The Highway Is For Gamblers: Read Our Interview With Artist Jeremy Everett Who Crashed A 60-Foot Long Truck Full Of Milk On A Utah Highway For Art →

In Jeremy Everett’s latest, most ambitious work of art, entitled FLOY – a magnum opus of grandiosity and scale – the artist crashes a 60-foot truck on a highway in Utah, leaving milk spilled across the asphalt. The wreckage was filmed from a helicopter ­– the artist had to race from the crash site to the helipad before the milk evaporated. Indeed, evaporation is an important part of Everett’s oeuvre – in his Double Pour series, for which his current exhibition at Wilding Cran is named after, the artist captured water spilled on a generic parking lot in Los Angeles before it dried and disappeared into the ether. While most artists apply material to material, Everett’s practice seems almost like a VHS tape on constant rewind; a fuzzy layering of time, space and ephemerality that makes you realize the illusion of time, the impermanence of life and the absurdity of everything. Read our interview with the artist here. 

Mark Bradford's "Be Strong Boquan" at Hauser and Wirth in New York

The color palette used by Los Angeles-based abstract painter Mark Bradford for the work in his stunning new show at Hauser & Wirth, Be Strong Boquan, is different than the palette that comes to mind when I think of his other work. While some paintings make strong use of the dark and austere colors most associated with his work, there are also bright pinks and yellows. Despite the vivaciousness of these colors, there is still a physical menace that emanates through them. Walking through the exhibit, I was reminded of that indescribable feeling that courses through your body just before you realize that you are full-blown sick: goosebumps on your arms, chills running through your spine, the inability to make a fist, a feeling of faintness. Click here to read the full review. 

Jeff Koons "Gazing Ball Paintings" @ Gagosian Gallery In New York

Jeff Koons’ newest exhibition Gazing Ball Paintings opened Thursday at Gagosian in New York. The exhibit presents Koons’ newest series of paintings entitled Gazing Ball, for which he recreated art historical paintings and inserted a glass-blown blue ball on a small shelve onto each canvas.  The selection of paintings represents Koons’ personal favorites, which he aims to make stronger by creating a dialogue between the viewer, the work and the space through the reflection on its surface. The blue balls hover in front of masterpieces such as Édouard Manet’s The Luncheon on the Grass, Gustav Klimt’s The Kiss, and Leonardo da Vinci’s Mona Lisa, which the artist purposefully did not copy one for one but are there to create the idea of a painting. The flat paintings achieved to confuse some viewers about their authenticity, spark indignation, and the presumption that these paintings needed improvement outraged others. The reflection is reminiscent of a fun-house mirror, and according to the press release, creates a metaphysical occurrence, which connects the viewer to a family of cultural history in real time. Koons seems to have a preference for sexually charged scenes, epitomizing the male gaze even further, by the often unfortunate positions of the balls and their reflections. One disturbing example is Gustave Courbert’s Le Sommeil where the gazing ball is placed right between the legs of one of the figures.  Overall, the exhibit was in line with Koons child-like mentality and left the viewers curious and apprehensive of what can be expected of the artist in the future. Jeff Koons "Gazing Ball Paintings" will be on view until December 23, 2015 at Gagosian Gallery, 522 West 21st Street, New York. photographs and text by Adriana Pauly

Luna Tristá's "She's My Man" Explores Social Themes, Gender Identity and Queer Culture

She's My Man is a new project by one of our favorite photographers, the Cuban-born, Barcelona-based Luna Tristá. It´s a series of portraits she took of her partner, once a month, during their encounters in Barcelona and Paris. She's My Man is about social themes, gender identity and queer culture. It´s a project that develops ironic and romantic undertones and examines these themes from a personal point of view. photographs by Luna Tristá 

Melanie Pullen "Soda POP!" @ Jenkins Johnson Gallery in San Francisco

Jenkins Johnson Gallery, San Francisco presents its first solo show by Los Angeles photographer Melanie Pullen. The exhibition features photographs from Soda POP!, her new series that plays with cultural assumptions; she combines things typically associated with childhood, such as computer games, and places them in adult nighttime settings. The unease is heightened featuring young people marginalized by society, neglected street kids, or male prostitutes. Melanie Pullen "Soda POP!" will be on view until January 9, 2016 at Jenkins Johnson Gallery in San Francisco, CA. photographs by Bradley Golden

Paris Photo to Offprint: Here Are Five Things You Need To See During Photo Week In Paris

