Marc Straus presents a pop-up exhibition at its annex on 284 Grand Street: a 19th-century building that once housed a bustling fish market. Curated by Director Ken Tan, the exhibition features more than ten new site-specific installations by Korean artists Jong Oh and Jinsu Han. In the October 1976 issue of Artforum, the cover story by Nancy Foote, titled “The Apotheosis of the Crummy Space”, featured the Rooms show in what was then the recently opened P.S.1. Foote appreciated how the site “can be ‘amended’ subtly by small additions that comment on its nature and adapt their posture to its own; it can serve as a medium, directly or indirectly, also as subject,” and noted a “disaster area ambience.” Ever since the 1970’s, the unpolished, dilapidated quality of abandoned spaces have been favored by avant-garde artists who not only worked within but on the space itself: its floors, walls, ceilings and architectural features. 284 Grand Street was home to a Chinese family-operated seafood market, offering everything from baby shrimps to exotic sea urchins, but about two years ago the fishmongers vacated. In “The Apotheosis of the Fish Market”, a nod to Foote’s eponymous review, the site is finally exalted to the zenith of its existence before it makes way for a new building that will be constructed the following Spring. In reaction to its spatial configurations, Jinsu Han and Jong Oh have transformed two floors of the building into a gritty, sensory experience with their respective site-responsive installations. On view until December 1, 2016 at a Marc Straus pop up space, 284 Grand Street. photographs by Adam Leher
R. H. Quaytman "Morning: Chapter 30" @ MOCA Los Angeles
R. H. Quaytman "Morning: Chapter 30" will be on view until February 6, 2016.
Read Our Interview Of Photographer Sandro Miller On Working With John Malkovich And Reinterpreting The Works Of David Lynch
Sandro Miller has been using photography as a medium for storytelling for over 30 years. In both commercial work and fine art endeavors, Miller has shown time and time again that the still image can be imbued with as much emotion and theatrics as a 90 minute film: “ I strive to make images that move people and facilitate conversation,” says Miller. Click here to read more.
Wu Tsang "The Luscious Land of God is Sinking" @ 356 Mission Gallery In Los Angeles
Wu Tsang "The Luscious Land of God is Sinking" will be on view until November 6, 2016 at 356 Mission gallery in Los Angeles. photographs by Oliver Maxwell Kupper
Mickalene Thomas "Do I Look Like a Lady?" @ MOCA Los Angeles
MOCA presents Mickalene Thomas "Do I Look Like a Lady?," an exhibition of new and recent work by New York–based artist Mickalene Thomas. For this exhibition, Thomas has created a group of silkscreened portraits to be featured alongside an installation inspired by 1970s domestic interiors, and a two-channel video that weaves together a chorus of black female performers, past and present, including standup comedians Jackie “Moms” Mabley and Wanda Sykes, and pop-culture icons Eartha Kitt and Whitney Houston. An incisive, moving, and at times riotous portrait of the multiplicities of womanhood, Do I Look Like a Lady? builds upon Thomas’s ongoing reconsideration of black female identity, presentation, and representation through a queer lens. Mickalene Thomas "Do I Look Like a Lady?" will be on view from October 16 to February 6, 2017 at MOCA Los Angeles.
Isa Genzken "I Love Michael Asher" @ Hauser Wirth & Schimmel Gallery in Los Angeles
Isa Genzken "I Love Michael Asher" will be on view from October 16 to December 31, 2016 at Hauser Wirth & Shimmel in Los Angeles. photographs by Oliver Maxwell Kupper
Marianne Vitale "Equipment" @ Invisible Exports Gallery In New York
Invisible-Exports presents Marianne Vitale’s “Equipment," the artist’s first exhibition with the gallery, consisting of a fleet of handcrafted wooden torpedoes, each hand-painted and adorned with a unique insignia. Equipment will be on view until October 16, 2016 at Invisible Exports Gallery in New York
"On the Verge of an Image: Considering Marjorie Keller" Group Show At The Historic Gamble House in Pasadena
On the Verge of an Image: Considering Marjorie Keller is a group exhibition of sculpture, painting, photography, video, and performance centered on the themes present in the work of under-recognized avant-garde filmmaker Marjorie Keller (1950-1994), co-curated by Los Angeles-based artists Alika Cooper and Anna Mayer. Cooper and Mayer seek to establish the significance of Keller’s contributions to visual culture, and to make visible states of being that are difficult to articulate or are deliberately avoided by mainstream culture. "On the Verge of an Image: Considering Marjorie Keller" will be on view until December 11, 2016 at the Gamble House, 4 Westmoreland Pl, Pasadena, CA. photographs by Oliver Maxwell Kupper
Highlights From Frieze London 2016 At Regent's Park
photographs by Flo Kohl
Roman Moriceau "In Heaven Everything Is Fine" @ Galerie Derouillon in Paris
Fragments of an idea of elsewhere, the scented evanescence of a utopic place, or even the songs of long lost birds, all whirl around us through Roman Moriceau’s works. Driven by a true need to experience works that communicate, the artist brings us to a dream Eden garden, a fantasized paradise. In the present age where we think that elsewhere must be better, this mythical sounding title invites us to an aesthetic journey which makes us reflect on the butterfly effects of our actions. Roman Moriceau "In Heaven Everything Is Fine" will be on view until November 12, 2016 at Galerie Derouillon in Paris. photographs by Mazzy-Mae Green
Takashi Murakami "Learning The Magic Of Painting" @ Galerie Perrotin In Paris
