Devin Troy Strother "Cotton Club" @ Patrick Gomez For Sheriff in Los Angeles
photographs by Oliver Maxwell Kupper
M+B gallery presents Please Have Enough Acid In The Dish!, a group exhibition organized by James Beard Award winning chef Vinny Dotolo (of Animal and Jon & Vinny's fame). The exhibition explores the intersections between food, daily life and art in Los Angeles and features food-influenced paintings, drawings, sculptures and videos by thirty-seven Los Angeles-based artists, including many new works made for the exhibition. Please Have Enough Acid In the Dish! will be on view until September 2, 2016 at M+B Gallery in Los Angeles. photographs by Oliver Maxwell Kupper
Moran Bondaroff presents Eternal, a three-person exhibition with new work by Marco Barrera and Agathe Snow, and historical pieces by George Herms, selected by Barrera and Snow. Eternal will be on view until August 27, 2016 at Moran Bondaroff gallery in Los Angeles. photographs by Oliver Maxwell Kupper
MoMA PS1 presents Rockaway!, a special outdoor exhibit by artist Katharina Grosse, acclaimed for exploring the medium of painting in regards to its locations, conditions and possibilities. Through this temporary public art installation, Grosse turns Ft. Tilden's decaying aquatics building into a sublimely exhilarating exterior painting with her unique spray painting technique. In her practice, Grosse seeks to extend the scope of her paintings beyond the traditional borders of a canvas. She uses a technique in which brightly colored paint is sprayed directly onto site-specific structures. In doing so, she incorporates both the architectural features of the space, and materials located in its immediate vicinity, such as sand, trees, sea grass and pavement. These sprawling and sculptural landscapes evoke the physicality of action painting and earthworks through their gestures and monumentality. Grosse’s work seamlessly combines the subtle nuances of light and shadow, characteristic of traditional landscape painting, with the weight and spectacle of large scale sculpture. In this exhibition, Grosse’s singular approach highlights the possibilities of painting as a medium, and encapsulates the stark beauty of the natural and manmade structures in which this installation is contextualized. Rockaway! will be on view at the Gateway National Recreation Area at Fort Tilden, New York until November 30, 2016. photographs by Pablo Enriquez
The Rencontres d'Arles (formerly called Rencontres internationales de la photographie d'Arles) is an annual summer photography festival founded in 1970 by the Arles photographer Lucien Clergue, the writer Michel Tournier and the historian Jean-Maurice Rouquette. The Rencontres d’Arles has an international impact by showing material that has never been seen by the public before. Here are Autre's highlight exhibitions that are not to be missed. 1: Maurizio Cattelan and Pierpaolo Ferrari "Toiletpaper Magazine" at the Parc De Ateliers 2. Ethan Levitas and Garry Winogrand "Radical Relation" at the Grand Halle 3. Where the Other Rests "Awakening Forgotten Images" at the Ateliers Des Forges 4. Augustin Rebetez "The Cardboard Museum" at Magasin Electrique Nonante-Neuf 5. Tear My Bra "Dream and Fantasy in Nollywood Movies" at Ground Control 6. Photos from Hara Kiri at Grand Halle. Les Rencontres d'Arles 2016 will be on view until September 25, 2016 in Arles, France.
