Vaginal Davis’s Magnificent Product Chronicles Five Decades of Her Playful Defiance @ MoMA PS1

Magnificent Production by Vaginal Davis, MoMA PS1, 2025. Photo: Isabella Bernabeo.

text and photographs by Isabella Bernabeo

Magnificent Product marks Vaginal Davis’s first major US institutional show, presenting art from her early Los Angeles projects to her more recent Berlin-based creations. Organized thematically instead of chronologically, the works take viewers on a journey filled with vivid colors, humor, and emotion.

Magnificent Production by Vaginal Davis, MoMA PS1, 2025. Photo: Isabella Bernabeo.

The exhibition begins in a light mint-green room titled Naked on my Ozgod: Fausthaus – Anal Deep Throat. This square room features green sheer curtains along every wall, with hundreds of photos from Davis’s early Los Angeles years covering the walls behind the fabric. Visitors are invited to slowly peel away the fabric from the wall to get an intimate view into Davis’s personal life before seducing them into the next room. This section is inspired by one of her first art exhibitions, originally held at the Pio Pico Library in Los Angeles. 

In the next space, HAG, Davis reconstructs her old Sunset Boulevard apartment in Los Angeles, the site where she produced many iconic zines, such as Shrimp, Yes, Ms. Davis, and Sucker. The dimly lit room glows pink and includes a walk-in box in the center. Inside, its walls display drawings and figurines of a woman’s head, possibly self-portraits. The slanted floor creates a warped, unbalanced environment that meshes reality with fantasy, just like the work it supports. 

Magnificent Production by Vaginal Davis, MoMA PS1, 2025. Photo: Isabella Bernabeo.

Another engaging room in Davis’s collection is HOFPFISTEREI, where visitors are encouraged to interact with her artwork. A table and four chairs occupy the room’s center, surrounded by piles of Davis’s zines, writings, and creations. A photocopier stands nearby for visitors to print out copies to take home. 

Davis also utilizes a screening room, which resembles the Cinerama Dome movie theater that operated on Sunset Boulevard from 1963 until 2021. Here you can watch low-fi videos she created during the 1980s, showcasing her range of personas as an artist, queer activist, self-proclaimed “Blacktress,” and more. These recordings, much like the earlier photos, give visitors a detailed and in-depth view into Davis’s life; they’re a testament to how interconnected her art is with her identity. 

Magnificent Production by Vaginal Davis, MoMA PS1, 2025. Photo: Isabella Bernabeo.

Another striking installment is from her Wicked Pavilion collection, displaying a reimagined version of Davis’s teenage bedroom. However, instead of her in the rotating bed, a large phallic sculpture sits in the space. The room is completely pink, from the walls to the rug to the curtains. A miniature desk sits in the right corner, topped with two lamps, a pile of jewelry, and an array of colored nail polish, hinting that Davis’s has relished dressing up as the showstopper she is since her youth. 

Along the ceiling, dozens of images are hung from a clothesline. These photos are of Davis’s muses, such as actor Michael Pitt or actress Isabella Rossellini. While visitors take a look around the bedroom, they listen to a mix of the song, “A Love Like Ours,” from the 1944 film Two Girls and a Sailor, interviews that Davis herself conducted for LA Weekly in 1996, and a voice message from Davis’s own secret admirer, creating a fully-immersive experience.   

Magnificent Production by Vaginal Davis, MoMA PS1, 2025. Photo: Isabella Bernabeo.

Across all of these works, Davis’s playfulness and defiance shine through. Magnificent Product is a living experience that can be overwhelming at times, yet each room offers a sense of freedom. Davis commands her viewers’ attention—and she intends it that way. 

Magnificent Product is on view through  March 2 @ MoMA PS1 22-25 Jackson Avenue, Long Island City, Queens

Mark Flood Gives An Obscene and Depraved Lesson On How To Become An Artist @ The SFAQ [Project] Space

It’s clear that Houston based artist Mark Flood has a love/hate relationship with the art world – with the scales often leaning toward the latter. It feeds him, clothes him and allows him to make his work, but what he hates is the politics, the obsequiousness of collectors, the hyperbole of the press, the endless “bad” art, and the rusty, death defying latter good artists put themselves through to get to the top. These are allow things Flood is exploring in Some Frequently Assked Questions – a show that is on view now at the exciting SFAQ [Project] Space in the gritty Tenderloin neighborhood of San Francisco. A perfect place to stage Flood’s vitriol, but nonetheless it’s a brilliant, must-see show that may be one of the best of the year. Some pieces of note are two triptychs smattered with memes that read as a how-to-guide for making it to the top of the art food chain – the images are gruesome, pornographic, horrifying tidbits plucked from the netherweb – stand back and it spells out LOL and KEK, which is a World of Warcraft translation of the former. Some Frequently Assked Questions will be on view until August 15, 2015 at the SFAQ [Project] Space, O'Farrell, 441 O'Farrell St, San Francisco, CA. Text and photographs by Oliver Maxwell Kupper

She Lay Down Deep Beneath the Sea

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Tracey Emin's first major solo exhibition at Turner Contemporary, entitled She Lay Down Deep Beneath the Sea, is conceived specially for Margate, where Emin grew up and which has provided inspiration for many of her most famous art works. The exhibition explores the themes of love, sensuality and romanticism in Emin's oeuvre, featuring both new and existing works including drawings, monoprints, sculptures and neons. The exhibition's central themes continue in a display of paintings, sketches and watercolours of erotic subjects by Tracey Emin as well as JMW Turner and Auguste Rodin, whose iconic sculpture The Kiss is on show at Turner Contemporary until 2 September 2012. Tracey Emin: She Lay Down Deep Beneath the Sea will be on view from May 26 to September 23 at the Turner Contemporary 

Tracey Emin: Love Is What You Want

Love Is What You Want

"People like you should fuck people like me," reads one her famous neon sign installations.  "Good smile, Great come," reads another.  Tracey Emin, a celebrated contemporary English artist, who has a retrospective of sorts opening today in London, is labeled a "wild child" of the art world with no chance of taming.  Her neon scribbles are honest and personal, and speak of the post modern human condition on a profound level.  Emin has had her fair share of hard knocks–growing up poor, raped at 13, and an abortion of twins at 18–so now, with her trademark lopsided smile and sexy glint in her eyes, she's appropriately getting back at this fucked up mess we call a world–in a beautiful way.

Good Smile Great Come

Emin's rise to prominence culminated with a special exhibit at the Tate Gallery in 1999, in which she presented her unmade bed in the museum exactly as it was in her home–after spending countless suicidal days in it following a fight in relationship.  Yellowed sheets, cigarette butts, stained underwear, and condoms strewn about the bed was a shocking, visceral site to behold–a strange reminder of the fragile, intricacies of the human psyche.  A famous photograph, a self-portrait of the artist herself, from a gallery show I've Got it All Now (2000) - displays Emin clutching bank notes and coins into her crotch - an analytical critique for man's unquenchable desire for money.

"Oh Christ, I Just Wanted You to Fuck Me, And Then I Became Greedy, I Wanted You To Love Me."  from a Tracey Emin Installation

The exhibition, Tracey Emin: Love Is What You Want, opens today at the Hayward Gallery at the Southbank Centre in london and features painting, drawing, photography, textiles, video and sculpture, in works that are "by turns tough, romantic, desperate, angry, funny and full of longing." Seldom-seen early works and recent large-scale installations are shown together with a new series of outdoor sculptures created especially for the Hayward Gallery.

On view at the Hayward Gallery May 18 to August 29, 2011 - find tickets here.

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