Autre Magazine "David Hockney" Issue Release At Opening Ceremony With Absolut Elyx and Peroni
photographs by Oliver Maxwell Kupper
Moran Bondaroff presents Where the Sidewalk Ends, a four-person exhibition associating artworks that are evocative of a desire to create parity and connectedness with the natural world or to locate an intersection therein. Through varied mediums and methods, these four artists – Terence Koh, Dennis Oppenheim, Virginia Overton, and Nick van Woert – approach the tension between ecological connectedness and the progress of civilization. Subsequently, the works included in this exhibition present a range of conditional responses that span from exploration and interaction, to repercussions and impermanence. However, these artists do not endeavor to generate homages to ecology or directly reference an environmentalist agenda, rather, the works visually contend with our origins – a human’s nature. Where the Sidewalk Ends will be on view until May 20, 2017 at Moran Bondaroff in Los Angeles.
Dylan Brant, a young curator from New York, is quietly and maturely making a name for himself within the hallowed, oft impenetrable walls of the art world. Sure, his pedigree helps, but he surely has a knack for putting together some of the coolest art shows around. His show Rawhide at Venus Over Manhattan – which was co-curated by Vivian Brodie – was a masculine cowboy romp through post-Modern Americana. Bandana wrapped, and pistol wheeling, the show included artists like Richard Prince and Ed Ruscha, but also queer artists known for their muscle toned homoerotica, like Bob Mizer and Tom Of Finland. And just recently, Brant curated a show called Heatwave, which is open now at the UTA Artist Space in Los Angeles. The exhibition, which includes artists like Dash Snow, Rob Pruitt, Nate Lowman, and Cady Noland, takes a more abstract route in its curatorial expression, but it is probably Brant's most personal. The artists involved are artists that he grew up with or knows personally - or knew personally, like the late Dash Snow. According to Brant, the show really came together after watching an interview of Lux Interior (of the Cramps) who talks about music having an inherently youthful energy - no matter the age of the musician or the audience. We stopped by the gallery to ask Brant a few questions about the show and gained a unique insight into his ambitions as a curator. Click here to read the full interview.
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Rene Ricard, "So, Who Left Who," will be on view until April 26, 2017 at Half Gallery in New York. photographs by Adam Lehrer
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Get a rare chance to sit fireside at the iconic Schindler House in West Hollywood for a dinner series with Venice’s Foodshop, presented by MAK Center For Art And Architecture. Click here for reservations in April.
Baby, I Like It Raw: Post-Eastern Bloc Photography & Video will be on view until April 4, 2017 at the Czech Center New York. Click here to read our interview of one of the curators, Marie Tomanova. photographs by Adam Lehrer
Click here to read the interview
Click here to read the interview.
Rezaire is in the business of identifying sicknesses we carry within us everywhere we go—our histories, our implicit and explicit prejudices, our language. She is able to see through the veils of the “free, open Internet” to its capitalist underbellies, using the very tools of the Internet to undermine it. Rezaire is calling us out on the spread of colonial viruses—on our computers, in our history books, in our words. click here to read the rest of the interview.
photograph by Oliver Maxwell Kupper
The David Hockney Issue. Noboyoshu Araki, Richard Hell, Alan Vega, Meryl Meisler, Swarovski Crystal Meth, Philip Hinge, Greta Bellamacina, Robert Montgomery, Christeene, Ryan McGinley, Bil Brown, Olwen Catherine Kelly, Julian Klincewicz, Ottessa Moshfegh & Richard Prince. Click here to preorder.
In 1879, Charles Darwin used the words "an abominable mystery" and "a most perplexing phenomenon" to describe the evolution of flowering plants. With perfume brand Régime des Fleurs' new short film, directed by Brett Milspaw, a series of vignettes and story lines, abstract images and distorted realities, draws another perplexing mystery that could be used to describe the olfactory phenomenons behind the creation of Régime's scents and candles. Watch the film above and lick here to learn more about Régime des Fleurs
"Welcome to Concrete Island: an overlooked city within a city, an entropical paradise where leisure is lean. Careen off the highway and into the cushion of your airbag to arrive at this bleak no man’s land, where you’ll be marooned in plain sight. No one will hear your cries against the tide of commuter traffic lapping at the shores of our deserted island, nestled between two lanes of howling interstate. This vestigial location is your vacation destination, boasting all the sights and specificities of any cultural petri dish. Come and brave this new world. This here and now – this moment – could last forever." Concrete Island, the first curatorial effort of Aaron Moulton, brings together over thirty mostly LA-based artists who have worked around the theme of JG Ballard's book Concrete Island (1974). Ballard’s tale reinterprets the contemporary city as a savage ecosystem where survival is an avant-garde condition. The protagonist is thrown from his urban reality to be marooned on a desert island in the middle of the city. The character is forced to endure a Robinson Crusoe-esque journey emulating humankind’s will to survive in the face of adversity. Concrete Island will be on view until May 13, 2017 at Venus Los Angeles. photographs by Oliver Maxwell Kupper
The 2017 Whitney Biennial, the seventy-eighth installment of the longest-running survey of American art, arrives at a time rife with racial tensions, economic inequities, and polarizing politics. Throughout the exhibition, artists challenge us to consider how these realities affect our senses of self and community. The Biennial features sixty-three individuals and collectives whose work takes a wide variety of forms, from painting and installation to activism and video-game design. The 2017 Whitney Biennial will be on view from March 17 to June 11, 2017 at The Whitney Museum of American Art in New York. photographs by Adam Lehrer
The 14th Factory is a monumental, multiple-media art installation that will transform an empty industrial warehouse near downtown Los Angeles into a mythic universe created collaboratively through video, installation, sculpture, sound, paintings, and live performance. The 14th Factory weaves together elements of popular culture–science fiction, punk music, graphic novels, and film–with critical re-examinations of social and historical narratives, especially interconnections between East and West. Conceived by Hong Kong-based British artist Simon Birch, the vision of The 14th Factory is to create a new, independent paradigm for socially-engaged art, a kind of guerilla action where art occupies and re-energizes underutilized or even derelict urban spaces and gifts them back to the community in the form of a transformative experience. Click here to learn more about the project and find visiting times. photographs by Oliver Maxwell Kupper