1. Toby Mott's incredibly covetable and controversial book, Skin Head: An Archive, has been released in a much more monetarily accessible reprint, dubbed "the street edition" – get it signed by Mott at Offprint Paris this Saturday 2. Eye shadow and glitter on paper, tear it up with Brigitte Zieger's solo show at Galerie Odile Ouizeman's booth at Paris Photo 3. Ed Templeton's book Teenage Smokers was beautiful, disconcerting and heartbreaking all at the same time - with Teenage Smokers 2, Templeton amps up the rebellion, get the book signed at Offprint Paris this Saturday 4. Go check out Jeremy Kost's erotically charged and paint splashed polaroids at Galerie Nuke – A Single Man opens on November 12 in Paris 5. The ultimate documentarian of UK underground culture, Derek Ridgers, will be signing copies of his book The Others at the Comme des Garçons Trading Museum Paris 

10 Must See Art Shows Around The World That You Really, Really Need To Check Out

1. Consumption, sexuality, violence, voyeurism, discomfort, guilt, loss of control, and fantasy at Paul McCarthy’s exhibition at Schinkel Pavillon – on view until November 22 in Berlin, Germany 2. Brad Phillip’s erotic Honeymoon Rehearsal at Rod Bianco opening on November 20 in Oslo, Norway 3. See Niki de Saint Phalle’s psychedelic world at the National Art Center in Tokyo, Japan – on view until December 14 4. Alex Israel’s cool, cool world at the Nasher Sculpture Center in Dallas, Texas 5. See the late Dash Snow’s posthumous retrospective at the Brant Foundation in Greenwich, Connecticut 6. Misha Hollenbach and Cali Thornhill Dewitt team up for Hot Fire in Milan, Italy 7. Pablo Picasso’s sculptures are on view at The Museum of Modern Art In New York City, New York 8. The Avant-Garde Won’t Give Up at Blum & Poe in Los Angeles, California 9. Josh Jefferson is putting his Head Into The Trees at Gallery 16, opening on November 13, in San Francisco, California 10. Gilbert & George’s subversive banners will be on view at White Cube starting on November 25 in London, Englan

Go See Juergen Teller's Images of Kim Kardashian and Kanye West On View Now In London

One of the strangest and most talked about books of 2015 is Juergen Teller's "Kanye, Juergen & Kim," which was published by System Magazine, but never released. Idea Books put the book out and the world's axis tilted ever so slightly - mostly because of Kim's backside. Now you can see the photos and more at Phillips Gallery London until 20 November, 2015. 

Sophie Calle Installs Safes For Storing Lovers' Secrets At Fraenkel Gallery In San Francisco

"Find a couple. Have each of them tell me a secret. Install two safes in their home. Lock each secret up in its own safe. Keep the codes to myself. The lovers will have to live with the other’s secret close at hand but out of reach." Fraenkel Gallery presents an exhibition of work by Sophie Calle. Calle uses photography, text, and video to pursue her sociological and autobiographical investigations. Her exhibition at Fraenkel Gallery focuses on four bodies of work in which the artist delves into the nature of love, violence, secrets, and death. Among the works on view will be Secrets—a pair of working safes for storing a couple’s secrets, accompanied by a plaque engraved with the above text and the artist’s contract stipulating how these mysteries will remain secured. Writing is often integral to Calle’s work, as in her 2014 triptych Suicide (also on view), in which photographs of dark ripples on the surface of black water are accompanied by text sandblasted on glass: “They say the police can distinguish between people who drown themselves for love and those who drown themselves for money…” Featured in this exhibition will be two series incorporating portraits from ‘ready-made’ sources and addressing themes of privacy and violence. Calle’s Cash Machine photographs are made from ATM video surveillance footage, and each work is exhibited as a sequence of two to eleven images. Collateral Damage, Targets is a series comprised of images of petty criminals’ mugshots, which were used for police target practice. The exhibition will be on view until December 24, 2015 at Fraenkel Gallery in San Francisco. photographs by Bradley Golden

Here Are 11 Things You Need To Know About the Artist H.C. Westermann Before Seeing His Retrospective in New York →

"See America First," a comprehensive exhibition of sculptures and drawings by the late, great H.C. Westermann, is on view now at Venus Over Manhattan. The installation features a wide range of Westermann's work, spanning from 1953 to 1980. Clock here to read eleven things  about the artist before seeing the exhibition. 

