Internet-approved, Taipei-based sensation JumpFromPaper is back. This time with its relaunch of Traveler, a limited collection for the winter. Debuted in London back in 2013, JumpFromPaper's Traveler collection was an instant hit - The dark green backpack sold out in a mere 2 months. The new collection brings back the backpacks, but also new styles including handbags and wallets. Lookbook is modeled by Sahara Lin and shot by photographer Chien Wen Lin in New York. Click here to shop.
photograph by Oliver Maxwell Kupper
Blum & Poe presents The Avant-Garde Won’t Give Up: Cobra and Its Legacy, the second installment of a two-part exhibition which began in New York and now opens in Los Angeles, offering a broad and critical reassessment of Cobra—an essential postwar European movement named for the home cities Copenhagen, Brussels, and Amsterdam. The exhibition follows the solo exhibition of Karel Appel, one of the movement’s key protagonists, presented at Blum & Poe, New York in September 2014. Named after a seminal work by Cobra founder Asger Jorn, The Avant-Garde Won’t Give Up pays tribute to Jorn’s catalyzing role and to the movement’s enduring aesthetic and conceptual influence on artists working today. Works by artists Enrico Baj, Joe Bradley, Bjarne Melgaard, Richard Prince, Julian Schnabel and many more are included in this exhibition. The Avant-Garde Won’t Give Up: Cobra and Its Legacy Group Show officially starts today and will be on view until December 23, at Blum & Poe gallery in Los Angeles.
From his use of non-actors on a shoestring budget to money shots right on the camera, click here to read five things we learned about Gaspar Noé's 3D Sex magnum opus "Love."
MAMA gallery presents "Hi, How Are You?," an immersive exhibition exploring the art, music and mind of prolific cult singer-songwriter-artist, Daniel Johnston. The November 7, 2015 opening reception will feature the world premiere of the short film, Hi, How Are You Daniel Johnston, directed by Gabriel Sunday and starring Daniel Johnston. Hi, How Are You is an exhibition about Daniel’s past and present. "Through creative visions of madness and hope, we witness an aging musician coming to terms with the dreams of yesteryear." This unique exhibition of Daniel Johnston works explores his past and present art, exposing his heartrending tales of unrequited love, cosmic mishaps, and existential torment. Daniel Johnson: Hi, How Are You? will be on view from November 7 to November 11, 2015 at MAMA Gallery, In Los Angeles
Viewing Room: Richard Kern features photos from Kern's extensive archive, curated by Leo Fitzpatrick. Viewing Room will be on view until December 23, 2015 at Marlborough Gallery, 545 West 25th Street, New York. photograph by Adam Lehrer
My American Dream is a large installation and body of work by artist Keith Mayerson created over the last decade. Various incarnations of this project, or “chapters”, first appeared in exhibitions in New York, Cleveland, Los Angeles, Houston, and Brussels, most recently culminating in his 42-painting installation, curated by Stuart Comer into the 2014 Whitney Biennial. My American Dream is a meta-narrative, consisting of more recent personal images from photographs—of his husband and himself, his family, and world—and also from a long career of painting from appropriated imagery and abstraction. This particular body of work began in 2005, building on the hope that one day the cosmology would be exhibited in a site-specific composition. Marlborough Chelsea presents the large cosmology of the work (accompanied by a fully illustrated catalog) to inspire and promote a progressive, positive view of America’s past in the hope to help make a better future. My American Dream will be on view until December 23, 2015 at Marlborough Chelsea, 545 West 25th Street, New York. photographs by Adam Lehrer
It’s been a long strange trip for Fitzpatrick since he was discovered skateboarding in Washington Square Park at age 14 by Larry Clark to star in the director’s seminal ‘90s troublemaker film Kids. Though he has remained involved in acting on and off ever since (he’s most likely appeared in at least one of your favorite shows: The Wire, Carnivale, Banshee, and a hilarious turn in this past season of Broad City as a misdemeanor prone trust fund man child), art has more or less been his primary passion since he bought his first Chris Johanson piece at age 17. He gained some notoriety for his austere and slightly brutal painting style as well as for his documented friendships with some of the early ‘00s’ most famous wild child artists like the aforementioned Snow and Colen, Nate Lowman, and Ryan McGinley. Click here to read our intimate convo with Adam Lehrer.
