LA In Los Angeles

Venus Los Angeles presents Cutaways, an exhibition of new work by Holton Rower. The show, comprised of sculptures and wall-based works, will be on view from January 14th through February 24th, 2017. Cutaways marks Rower’s debut exhibition in Los Angeles. Rower’s work has long been concerned with notions of accumulation and sequencing. With this most recent body of work, he begins his process by designing a rigorous order and color scheme for the paint, which he applies layer upon layer onto a base. After the paint has built up considerable mass, Rower carves networks of intuitively placed marks into the material. These violent cuts reveal the nearly geological strata of his layered paint, which create intricate optical patterns that impart perceptibly changing frequencies to the viewer. photographs by Oliver Maxwell Kupper

Aline Kominsky-Crumb and Robert Crumb "Drawn Together" @ David Zwirner Gallery In New York

David Zwirner presents the gallery’s first exhibition of the collaborative work of Aline Kominsky-Crumb and R. Crumb in its 525 West 19th Street location. Both pioneers of underground and alternative comics, Kominsky-Crumb and Crumb have created a groundbreaking portrait of their shared lives and creative collaborations over the past four decades. In their ongoing “Aline & Bob” comics, the two artists have rendered their innermost thoughts, fears, and fantasies alongside the day-to-day realities of family life in the twentieth and twenty-first centuries, each in their own distinctive style. The exhibition, a version of which was previously on view at the Cartoonmuseum Basel, will present an extensive selection of collaborative ink drawings from throughout the run of “Aline & Bob,” as well as solo works by both artists in a variety of media. Robert Crumb And Aline Kominsky-Crumb "Drawn Together" will be on view until February 18, 2017 at David Zwirner Gallery in New York. photographs by Adam Lehrer

Sandy Kim "Analog Brain" @ Little Big Man Gallery

Captured within and around Los Angeles, Sandy Kim’s series is a reflection of her creative and non-binary photographic practice. Produced entirely without digital intervention, her work embraces the messy imperfection, the ‘mistake' and the aberration. Born in Monterey, California, Kim’s childhood and adolescence was marked by constant movement up and down the West Coast, and upon graduation Kim continued her itinerant movement to New York and back. Analog Brain, while collected in a single region, reflects the restless diaristic representation of Kim’s life, community and environments. Comprised of portraits, landscapes and illuminated end frames of 35mm film, her imagery’s diversity is connected by an analog intuition missing in an all-connected digital society. On display is an in-situ recreation of Kim’s studio, whereby visitors are encouraged to explore Kim’s archives. Her desktop is on display, completely unlocked, and further drawing connection to Kim’s imagery and its diaristic impulse to expose her internal ambition and aspirations. Sandy Kim "Analog Brain" will be on view until February 11, 2017 at Little Big Man Gallery in Los Angeles. photographs by Mike Krim

Legendary Photographer Ellen Von Unwerth's Birthday Pajama Party in Los Angeles

Ellen Von Unwerth's birthday pajama party was hosted by Los Angela and Nikhil Ra at the home of Anna and Magnus Fiennes. photographs by Oliver Maxwell Kupper

Thomas Houseago "The Ridge" @ Gagosian Gallery in Beverly Hills

Gagosian presents “The Ridge,” an exhibition of sculpture and paintings on canvas by Thomas Houseago. This is his first exhibition with the gallery in his hometown of Los Angeles. The title of the exhibition derives from Houseago's childhood memory of a rocky pass in Leeds, England, known locally as "The Ridge," where a manmade stone wall runs along the upper edge of a steep natural stone ridge. With the stone wall of the adjacent estate, this creates a narrow footpath or ginnel, blocking the drop beyond the ridge and the sightlines within the pass. Houseago's recollection of this place is as much about a sense of peril and rite of passage as the actual physical experience. Thomas Houseago "The Ridge" will be on view until February 16, 2017 @ Gagosian Gallery in Beverly Hills. photographs  by Oliver Maxwell Kupper