The human race has been gazing at the stars with a sense of wonderment since time immemorial. These cogitations have inspired the creation of everything from religious mythologies to monumental earthworks to marine navigation, space navigation and innumerable inventions in between. It is a universal human experience where most of us encounter our first existential ponderings and Seffa Klein is no exception. What is exceptional about her experience is that she comes from a family of artists whose careers have been dedicated to exploring universal truths in the realms of art, science, and spirituality, which has afforded her the unique opportunity to engage with these profound questions further in the light of day rather than extinguishing them. While most of us are told to invest our time and energy in more realistic endeavors, the Klein family is deeply rooted in the belief that this is as real as it gets. Gallerist Jérôme Poggi recognized this unique quality of the Klein family as one of artists who foster each other’s practices rather than competing with one another, which inspired him to curate a solo exhibition of Seffa Klein’s works alongside selected works from Yves Klein, Rotraut, Marie Raymond, and Günther Uecker, who are respectively her grandparents, great-grandparent, and great-uncle. See the exhibition before it closes tomorrow, July 13. Read more.
Celine Haute Parfumerie Introduces Bath & Body Collection
Hedi Slimane introduces Celine's first bath and body range for the couture house. This new line features a wide array of fragrances from the Celine Haute Parfumerie collection.
The Celine Bath & Body Collection expands to include liquid soap, body lotion, hand cream, and hair mist. Each product is highly perfumed, capturing the signature scents of the Celine Haute Parfumerie collection: Parade, La Peau Nue, Cologne Céleste, Reptile, Black Tie.
Collection arriving soon.
The First UN Conference Dedicated to Ocean Literacy Meets in Venice for World Oceans Day Organized by Prada Group & UNESCO
On June 7th and 8th, for World Oceans Day, the first United Nations conference dedicated to ocean literacy entitled “Ocean Literacy World Conference” took place in Venice. The event, organized by the Prada Group and UNESCO's Intergovernmental Oceanographic Commission represents an important milestone in the partnership between the two organizations which, since 2019, have been working side by side to develop the SEA BEYOND educational program aimed at raising awareness among the younger generations on the health and protection of the ocean.
This included the presentation of the first SEA BEYOND Ideas Box, the result of a collaboration with the international NGO Bibliothèques Sans Frontières, which aims to facilitate access to education for children and young citizens in vulnerable communities. Designed by Philippe Starck in 2014, the Ideas Box is a mobile multimedia center of over 100 square meters, equipped with internet connection, tablets, laptops and over 250 books and games, as well as hundreds of training materials. To celebrate the Ideas Box’s tenth anniversary, Philippe Starck and Patrick Weil, Founder and President of Bibliothèques Sans Frontières, told the story of its inception in a dedicated conversation. The contents of the media center were curated by UNESCO's ocean literacy team in collaboration with Bibliothèques Sans Frontières and a selection will also be integrated into those already operating in metropolitan France and overseas regions (8 Ideas Boxes), Burundi (4 Ideas Boxes) and Ivory Coast (6 Ideas Boxes). The teams responsible for managing the individual Ideas Boxes will be trained by UNESCO’s ocean literacy team.
The conference brought together 131 delegates from UNESCO Member States and ocean literacy experts from around the world to contribute to the “Venice Declaration for Ocean Literacy,” a collective document that in ten points contains concrete recommendations to rebalance the relationship between the ocean and human beings. The declaration will be shared with UN Member States on July 2nd in New York to help shape the agenda for the UN Ocean Conference to be held in Nice, June, 2025.
Devon Dejardin's Pareidolia Is A Reflection of Your Inner Psyche @ Carl Kostyál in Stockholm
Devon Dejardin’s new solo exhibition of paintings and sculptures takes its name from the strange and universal phenomenon wherein we see faces in abstract imagery. In a broader sense, pareidolia is the perception of scrutable objects in any kind of nebulous stimulus. We see animals in cloud formations and hear voices in white noise. From Rorschach’s inkblot tests, to hidden messages in a record played backwards, to Jesus Christ on a piece of toast, there are endless examples of our unconscious tendency to discern meaning and order in the face of chaos. For Dejardin, these works are guardians. They draw together elements of various faiths and belief systems. What you see when you look at any of these pieces may differ depending on your own belief systems, your relationship to art history, the conversation you were just having, and your emotional wellbeing. You might find that when you step away and come back to any given work that you can’t remember if you’ve seen it before or if you’re in fact looking at a new painting. Layer by layer, the works reflect aspects of our inner psyche back at us, like mirrored building blocks that reveal the ever shifting unconscious mind as it wanders around in real time.