Bruce Conner "It's All True" is the artist’s first monographic museum exhibition in New York, the first large survey of his work in 16 years, and the first complete retrospective of his 50-year career. It brings together over 250 objects, from film and video to painting, assemblage, drawing, prints, photography, photograms, and performance. Bruce Conner "It's All True" will be on view until October 2, 2016 at the Museum of Modern Art in New York. photographs by Adarsha Benjamin
The Deadbeat Club "Choices" group show, featuring work from Devin Briggs, Nolan Hall, Grant Hatfield, Deanna Templeton, Ed Templeton, and Clint Woodside, will be on view until July 30, 2016 at AKA Gallery in Portland. photographs by Flo Kohl
For sixteen days – from June 18 through July 3, 2016 – Italy’s Lake Iseo was reimagined. 100,000 square meters of shimmering yellow fabric, carried by a modular floating dock system of 220,000 high-density polyethylene cubes, undulated with the movement of the waves as The Floating Piers rose just above the surface of the water, giving people a chance to literally walk on the water. The installation was temporary, but you can pre-order the book, which gives an in-depth look at the project. photographs by Emilien Crespo
The group show Eau de Cologne at Sprüth Magers in Los Angeles features work from the late-1970s to 2016 by Jenny Holzer, Barbara Kruger, Louise Lawler, Cindy Sherman and Rosemarie Trockel. The exhibition at Sprüth Magers’ recently-opened Los Angeles gallery is a follow-up to its predecessor in Berlin last year. It sheds light on key topics in these artists’ works, but also the specific history of the gallery and its connection to these important female figures of an art that subtly addresses women’s roles in very different ways. Eau de Cologne will be on view until August 20, 2016 @ Sprüth Magers in Los Angeles
At almost 80 years old, David Hockney – who is perhaps the world’s most famous living artist – is more productive than ever. We got a rare chance to visit his busy, paint-splattered and cigarette-littered studio tucked away in the hills of Los Angeles. We had an in-depth conversation over multiple boxes of his favorite brands of cigarettes – Camel Wides and Davidoff, which he keeps cartons of in a drawer marked ‘first aid’ – just between 'sketchbooks' and 'rulers.' Hockey is an avid supporter of smoker’s rights – even in the face of the ocean of studies and laws surrounding the lethality of smoking cigarettes. Hockney can list a number of famous artists that smoked and lived long lives. Indeed, Hockney is a true bon vivant – the last of a breed of artists that lived through multiple generations of bohemia and decadence. Click here to read more.
Jenni Jeun Lee and Graham Parker's exhibition will be on view Marlborough Chelsea's viewing room until July 29, 2016. photographs by Adam Lehrer
Little Big Man Gallery presents What She Said, a solo exhibition of work by photographer Deanna Templeton. The show will feature a collection of portraits of women that Templeton has taken over the last 15 years and pairs the photographs with excerpts from her teenage journal entries from the mid to late 1980’s. The body of work formed naturally as many of her series do. Templeton had been shooting in the streets for years, both candidly and asking for portraits with no particular grand scheme. Over the last five years she came to realize that many of the women that she was approaching for portraits had something in common. They were a reflection of her when she was their age or they were symbolic of who she wanted to be at that age. Templeton was drawn to these women for a reason. Deanna Templeton "What She Said" will be on view until July 31 at Little Big Man Gallery in Los Angeles. Click here to read our interview with Deanna Templeton. photographs by Oliver Maxwell Kupper.
Ochi Projects presents "I’m Over Here Now," a solo exhibition featuring Baron Von Fancy (aka Gordon Stevenson) – the first in Los Angeles. Over the years the name Baron Von Fancy has become synonymous with a stylized lettering and a clever sense of humor. Interested in activating relationships between words, objects and places Von Fancy explores the nature of communication by expressing his short and declarative statements via a recognizable font reminiscent of vintage ad signage. Often bordering on cliché and always witty, Von Fancy invites viewers to re-evaluate their understanding of any given context, or any given phrase. Baron Von Fancy "I'm Over Here Now" will be on view until July 30, 2016 at Ochi Projects, 3301 W Washington Blvd, Los Angeles, CA
Ren Hang’s photographs rake a dagger across the main artery of sociosexual norms and leave a glittering crime scene of bodies splayed across the frame in ecstatic and erotic forms. As a Chinese artist, this makes his work even more incendiary and provocative – even in the face of his home country’s strict censorship laws. We got a chance to interview Hang (pronounced ‘hung’) back in 2011, when his work was just gaining international recognition. Over the years, he has had solo exhibitions in almost every major city. With his current show on view now at MAMA gallery, he can put Los Angeles on that list. In a back office at the gallery, before the opening of his show, we were able to conduct a second interview and ask the controversial Beijing-based artist about his work, his explosive career and his place in the current photographic and artistic zeitgeist. Hang is notoriously media shy, because he wants the work to speak for itself. Work that is unplanned, unchoreographed and not scripted in any way. Click here to read more.