Takashi Murakami "Learning The Magic Of Painting" will be on view until December 22, 2016 at Galerie Perrotin in Paris. photographs by Mazzy-Mae Green
Oscar Murillo "Through Patches of Corn, Wheat and Mud" @ David Zwirner Gallery in New York
David Zwirner presents an exhibition of new works by Oscar Murillo. On view at 525 and 533 West 19th Street in New York will be paintings, drawings, sculptural elements, and film. Murillo addresses the conditions of display in the contemporary art world by engaging with a series of opposites—including work and play, production and consumption, and originality and appropriation. His practice is closely tied to notions of community and migration stemming from his cross-cultural ties to London, where he currently lives, and Colombia, where he was born. Oscar Murillo "Through Patches of Corn, Wheat and Mud" will be on view until October 24, 2016. photographs by Adam Lehrer
David Shrigley "Memorial" Sculpture Presented By The Public Art Fund In New York
Memorial, by British artist David Shrigley, will be on view until February 12, 2017 at the Doris C. Freedman Plaza Central Park, 60th Street & 5th Avenue in New York. photograph by Jason Wyche
Billy Al Bengston's Motorcycle Paintings Exhibition @ Venus Over Manhattan in New York
Venus Over Manhattan gallery is exhibiting both old and new works by legendary L.A. artist Billy Al Bengston. The show features 12 paintings from the “B.S.A Motorcycle” series from the 60s, where various motorcycle parts are isolated and presented on the canvas against abstract backgrounds. These paintings made Bengston a voice to be reckoned with in the Pop Art movement and appeared in the 1974 American Pop Art exhibition at the Whitney. Also included in the exhibition is the original motorcycle that inspired the series. Bengston’s new works that are on display feature his signature Chrevron motif in piercing blue tones. In true Pop Art manner, he originally painted the Chevron logo with lacquered spray paints, being one of the first artists to trade in the traditional oil on canvas back in the 60s. In his new pieces, however, Bengston comes full circle by using acrylic on canvas and leaving the glossy Pop Art behind for a softer finish. The exhibition will be on view until November 2, 2016 at Venus Over Manhattan in New York. text and photographs by Helena Calmfors
Tamara Santibañez "Landscapes" @ Slow Culture Gallery In Los Angeles
Slow Culture presents artist Tamara Santibañez's first Los Angeles solo exhibition, “Landscapes.” As a multimedia artist and well-respected resident amongst many at Saved Tattoo New York. Tamara embodies more than meets the eye from the canvas of her on clients to the canvas of her paintings. Known for representations of objects such as handcuffs, whips, chains and leather, she moves to educate her audience in the scope of BDSM culture, that these objects and materials signify more than subversive notoriety or sexual innuendo. Tamara’s diverse forms of art and authorship in totality have created social mindfulness and aim to defeat ignorance in the eyes of fear and judgement. Landscapes will be on view until October 22, 2016 at Slow Culture in Los Angeles. photographs by Oliver Maxwell Kupper
Private Opening Of The "Human Condition" Group Show Curated by John Wolf At A Former Hospital in Los Angeles
Human Condition is an immersive, site-specific exhibition that features the work of sixty emerging and established artists in a uniquely challenging space: a former hospital in West Adams, previously known as the Los Angeles Metropolitan Medical Center. Curated and produced by the Los Angeles-based art advisor John Wolf, Human Condition invites artists to re-contextualize the hospital’s functional history—over 40,000 square feet of it—as a venue to explore what it means to be human. Human Condition is a unique opportunity to experience artwork outside the confines of a typical art space. In using the skeletal remains of the hospital and its discarded medical supplies, artists and viewers are encouraged to explore the notion of what we leave behind—from objects to human history. Human Condition opens to the public on October 1, 2016 and runs through November 30, 2016. Address: 2231 S Western Ave. Los Angeles, CA. photographs by Oliver Maxwell Kupper
Nate Lowman Solo Exhibition @ Maccarone Gallery In Los Angeles
On view until December 23, 2016 at Maccarone Gallery, 300 South Mission Road, Los Angeles. photographs by Oliver Maxwell Kupper
Ed Ruscha's "Industrial Strength Sleep" At The New Ibid Gallery In Los Angeles
photograph by Oliver Maxwell Kupper
An Exclusive Preview Of The Unseen Photo Fair in Amsterdam
Unseen is an annual international photography fair and festival based in Amsterdam, founded in 2012 by Foam Fotografiemuseum Amsterdam, office for cultural business development Platform A, and creative agency Vandejong. Welcoming 53 galleries from across the globe, Unseen focuses on new photography, highlighting the most recent developments by presenting emerging talent and new work by established artists. As a fair, Unseen brings together leading figures in the industry with artists, curators, collectors and photography enthusiasts, creating an exchange of dialogue, artistic expression and ideas. Complementing the fair, on-site at the historic Westergasfabriek in Amsterdam, is a three-day speakers programme jam-packed with lectures and debates at the Unseen Living Room, as well as a celebration of the printed world of photobooks at the Unseen Book Market. The Unseen Photo Fair will run from September 23 to September 25, Herengracht 213, 1016 BG Amsterdam, Netherlands. photographs by Sara Kaufman
Sam Falls Opening Night @ Hannah Hoffman Gallery in Los Angeles
Sam Falls' exhibition will be on view until October 29, 2016 at Hannah Hoffman gallery in Los Angeles. photographs by Oliver Maxwell Kupper