Pareidolia is on view through July 21st @ Carl Kostyál Hospitalet, Sjökvarnsbacken 15, 131 71 Nacka, Stockholm
Watch The Music Video For Zsela's Track "Not Your Angel" Produced By Ryan Trecartin
Zsela has released a new song and video, “Not Your Angel,” the third single before her debut album Big For You arrives via Mexican Summer this Friday, June 14th. It is the first music video shot using Apple Vision Pro. Produced by Ryan Trecartin and directed by Ethan Skaates.
Autre Magazine LEVITY ISSUE Celebration At The Historic Arzner-Morgan Residence in Los Angeles
On Saturday June 8th, Autre Magazine celebrated its Spring/Summer 2024 Levity Issue at the historic Arzner-Morgan Residence in Los Angeles, now the West Coast outpost of Half Gallery, helmed by author and art dealer Bill Powers. With a crystal clear view of Los Angeles, the Greek-Revival home built for one of Hollywood’s first openly queer filmmakers in 1930, welcomed an intimate, personally invited guest list. Cocktails were provided by Legende Rakija in partnership with Casamara Club. photographs by Oliver Kupper
Read Our Interview of Musician Babymorocco
interview by Abe Chabon
photography by Iris Luz and Erika Kamano
Babymorocco loves beautiful women, cheap purple vodka, Gwen Stefani, and bodybuilding. He hates irony, uninspired people, and boring nights. The London-based recording artist has burst drunk, buff, and confidently into the music scene in the past two years with a distinct sound and an entirely original look. He sings about sex, partying, girls, and his ego over bubbling synths, Drum and Bass hi-hats, pounding 808s, and floating basslines. His subject matter is cheap, trashy, and vain, but it has an authenticity and humor that balance his narcissism with charm. ‘Rocco’ doesn't want you to take him too seriously; his aesthetic reflects that. Babymorocco looks like he belongs just as much on stage in a London warehouse as he does in a strongman porno mag. He makes it hard to tell the two apart. If you've seen Babymorocco live, you've probably seen him with his pants off. Sex appeal has always been important to male musicians, Jim Morrison had his long hair and bursting leather pants, Elvis wore unzipped bedazzled jumpsuits, Babymorocco has short shorts, tight T-shirts, and bulging biceps. He’s like a pitbull on a bender. He took a break from recording his upcoming project in the studio to talk. Read more.
Read A Conversation Between Artists Darius Airo and Jon Pylypchuk on the Occasion of Airo's Solo Exhibition →
Between the minutia and the mirage of our fragmented contemporary existence, artists Darius Airo and Jon Plypchuk both create work imbued with a humorous and ironic darkness masked by playfulness. An inside joke, a half forgotten dream, a song lyric, abstracted figures caught between the waveforms of television static or the rain-drenched glass of a car windshield—our brains continually try to make sense of the world like an undecoded cypher. In Airo’s recent paintings and pastels, presented in the exhibition Mickey’s Mirror (opening May 25 at Abigail Ogilvy gallery in Los Angeles, curated by Josh White—whitebox.la), making sense of the world requires clever conceptual conceit of internal mirrors and the abstracted visages of iconic cartoon characters. In the following conversation, Airo and Plypchuk discuss how the world around them is absorbed into their work. Read more.
MSCHF Presents Art 2 @ Perrotin in Los Angeles
MSCHF presents Art 2, their latest exhibition and second solo show with Perrotin, which is being featured at their Los Angeles location. A compilation of some of their most prominent works, what stands most strikingly at the center of the gallery is the 2004 PT Cruiser which made its way across the United States. An understandable $19.99 could earn the average citizen rights to the car’s keys, prompting an all-american car chase which found its end in Truckee, California. MSCHF’s notorious, oversized shoes make a recurring appearance throughout the exhibition, which the product’s founders claim to “haunt the gallery.”