Nine days from the release of the new widely-anticipated Oneohtrix Point Never album Garden of Delete, a new single “Sticky Drama” and accompanying film by Jon Rafman and Daniel Lopatin has been released today. The short film /music video is released in two parts. “Sticky Drama” is arguably the irregular-beating-heart and lyrical inspiration of Garden of Delete. It ensnares Lopatin’s hyper-attuned pop tendencies, as well as his reckless sonic trips into the void, and emerges as beautiful vertigo; a thorny, encompassing, truly groundbreaking classic. With a cast of over 35 children, the film tunes into this musical ambition, bringing to life a fantastical world in which characters are on a quest, battling for dominance and in a race against time to archive past histories. Inspired by the costumes, staging and extended improvised narratives of Live Action Role Play (LARP), the video reflects the vivid, often violent world of children’s imaginations and games, as well as extending both artists’ ongoing investigation into appropriation, the nature of memory and the horror of data loss. The piece was originally commissioned by the Zabludowicz Collection in conjunction with Warp Records. An alternative edit of it has been showing as part of Rafman’s multi-format exhibition currently showing in London.
To mark the twentieth anniversary of Gagosian Gallery Beverly Hills on North Camden Drive, founder Larry Gagosian has selected a special exhibition of works by more than thirty artists spanning three generations. Born in Los Angeles, Gagosian opened his first galleries on Almont Drive and Robertson Boulevard in the early 1980s. Chris Burden and Jean-Michel Basquiat were among the first artists to be exhibited. Drawing on the city's abundance of talented artists, Gagosian was at the forefront of developing a bicoastal model for contemporary art galleries—the beginning of a global expansion that now numbers fifteen galleries in three continents—when he moved to New York in 1985 and opened his first gallery there, in collaboration with Leo Castelli. Los Angeles provided both artists and galleries with an ideal infrastructure for creating and exhibiting diverse bodies of artwork, sometimes on a very large scale, and in 1995 Gagosian Gallery Beverly Hills, designed by acclaimed American architect Richard Meier, opened with new sculptures by Frank Stella. The Beverly Hills 20-Year Anniversary Invitational Exhibition will be on view until December 19, at Gagosian Beverly Hills, 456 North Camden Drive Beverly Hills, CA
Visit Waris Ahluwalia's Crowd Wise page to read more about the race and jewelry designer, actor and activists efforts to save endangered elephants. You can also donate here.
Artist Annina Roescheisen is making her name known in the art world. Right now, you can see her formative series What Are You Fishing For? at the Venice Biennale, in the context of the European Pavilion. Starting today, the German-born artist who received her degree in art, philosophy and folklore from the elite Ludwig Maximilian University in Munich in 2008, will see her first solo gallery show in New York. Her series What Are You Fishing For? is emblematic of her work: rife with symbolism and metaphor, and dripping, literally, in pictorial beauty. Later this month, Roescheisen’s other series, La Pietà, which features the artist as a sort of erotic Virgin Mary, will be shown as part of a group show exploring divinity. In the following interview, Annina talks about the use of metaphor in her work, her experience getting to know New York and the meaning behind her self-designed tattoos. Click here to read the interview.
Happy Purim is a new monograph by paris-based photographer Estelle Hanania. Happy Purim gathers 42 images documenting 3 years of photographs taken between 2011 and 2014 during the Purim holiday in the neighborhood of Stamford Hill, London. Kids wearing home made costumes incarnating a wide range of human vernacular history and reality (from the pizza to the clown). Standing in the street they are revealing some cultural fantasies as well as the familiar invisible backgrounds of their neighborhood: a simple tree, a part of a brick wall, a locked door or a pavement. You can purchase the book here.
