Judy Blame "Never Again" @ The Institute Of Contemporary Art In London

The first major solo exhibition by accessories designer, art director and fashion stylist Judy Blame. Safety pins, buttons, badges, pearls, bottle tops, cutlery, plastic bags, toy soldiers and keys form an inventory of objects that Blame has adapted to create his trademark jewelry and other accessories. Judy Blame "Never Again" will be on view until September 4, 2016 at the ICA, 12 Carlton House Terrace London

Deviant Funnies: Read Audra Wist's Postcoital Interview Of Cartoonist and Hip Hop Historian Ed Piskor →

Something about returning to my hometown of Pittsburgh always makes me really horny. One night, after Tinder-ing for awhile I came across a dude named Ed - profile picture was slick and mysterious, black and white, him in a Gucci bucket hat, sunglasses, and a Public Enemy hoodie. Swiped right. This was not a typical Pittsburgh guy. Why not? The mystery man with great style turned out to be Ed Piskor. We matched and met up that night. Click here to read more. 

“The Beat Goes On" Curated by Derrick Adams @ SVA Chelsea Gallery in New York

SVA’s fall 2016 art programming launches with “The Beat Goes On,” an exhibition featuring work by Elia Alba, Kevin Beasley, Paul D. Miller, a.k.a., D.J. Spooky, and Tameka Norris, a.k.a. Meka Jean, and curated by visual artist Derrick Adams. For “The Beat Goes On,” the SVA Chelsea Gallery has been transformed into four distinct listening rooms, each presenting a solo show by one of the featured artists. Encompassing photography, sculpture, installation, performance and video works, each room takes music and the history of recorded and transmitted sound as its inspiration. “The Beat Goes On" Curated by Derrick Adam will be on view until September 17, 2016 at SVA Chelsea Gallery, 601 West 26th Street, New York. Photographs by Adam Lehrer

Martin Creed's Neon "Understanding" Sculpture at The Brooklyn Bridge Park In New York

Times Square marquees, roadside signs, and advertising logos are the stock-in-trade for giant neon signs. Martin Creed has adapted the medium for his own colossal sign, proclaiming a word rather than selling a product. His chosen word, “understanding,” is fundamental to communication between people. Spelled out in ten-foot-tall letters mounted on a 50-foot-long steel I-beam, Understanding rotates 360 degrees, constantly shifting our perspective on the work. The beam spins at varying speeds, the rhythm determined by a computerized program designed by the artist. Developed by former Public Art Fund Curator Andria Hickey, Understanding can be viewed until October 23, 2016 at Pier 6 in Brooklyn Bridge Park in New York. 

Marguerite Humeau "FOXP2" @ Palais de Tokyo in Paris

Palais de Tokyo has invited Marguerite Humeau for her first major solo exhibition. The artist has produced an entire series of new work for the project; a physical and sensory experience at the crossroads between research and fiction. Myths, speculations and fantasies are at the heart of Marguerite Humeau’s artwork. The development of each project includes a phase of extensive research and collaboration with numerous specialists and scientists. At Palais de Tokyo, Marguerite Humeau re-enacts the origin of life and the development of conscious life forms in an ominous atmosphere. Marguerite Humeau "FOXP2" will be open until September 11, 2016 at Palais de Tokyo in Paris. 

Watch The Premiere Of Neon Indian's Music Video For The Track Annie

Neon Indian releases the official music video for the track Annie, off their current album Vega Intl. Night School. Directed by lead singer, Alan Palomo, the music video is essentially a karaoke video turned fever dream in which Alan has to traverse B-roll cityscapes, taped over TV shows, and phone sex commercial breaks in search of a missing ex-lover. Shot over 8 cities on Neon Indian's last tour of Asia, all libidinal hell breaks loose in this glistening meta ode to laserdisc-era sing-alongs.

Courageous Writing For IRL Cowards: Novelist Matt Binder Chats With Novelist Clancy Martin On Making Bad Decisions and The Thin Veil of Fiction →

In 2012, shortly before I lost my mind and committed myself to writing fiction, I was sitting at a pal’s apartment in San Diego, waiting on him to shower and ready himself for a night out, when I picked up a copy of the Vice fiction issue. I flipped through the magazine’s pages looking for something of interest. A story titled “Whores I Have Loved” immediately resonated with me. I understood the sentiment completely. I read with ferocious curiosity as the writer sermonized on the dangers of falling in love with prostitutes in locations foreign and remote. Prior to reading the piece, I didn’t think it possible for a work to exist that was so honest, tender, and vulnerable about a subject so fraught with moral pitfalls. Click here to read more. 

Ron Arad's "Curtain Call" With A Live performance By Lail Arad And Visuals by Flo Kohl and Ellis Pendens @ The Roundhouse In London

Singer-songwriter Lail Arad reunites with photographer/filmmaker Flo Kohl and filmmaker and editor Ellis Pendens for a remarkable video and live music event. This collaborative performance piece has been composed for the second series of Ron Arad's groundbreaking Curtain Call, an immersive 360° video experience at the Roundhouse in London. This piece submerges the viewers in a virtual undersea environment, and invites them to dive in to Arad's playfully poetic lyrics and flowing melodies. Shot in six locations in four countries, the video is a celebration of Arad's second album, The Onion, released by The Vinyl Factory in April 2016. Flo Kohl co-directs the video with his longtime collaborator, Ellis Pendens. Drawing visual inspiration from their shared early-childhood fascination with fountain pens and inks, they have crafted an aquatic kaleidoscope of in-camera effects, bringing movement to Kohl's acclaimed stills. As Arad's lyrics flicker across the enormous screen of flexible silicon rods, they dissolve in tides and rapids, are swept away by waterfalls and float through inky seascapes. Ron Arad's "Curtain Call" will be open, on and off as a canvas for other live performances and happenings, until August 29, 2016 at in the mainspace at Roundhouse, Chalk Farm Road, London. photographs by Flo Kohl

Watch The Music Video For Cass McCombs' Track "Medusa's Outhouse" Starring Real Porn Actors

Cass McCombs and frequent collaborator Focus Creeps present a new video for “Medusa’s Outhouse,” off upcoming album Mangy Love. As described by Focus Creeps’ Aaron Brown, “the video for ‘Medusa's Outhouse’ has to do with wondering what are the fantasies of the people who act out our fantasies for us? Where does fantasy end?” Mangy Love is McCombs’ eighth full-length album and debut for ANTI. It’s his most blunt, tackling sociopolitical issues through his uniquely cracked lens of wit and singular insight. With a common thread of opposition sewing the album together, the severity of his lyrics is contrasted by the music, which ventures into groovy realms of Philly soul, Norcal psychedelia and New York paranoia. Mangy Love is available for pre-order now.