Jesse Jo Stark Live At The Echo in Los Angeles
photographs by Rebecca Hearn
The Eggleston Trust is the holiest of places when it comes to the life's work of legendary photographer William Eggleston. It is the nerve center where his son, Winston Eggleston, manages his father's negatives, commission requests, old cameras, ephemera and more. Before our interview of Eggleston at his home down the road, your first stop is this dim, slightly cramped office where you'll find everything from a camera stolen from a cafe table in Paris and found years later in a pawn shop in Tokyo, to a safe full of the thousands of original negatives containing William Eggleston's most famous images. Click here to purchase our Summer issue with an exclusive interview of William Eggleston and photographs from our visit. photographs by Oliver Kupper and Bil Brown
In her most recent works, on view at New York's P.P.O.W. Gallery, Aurel Schmidt retires her attention to detail and color in a series of mixed media drawings and installation. Showcasing items belonging to past and present lovers in I Rot Before I Ripen, Schmidt investigates girlhood, streetwear iconography, brand significance, and heterosexuality. I Rot Before I Ripen will be on view until October 7 at P.P.O.W. Gallery 535 W 22nd St, New York, NY. photographs by Adam Lehrer
Click here to read the full interview.
Mai-Thu Perret's Féminaire, presented at David Kordansky Gallery consists primarily of two bodies of work: a monumental installation of figurative sculptures positioned on a single plinth and a gridded wall arrangement of dozens of ceramic wall pieces. Click here to read Claressinka Anderson Pugliese's poetic response to the exhibition.
Watch the video for “Candy May,” directed by Meghan McGarry. As she describes it, “Candy May is a visual, gut-wrenching longing, seeping out through the skin with a swagger that is distinctively Alex Cameron.” Cameron's new album, Forced Witness, will be released on September 8. Click here to read our interview of Alex Cameron from our archives.
The exhibition of new works on paper by Christopher Johnson, Mikhail Sokovikov and Jason Aaron Wall (Mint&Serf) investigates a range of figurative themes and conceptual perspectives that always question but not always answer. After a two-year hiatus Johnson, Sokovikov and Wall return with a set of refreshed attitudes and new directions that explore personal identity, abstract experimentation and destruction as the human condition. Warranted Non-Compliance will be on view until June 5 at Lazy Susan gallery, 191 Henry Street Chinatown, NYC. photographs by Lorenzo Fariello
The Marciano Art Foundation was established by Maurice and Paul Marciano - founders of guess - to grant the public access to the Marciano Art Collection through presentations of rotating, thematic exhibitions housed in a permanent exhibition space in Los Angeles. The museum opens on May 25, 2017. Click here to grab tickets. photographs by Oliver Maxwell Kupper