An Ikea-esque contraption stands assumingly amidst the chaos–it’s a sink made from standard hardware. One of the sink pieces was installed in the bathroom of the MET in New York City–so, MSCHF now has a permanent installation in one of the most renowned museums in the world. Lining one of the gallery walls are 249 copies of Picasso’s infamous La Poisson, which is a small wooden sculpture of a fish. The original stands among them, but the viewer may never know which one really laid in the hands of the great Spanish painter. Regardless, buyers receive an official bidding certificate which directly replicates the one MSCHF founders received when they successfully bid for the wooden object at a Christie’s auction. There’s no need to sue for copyright infringement. Near the entrance of the gallery is a Botero–once a portrait of a jarringly corpulent businessman has been visibly edited into a skinnier version. MSCHF retitled the work Ozempic (Botched Fumador de Cigarillos).
Art 2 is on view through June 1 @ Perrotin, 5036 West Pico Boulevard Los Angeles
Bitter & Sweet by Emi Iguchi & Camille Ange Pailler
Sia Arnika velvet dress
Untitled Lab x Sia Arnika leather boots
Von Dutch cap
Wolford leopard tights
photography by Emi Iguchi
styling by Camille Ange Pailler
hair and makeup by Janette Peters
casting direction by Ananya Nisbet
model Lilja Drab via @elf_mgmt
photo assistance by Heinrich Wrede
styling assistance by Nadine Sham
Katharina Dubrick knit wool top and mittens
Lina Nix skirt
Sia Arnika jumpsuit
Olivia Ballard bomber jacket
Lina Nix tutu skirt
Von Dutch cap
Sia Arnika velvet dress
Celine denim hooded jacket and shorts
Our Legacy t-shirt
Sia Arnika x Untitled Lab leather boots
Wolford leopard tights
Malene Specht jacket
Celine short
Celine short
Wolford leopard tights
Olivia Ballard bomber jacket
Sia Arnika jumpsuit
Olivia Ballard bomber jacket
Lina Nix tutu skirt
Valentino dress and sandals
Malene Specht jacket
Celine short
Sia Arnika x Untitled Lab leather boots
Cissel Dubrick shirt
Olivia Ballard shirt
Valentino dress
Cissel Dubrick shirt
Olivia Ballard shirt
Watch Celine 22 "Symphonie Fantastique" Featuring Their Winter 24 Men's Collection
In 1969, Leonard Bernstein described the "Symphonie Fantastique" as the first psychedelic symphony ever composed, and more than 100 years before the dawn of the movement in the late 1960s.
"...those sounds you're hearing come from the first psychedelic symphony in history, the first musical description ever made of a trip, written one hundred thirty odd years before the Beatles, way back in 1830 by the brilliant french composer Hector Berlioz. He called it "Symphonie Fantastique," or "Fantastic," and fantastic it is, in every sense of the word, including psychedelic."
Hedi Slimane discovered the "Symphonie Fantastique" at the age of 11 and became passionate about the romantic musical piece by the young Berlioz. Hector Berlioz was only 26 years old when he was in an obsessive relationship with English actress Harriet Smithson, which led him to compose the "Symphonie Fantastique" on December 5th 1830 in Paris.
Directed by Hedi Slimane
© hedi slimane photography and film
The "Symphonie fantastique" collection was filmed between January and February in the Mojave desert and Los Angeles.
Makeup artist: Aaron de Mey
Hair stylist: Esther Langham
Hair colorist: Alex Brownsel
SPY Projects Presents Unrequited Group Show: An Eternally Recontextualized Assemblage of Works @ the Former Brooke Alexander Gallery in New York
Pietro Alexander’s SPY Projects, a Los Angeles-based gallery that has developed a reputation for recognizing young, emerging talent both local and international since its inception in 2021 hosts their Unrequited group show at 59 Wooster Street. Not just another SoHo loft, the building—the very floor, in fact, once housed the Brooke Alexander Gallery, which opened its first exhibition in the space nearly forty years ago and worked with a number of artists who have gone on to become legends, influencing the art scene in New York and beyond. It’s a natural meeting place between East and West coasts, and a fitting home for SPY Projects’ New York debut, since the eponymous gallerist Brooke Alexander’s brother was the artist Peter Alexander, a pioneering figure of the Light and Space movement in California.