U-SAVED-ME is Cameron Platter’s first solo exhibition in the United States, featuring work made over a two-year period. Comprising video, sound, sculpture, tapestry, and drawings, the works in the exhibition cohere to form an immersive installation that captures the artist’s eclectic and multi-disciplinary approach to research and art making. Blurring the distinction between high and low, Platter’s work appropriates, references, and filters, in a highly personal and idiosyncratic way, the enormous amounts of information available to us today. U-SAVED-ME draws on sources as disparate as R. Kelly, fast food, Constantin Brâncuși, historical South African artists and Arts and Crafts movements, LSD, landscape, Deepak Chopra, poetry, interracial pornography, cheese curls, advertising, therapy, psycho-collage, and consumerism. Cameron Platter "U-SAVED-ME" will be on view until September 24, 2016 at Depart Foundation, 9105 West Sunset Boulevard, Los Angeles
John Baldessari is currently working on his rendition of the BMW "art car" with a prototype of the M6 GT3 model. Baldessari’s Art Car wilk be a ‘rolling advert’ for himself, featuring aspects from some of his most famous works – his use of colored dots. “For me, the car is certainly an icon of contemporary life. I have done sculpture before, but it’s the first time I have ever in a sense collaborated. I didn’t design the car – I collaborated with the designers of the car. I think the challenge comes in making something that cannot be understood from just one point of view, but only from a total point of view. I figured my use of colored dots is kind of an iconic series, so I had to include that. I’m actually advertising myself.” The final product will be unveiled on November 30, 2016 during Art Basel Miami and on the Daytona racetrack in January 2017. photograph by BMW
Jay Miriam's first solo show in New York, Catch the Heavenly Bodies, brings the viewer into a land of painting limbo. At first each figure shares its secret past only with Miriam, eventually breaching the imaginative and entering into the physical world. A Rorschach inquisition begins to take shape while lines stretch and recompose. Limbs grow from arms to legs; faces turn from holy to siren. Jay Miriam "Catch The Heavenly Bodies" will be on view until July 27, 2016 at Half Gallery in New York. photographs by Adam Lehrer
In 1729, Jonathan Swift wrote an essay offering short-term solutions to Ireland’s dire situation with poverty and starvation. The essay, entitled A Modest Proposal, was simple in its intent: to stave off hunger, the Irish must simply start eating their children. It is that essay and its sentiment satirizing the absurd dilemma of being slaves to our bodies that provided the jumping off point for Hauser & Wirth’s new show, also entitled A Modest Proposal. The show features works from New York-based fine art photographer Lucas Blalock, Los Angeles-based Japanese sculptor and painter Naotaka Hiro, New York-based Russian mixed-media artist and painter Sanya Kantarovsky, New York-based French conceptual, performance, and mixed-media artist Nicola L., Iranian-American Los Angeles-based painter Tala Madani, and Polish painter Jakub Julian Ziólkowski. All the works in the show critique our relationships to our “bodies and the abject,” often with a light (albeit conceptual) touch and a sense of humor. Hauser & Wirth’s curatorial efforts are always spectacular, and seeing these artists interact with another in a gallery space should prove quite a treat. To open the show, Hauser & Wirth staffers put on red plastic onesies that were all connected, connecting the human bodies to one another as they flailed and gasped for freedom. "A Modest Proposal" will be on view until July 29, 2016 at Hauser Wirth, 18th Street, New York. text and photographs by Adam Lehrer