Petzel Gallery presents a solo exhibition by Berlin based artist Corinne Wasmuht. This will be her fourth solo exhibition with the gallery. One cannot address Wasmuht’s work without considering the seemingly full palette of digital-image aesthetics in her paintings: simulations of space, distortions, and displacements—even right down to the effect of a backlit computer screen. Generating the ideas for her pictures in the form of digital collages and computer sketches, Wasmuht’s initial source material derives from an array of abstracted and overlapping photographic imagery that she sources from a combination of the Internet and her own personal photographic archive. This material is then worked up into extremely complex, often very large-scale, panorama-like pictures depicting futuristic science-fictional landscapes of airport terminals, shopping centers, people in pedestrian zones, or, as Wasmuht refers to them more broadly, “structures,” which belong to our collective, global, everyday life. Corinne Wasmuht "Alnitak" will be on view until December 19th, 2015 at Petzel Gallery, 456 W 18th Street, New York. Photographs by Adam Lehrer.
Petzel Gallery presents Traditional Contemporary, a grouping of new works by New York-based artist Adam McEwen. Comprised of large-scale drawings on paper and wall-mounted sculptures, Traditional Contemporary echoes themes previously explored by McEwen to create a disquieting opposition of the familiar momentarily made unfamiliar. Adam McEwen "Traditional Contemporary" will be on view December 19, 2015 at Petzel Gallery, 456 W 18th Street, New York. photographs by Adam Lehrer
More Worried Than a Worm in a Bird’s Nest presents the drawings of William Crawford. William Crawford’s drawings were found in an abandoned house in Oakland, CA. Several of them were made on the backs of prison roster sheets dated 1997. Nothing is known about the artist except for his occasional and varying signature as Bill, William or WM Crawford. In graphite on paper, the drawings depict drug use and orgies often including a recurring male figure which suggests the artist’s self-portrait. Their drawings recall the comic tumescence in the work of Tom of Finland and the weightlessness of William Blake. Crawford’s collected drawings, of which there are hundreds, appear to have comprised several narratives consisting of images in sequences of 30 or more. These sequences, presumably broken up since their original compilation, are now fragmentary. The exhibition is the first presentation of William Crawford’s work in Los Angeles. "More Worried Than A Worm In A Bird's Nest" will be on view until December 5th, 2015 at Farago Gallery, 224, West 8th Street, Los Angeles, CA.
In honor of all things dark, mystical and spooky, we present the premier of Bradley Bailey's "Bone Song," which is a sort of shamanic composition that harkens the soundtrack of a pagan ceremony. Bailey, who we interviewed a few years ago, plays the guitar with nothing more than a human femur bone. In the interview, Bailey remarks: "The human femur is the perfect bone for it functionally and also provides for a profound example of the fact that music is vibration and with its creation, it also carries destruction, it's a very natural phenomena, it courses through us at all times and extends beyond our very perception and sensory experience of it." The video has no effects or microphone and the sounds you hear are entirely acoustic. The short film is directed by Zev Deans & Jacqueline Castel.
Jake Hoffman and cinematographer David J. Myrick outside of the Sundance Sunset Cinema after the Los Angeles premier of Asthma, Hoffman's first film. Read our review and interview with the film's star Benedict Samuel here. photograph by Oliver Maxwell Kupper
Last Thursday night, Keith Rubenstein and Jeanne Greenberg Rohatyn hosted artist Lucien Smith’s "Macabre Suite," a one-night only art installation and epic party in the South Bronx to celebrate the purchase and the revitalization of the historic South Bronx Piano District by Rubenstein’s Somerset Partners. Guests included the likes of Gigi Hadid, Naomi Campbell, Adrien Brody, Baz Luhrmann, and more. There was also a strong line up of musical performances from Frankie Bones, Kool Herc, Mess Kid, Lucas Vercetti, Tigga Calore, DJ Chase B with a finale by Travis Scott. Widely considered one of the most gifted artists of his generation, Lucien Smith conceived Macabre Suite as an “art happening” inspired by the medieval genre danse macabre. A three-part exhibition evoking the season’s morbid undertones, Macabre Suite consisted of a special dance performance by Kobe Kanty borrowing from a wide range of traditional movements such as Sioux Ghost Dance and Japanese Butoh, a central sculpture which was part of Smith’s “Scrap Metal” series and a selection of oil paintings and video. photographs by Angela Pham and Matteo Prandoni/BFA.