As much as we should know what an artwork is—what’s placed in front of us, contained within a frame, defined by a title and tombstone—there’s always something that seems to escape, an uncontrollable excess of meaning beyond what anyone, even the artist could predict. Because ultimately, the substance of it all is continually created anew and brought into being through every encounter between the viewer and the work itself. As a result, even the most rigorous or tightly structured artwork remains porous and in flux, incorporating shifting social contexts, feelings, and personal histories.
So, if it can’t be controlled, why fight it? Curator Sara Apple encourages you to let go of the Sisyphean struggle to reconcile vision and meaning with the murky, malleable world. The exhibition is not an endpoint, the final realization of a concept, but an embarkation, an embrace of the unrequited to welcome the larger possibilities of experience. This extends from the artists—selected less because they fit an aesthetic mold or illustrate a particular idea, but out of organic connections—to the structure of the show itself, which hosts events and performances throughout its duration. By opening up the exhibition while supporting its full potential, all these disparate strands can be brought together, encouraged to develop into the unknown and unexpected, and become something more in the process.
Unrequited includes works by Peter Alexander, Malik Al Maliki, Katherine Auchterlonie, Stefan Bondell, Cristine Brache, Sasha Filimonov, Chris Lloyd, Kay Kasparhauser, Alison Peery, Raymond Pettibon, and Montana Simone. The show is on view through May 31 @ 59 Wooster Street, New York
Andrés Anza Chosen As Winner of the 2024 Loewe Foundation Craft Prize
Awarded for his work “I only know what I have seen,” 2023. Andrés Anza was chosen from thirty finalists by a distinguished jury composed of leading figures from the worlds of design, architecture, journalism, criticism, and museum curatorship, including Magdalene Odundo, Minsuk Cho, Olivier Gabet and Abraham Thomas.
This year’s edition of the LOEWE FOUNDATION Craft prize presents a selection of works that feature organic and biomorphic forms that push materials to their physical limits. Many of the works repurpose found or recycled materials and there is a focus on the elevation and transformation of the everyday. All thirty of the shortlisted works will be exhibited at the Palais de Tokyo, Paris from May 15th through June 9th. The exhibition will also be available to view online and documented through an exhibition catalogue.
Andrés’ life-size ceramic sculpture has an arresting and almost human presence in the exhibition. Its anthropomorphic form – allowing it to seem at once figurative and abstract – is intricately constructed using thousands of individual ceramic protrusions. These tiny spikes make up five puzzle pieces, which have been assembled with an almost architectural intention and precision.
The jury observed that this work defies time and cultural context, drawing upon ancient, archaeological forms but also tracing a post-digital aesthetic that sees ceramics absorbing the most defining influences of our time.
Tits Up: Read An Interview of Author Sarah Thornton On Her Latest Release →
Annie Sprinkle "Bosom Ballet" 1990-91, courtesy the artist
From the auction house to the titty bar, the art fair to the witches’ retreat, Sarah Thornton has moved her ethnographic eye from the art world to the titty world—and we are all better for it. Tits Up: What Sex Workers, Milk Bankers, Plastic Surgeons, Bra Designers, and Witches Tell Us about Breasts explores what breasts mean to five different breast-experts. The result is an ambitious collage of uplifting sagas (also the original name for Thornton’s book before the publisher asked her to change it). Thornton and I met over Zoom to talk about some of these lived experiences, particularly her own—everything from what inspired her to write the book in the first place to how writing it changed her relationship to her own body. Read more.
Read an Interview of Cammie Staros on the Occasion of Her Exhibition @ SCAD Museum of Art →
Image courtesy of the artist and SCAD.
Cammie Staros’ Sunken City featured at the Savannah College of Art and Design (SCAD) Museum of Art through June 24 reinvents our relationships to the traditional historical narrative. Referencing antiquities against the expansiveness of time, Staros positions iconic relics as vessels with which to unite history and the present moment. Her aquarium virtines, which house seemingly anthropomorphic vases, are manifested as self-sustaining biomes aptly referencing the nuances of the lifetime. Staros’ exhibition uniquely encapsulates the passage of time, while simultaneously illuminating the role of the object in the context of human systems. Her modernization, yet simultaneous preservation, of the iconic relic speaks to the primal instinctual basis of a commodity-driven culture and the modern conceptualization of value. Read more.
Sunken City is organized by SCAD Museum of Art curator Ben Tollefson and presented as part of SCAD deFINE ART 2024.