Ryan McGinley "Winter" Opening At Team Gallery In New York

On view in New York are McGinley’s groundbreaking Winter photographs, which portray his nude figures in frozen landscapes. There is virtually no photographic or cinematic precedent for these works: to capture naked bodies in such extreme conditions took profound measures of precaution, audacity and sacrifice on the part of all involved. The artist and his team invented and improvised manifold contrivances, employing the likes of ice-fishing tents, propane tanks and rock-climbing gear, in order to enable the production of these images. These pictures, unlike the Fall photos, feature hyper-limited palettes of whites, greens, blues and greys, finding intrigue and variance instead in the texture and organic architecture of ice formations. Impossibly, the unclothed bodies appear native to their wintry settings. Ryan McGinley "Winter" will be on view until December 20th, 2015 at Team Gallery, 83 Grand Street, New York. Julianna Vezzetti

The Avant-Garde Won’t Give Up: Cobra and Its Legacy Group Show @ Blum & Poe In Los Angeles

Blum & Poe presents The Avant-Garde Won’t Give Up: Cobra and Its Legacy, the second installment of a two-part exhibition which began in New York and now opens in Los Angeles, offering a broad and critical reassessment of Cobra—an essential postwar European movement named for the home cities Copenhagen, Brussels, and Amsterdam. The exhibition follows the solo exhibition of Karel Appel, one of the movement’s key protagonists, presented at Blum & Poe, New York in September 2014. Named after a seminal work by Cobra founder Asger Jorn, The Avant-Garde Won’t Give Up pays tribute to Jorn’s catalyzing role and to the movement’s enduring aesthetic and conceptual influence on artists working today. Works by artists Enrico Baj, Joe Bradley, Bjarne Melgaard, Richard Prince, Julian Schnabel and many more are included in this exhibition. The Avant-Garde Won’t Give Up: Cobra and Its Legacy Group Show officially starts today and will be on view until December 23, at Blum & Poe gallery in Los Angeles. 

Daniel Johnston In Los Angeles For "Hi, How Are You" Art Opening @ MAMA Gallery

MAMA gallery presents "Hi, How Are You?," an immersive exhibition exploring the art, music and mind of prolific cult singer-songwriter-artist, Daniel Johnston. The November 7, 2015 opening reception will feature the world premiere of the short film, Hi, How Are You Daniel Johnston, directed by Gabriel Sunday and starring Daniel Johnston. Hi, How Are You is an exhibition about Daniel’s past and present. "Through creative visions of madness and hope, we witness an aging musician coming to terms with the dreams of yesteryear." This unique exhibition of Daniel Johnston works explores his past and present art, exposing his heartrending tales of unrequited love, cosmic mishaps, and existential torment. Daniel Johnson: Hi, How Are You? will be on view from November 7 to November 11, 2015 at MAMA Gallery, In Los Angeles

Artist Keith Mayerson's Meta-Narrative of Appropriated Americana Explored In "My American Dream" At Marlborough Chelsea in New York

My American Dream is a large installation and body of work by artist Keith Mayerson created over the last decade. Various incarnations of this project, or “chapters”, first appeared in exhibitions in New York, Cleveland, Los Angeles, Houston, and Brussels, most recently culminating in his 42-painting installation, curated by Stuart Comer into the 2014 Whitney Biennial. My American Dream is a meta-narrative, consisting of more recent personal images from photographs—of his husband and himself, his family, and world—and also from a long career of painting from appropriated imagery and abstraction. This particular body of work began in 2005, building on the hope that one day the cosmology would be exhibited in a site-specific composition. Marlborough Chelsea presents the large cosmology of the work (accompanied by a fully illustrated catalog) to inspire and promote a progressive, positive view of America’s past in the hope to help make a better future. My American Dream will be on view until December 23, 2015 at Marlborough Chelsea, 545 West 25th Street, New York. photographs by Adam Lehrer

A Long Strange Trip: Read Our Intimate Convo With Actor, Artist And Now Curator Leo Fitzpatrick On Navigating The Tricky Waters of The New York Art World →

It’s been a long strange trip for Fitzpatrick since he was discovered skateboarding in Washington Square Park at age 14 by Larry Clark to star in the director’s seminal ‘90s troublemaker film Kids. Though he has remained involved in acting on and off ever since (he’s most likely appeared in at least one of your favorite shows: The Wire, Carnivale, Banshee, and a hilarious turn in this past season of Broad City as a misdemeanor prone trust fund man child), art has more or less been his primary passion since he bought his first Chris Johanson piece at age 17. He gained some notoriety for his austere and slightly brutal painting style as well as for his documented friendships with some of the early ‘00s’ most famous wild child artists like the aforementioned Snow and Colen, Nate Lowman, and Ryan McGinley. Click here to read our intimate convo with Adam Lehrer.