Human Intuition and Artificial Intelligence Collide in Sparks @ Future Gallery in Berlin
Sparks, a group exhibition featuring works by Rush Baker IV, Kévin Bray, Amalie Jakobsen, Chanel Khoury, Anselm Reyle, Vickie Vainionpää, and Jack Warne, delves into emergent artistic processes, from Augmented Reality to collaborative AI and simulated asteroid mining. It offers insights into the diverse and imaginative techniques these artists employ, such as Bray’s collaboration with AI to meld countless versions of his original hand-drawn sketches processed by a generative engine, and Vainionpää’s use of code in her oil paintings as a medium to create infinite relationships between diameter, curve, and entanglement. Reyle’s works are characterized by the use of various found objects that have been removed from their original function, altered visually, and recontextualized. Remnants of consumer society, discarded materials, symbols of urbanity, and industrial change play a central role in his oeuvre.
Sparks is on view through June 1st at Future Gallery, Schöneberger Ufer 59, 10785 Berlin.
John Valadez Extends the Chicano Arts Movement in Chaos Anime @ Luis de Jesus Los Angeles
John Valadez, Chaos, 2024. Courtesy of the artist and Luis De Jesus Los Angeles.
A trailblazer of the early Chicano Arts Movement in the 1970s and 80s, John Valadez’s work has come to define an iconography of Chicano experience in the city by catalyzing its changing dynamics and reconstructing a mythical allegory that speaks to an alternate vision. Through a multidisciplinary practice spanning 45 years, and encompassing documentary photography and portraiture, public murals, paintings, and pastel works, Valadez has cultivated a style that transcends genre designations. Never settling into one box, his work evokes a fluidity between multiple cultures and visual lexicons, effectively mirroring the unsettled experience of the Chicano identity. Valadez continues to pursue politically engaged work—a persistent voice championing generations of Chicano and Latinx communities.
John Valadez: Chaos Anime presents new paintings that address the shifting global dynamics and social climates facing new generations of Chicanos today, alongside recent works that revisit earlier themes. Together, the works exhibit the breadth of the artist’s social commentaries and further contextualize his lauded approach to painting. Drawing from current events, cultural histories, city life, and such experiences filtered through lucid dreaming, Valadez implements realism, mannerism, abstraction, and montage as a vehicle for allegory and satire to ignite a myriad of socio-political conversations. Themes of invisible borders, sublime skies, tempestuous seas, and juxtapositions between reality, dreams, and the natural world versus the consequences of human interferences, are but some of the constants throughout the trove of Valadez’s urban proverbs. A pivotal moment in Valadez’s new body of work is his extension of Chicano Movement principles, speaking to global matters of displacement, gentrification, economic disparities, famine, the environment, and geopolitics.
Chaos Anime is on view through June 8 @ Luis de Jesus Los Angeles, 1110 Mateo Street, Los Angeles, CA 90021
John Valadez, Piernas Anime, 2017. Courtesy of the artist and Luis De Jesus Los Angeles.
Two Men Sitting: Read Our Interview of Photographer & Curator Job Piston →
Two Men Sitting, Delfi, 30 x 40 in, lustre print, 2024. 1 AP, Ed. of 3 (option 17 x 22 in, metallic lustre print)
Muna Malik and Job Piston arrive on a Greek island sprinkled with sunflowers, daisies, and the sight of a tossed olive oil can. The two artists are gazing upon the Aegean Sea stretching out in front of them. They are in Hydra on a bench in the shadow of the Deste Project Space, not far from where they met for the first time to participate in the art and curatorial residency with ARC Athens. An oversized wind spinner with the melancholic face of the Greek god Apollo by Jeff Koons peers down over them. Apollo is often associated with sun and light, representing the illuminations of truth and knowledge. It is a fitting setting for a conversation around photography and metamorphosis, as they discuss the artist and curator Job Piston’s latest Los Angeles solo project Estate Sale. Read more.
Find Infinitude in Callum Innes' Turn @ Sean Kelly in Los Angeles
Installation view of Callum Innes: Turn at Sean Kelly, Los Angeles, March 16 – May 4, 2024, Photography: Brica Wilcox, Courtesy: Sean Kelly New York/Los Angeles
Callum Innes’ Turn at Sean Kelly in Los Angeles is an escapade into the shape. The exhibition features his latest Tondo works, alongside his Exposed Paintings, Split Paintings, and Shellac Paintings. Innes utilization of shape and color seeks to reinvent itself repeatedly. There’s a sense of playfulness with how the traditional shape can be rendered, and how the manipulation of color can transform the space within a shape. This transformation of space is what makes Innes’ work so iconic; the hardness of his rectangular and circular figures are almost intimidating. There’s a sense of intense certainty around Innes’ work: square, circle, rectangle, line. The infinite history of these figures is perhaps what makes them so sturdy in their presence; they stand in themselves like sargeants in command. There’s something calming about this sense of complete certainty; the deliberate alteration of the traditional shape is uniform, mechanical, and familiar. The occupation of space within the shape itself is what forces Innes’ work outside the confines of all that we know to be the average circular or rectangular formation. The geometric display is pervaded with different intonations of pigment, while still steadfastly holding onto the robust structure that is quintessential of Innes’ work.
Installation view of Callum Innes: Turn at Sean Kelly, Los Angeles, March 16 – May 4, 2024, Photography: Brica Wilcox, Courtesy: Sean Kelly New York/Los Angeles
His latest exploration of the Tondo simultaneously catalyzed an experimentation with materiality. For this series of work, Innes’ circular figures are made of plywood panels. The sleekness of the surface invited a new methodology involving the application of color. This embrace of movement in process further enunciates the notion of time in Innes’ work. The infinitude of the shape is subliminally apparent; we are conscious of the fact that the standard shape is something that has always existed and will always exist. The notion of time becomes further warped across materiality, where the time spent making these forms varies and is dependent upon the surface of the work.
Turn becomes incredibly nuanced when it’s embedded within the context of time and shape. The rotation of a circular form is ubiquitous in its implementation. To turn is to move, and to simultaneously occupy time. Innes directly engages with the advent of motion, but does so in a way that is entirely unchaotic. The structure that he gives time can be comforting, but it’s more so reflective. The sturdiness with which Innes presents abstract concepts lies at the heart of this ability for reflection; the idea of turning becomes inseparable from the idea of shape. To turn becomes reminiscent of both the infinite and finite. The end of the turn finds itself at the end of the circle, which doesn’t exist.
Installation view of Callum Innes: Turn at Sean Kelly, Los Angeles, March 16 – May 4, 2024, Photography: Brica Wilcox, Courtesy: Sean Kelly New York/Los Angeles
Turn is on view through May 4 @ Sean Kelly, 1357 N Highland Avenue Los Angeles CA
A Look Inside Cartier's Newly Designed Boutique In South Coast Plaza Inspired By The Environs Of Southern California
Cartier announces the recently completed renovation and expansion of its newly-designed Costa Mesa boutique, with the creative direction led by Moinard Betaille agency, who drew inspiration from Orange County’s diverse landscape—from its local vegetation to the shimmering waters at Laguna and Newport Beaches, and from the nearby Mojave Desert’s sweeping sand dunes to the cracked earth at Joshua Tree. The boutique’s overall design pairs modern shapes with the Maison’s timeless design codes and a touch of whimsical details. A Livatz glass canopy light inspired by the region’s ubiquitous skateparks adds a playful touch to the accessories and care service areas, while custom-designed chandeliers in the shape of dahlias—a symbol of eternal love—decorate the bridal area’s ceiling. The bridal area is also home to a lacquer and mother-of-pearl panel by Atelier Midavaine, depicting inspired by a High Jewelry brooch in the shape of an orchid native to Southern California. Visitors approaching the boutique will notice the unique three-dimensional façade, the first of its kind for the Maison in North America. Handcrafted in aqua resin with plaster details, it is intended to evoke a soft sea breeze wafting through the window, gathering the curtains in gentle pleats. Upon entry, guests are met with Cartier novelties set against a large panel depicting a panther by François Mascarello, fashioned in wood, straw, and mother-of-pearl marquetry. Local flora can be found throughout the boutique, including the handcrafted staff columns inspired by palm trees and the hand-painted Moss + Lam mural depicting a hyperreal portrait of local vegetation in dusty desert tones. The new boutique will be open Monday through Saturday from 10:00 am – 8:00 pm, and will offer a full range of creations, including jewelry, fine jewelry, watches, leather goods, fragrance, and Art of Living, in addition to other special collections. 3333 Bristol Street in the renowned South Coast Plaza shopping center.