Petra Cortright Presents CAM WORLS @ UTA Artist Space In Los Angeles

CAM WORLS features fifty of the artist’s videos, made between 2007 and 2017, including eighteen never-before-exhibited artworks. Take a walk around the gallery to trace the evolution of Petra's online presence and take a seat on one of the many beanbags to view the works simultaneously from a distance, then make your way to the back gallery to view her 2015 piece, mind_candy_pfaffs, a collection of life-sized sexy girls in motion pulled from VirtuaGirl, one of the many technologies that the artist has employed in her work, its broader purpose is to give its users the impression that the sexy woman of their choice is trapped and living right within their own computer screens. CAM WORLS will be on view through April 7 at UTA Artist Space 670 S. Anderson Street Los Angeles. photographs by Oliver Kupper and Lani Trock

Logan Criley Presents One Thousand American Nights @ As It Stands In Los Angeles

American culture has always been a mosaic of imported elements, the internet and globalism have only amplified this pluralism. Logan Criley’s work seeks to elucidate the cultural fragmentation and to interrogate the construction of individual and collective identity. β€œOne Thousand American Nights” aims to explore a unique cultural moment where the beauty and insidiousness of this condition are ever-present. Criley's solo exhibition will be on view through March 17, 2018 at As It Stands Gallery 2601 Pasadena Ave Los Angeles. photographs by Edem.

Β 

Mark Bradford "New Works" @ Hauser & Wirth Los Angeles

In the new works on view at Hauser & Wirth, Mark Bradford probes stories found in comic books to question the archetype of the antihero and the influence of the media on contemporary society, while also revisiting misconceptions of black identity and gender as seen in previous works. β€˜New Works’ presents paintings that extend the artist’s examination of homophobia and racism in American society. Mark Bradford "New Works" will be on view until May 20, 2018 at Hauser & Wirth Los Angeles.

Highlights from Katya Grokhovsky's solo show System Failure @ Martin Art Gallery

Katya Grokhovsky's SYSTEM FAILURE is on view through April 10th at Martin Art Gallery, Muhlenberg College 2400 Chew Street Allentown, PA 18104. The artist will be performing live in the gallery on March 14th at 5pm and at the closing ceremony on April 10th. She will also be conducting a lecture in the space on March 21st. To learn more about the artist, her practice and curatorial work, read our interview of Katya Grokhovsky here.

Β 

Β 

Β 

Geta Brătescu "The Leaps of Aesop" @ Hauser & Wirth Los Angeles

β€˜Geta BrΔƒtescu. The Leaps of Aesop’ is the first Los Angeles solo presentation devoted to the 92-year-old forerunner in the field of Romanian Conceptualism. Her diverse oeuvre – comprising drawing, collage, engraving, textiles, and photography, as well as experimental film, video, and performance – mines themes of identity, gender, and dematerialization, often drawing from the stories of literary figures and addressing the symbiotic relationship between art making and working environments. Aesop, the ancient Greek fabulist, serves as a point of departure for this exhibition, which features more than fifty works that span BrΔƒtescu’s career. In many ways a fitting avatar for BrΔƒtescu, Aesop manifests in the works on view as a symbol of antic irreverence, mocking authority and status. A spirited believer in the role of the artist as that of a disruptor, BrΔƒtescu has championed ideas of play and disorder throughout her vibrant practice, remarking, β€˜there is much economy and at the same time rebellion in the creation of expression.’ Geta BrΔƒtescu "The Leaps of Aesop" will be on view until May 20, 2018.

Louise Bourgeois "The Red Sky" @ Hauser & Wirth Los Angeles

Hauser & Wirth will present β€˜Louise Bourgeois. The Red Sky,’ the gallery’s first Los Angeles solo exhibition devoted to the legendary French-American artist whose remarkable life yielded what she once described as β€˜an exorcism in art.’ β€˜The Red Sky’ is an intimate presentation of never before exhibited works on paper from the final years of the artist’s life: six multi-panel works on paper, created between 2007 and 2009, with words and images mining Bourgeois’s central themes of memory, trauma, nature, and the body. Louise Bourgeois "The Red Sky" will be on view until May 20, 2018 at Hauser & Wirth Los Angeles.

Jansson Stegner Paintings @ Nino Mier Gallery in Los Angeles

Nino Mier Gallery is currently presenting Jansson Stegner's first solo exhibition in Los Angeles. This new series of oil paintings that ascribe male and female figures with exaggeratedly rendered physiques explores the inversion of gender roles within myriad aspects of authority, dominance, submission and beauty. Jansson Stegner Paintings will on view until March 3 at Nino Mier Gallery 7313 Santa Monica Blvd Los Angeles, CA 90046.

Read Our Interview Of Artforum's Current Cover Artist Kia LaBeija →

LaBeija offers us a keyhole through which to peer into some of her most tender and fragile momentsβ€”yet she peers right back, watching us watching her. Her gaze is direct and unflinching, often laced with grief, or defiance, or whatever emotion might have been coursing through her body at the particular moment when the shutter clickedβ€”at once reminding us of the ultimate artifice of posed portraiture and stating, simply, Here I am. Click here to read more. 

Carolee Schneemann "Kinetic Painting" @ MoMA PS1 in New York

MoMA PS1 presents the first comprehensive retrospective of Carolee Schneemann, spanning the artist’s prolific six-decade career. As one of the most influential artists of the second part of the 20th century, Schneemann’s pioneering investigations into subjectivity, the social construction of the female body, and the cultural biases of art history have had significant influence on subsequent generations of artists. Carolee Schneemann: Kinetic Painting begins with rarely seen examples of the artist’s early paintings of the 1950s and their evolution into assemblages made in the 1960s, which integrated objects, mechanical elements, and modes of deconstruction. In the late 1960s Schneemann began positioning her own body within her work, performing the roles of β€œboth image and image-maker.” As a central protagonist of the New York downtown avant-garde community, she explored hybrid artistic forms culminating in experimental theater events. The exhibition considers Schneemann’s oeuvre within the context of painting by tracing the developments that led to her groundbreaking innovations in performance, film, and installation in the 1970s, as well as her increasingly spatialized multimedia installations from the 1980s, 1990s, and 2000s. Carolee Schneemann "Kinetic Painting" will be on view until March 11, 2018 at MoMA PS1 in New York. photographs by Adam Lehrer

Jim Shaw Exhibition @ Metro Pictures in New York

Jim Shaw's current exhibition at Metro Pictures contextualizes the personal with layers hyper-mediated symbology drawn from mythological and historical narratives. The paintings, sculpture, and video in this exhibition both interpret and allude to ancient legends like the rape of Europa and the biblical prophecies of the Old Testament, often rendering them beyond immediat recognition. Jim Shaw's exhibition will be on view until December 22nd, 2017 at Metro Pictures, 519 West 24th Street, New York, NY 10011. photographs by Adam Lehrer

Gilbert & George "THE BEARD PICTURES" @ Lehmann Maupin Gallery in New York

The Lehmann Maupin Gallery presents THE BEARD PICTURES, a collection of pictures commemorating the 50th anniversary of Gilbert & George. The artists present themselves as two haunting figures, using their amorphous beards as a site for political and cultural critique. Scattered with fences and flowers, this series of self-portraits pieces together a narrative about an ever-changing urban landscape its constant turmoil. The 35 images that make up THE BEARD PICTURES will be on view at Lehmann Maupin’s Chelsea and downtown Manhattan locations until December 22nd. photographs by Adam Lehrer

Homeward Bound Group Show @ Nicodim Gallery In Los Angeles

Homeward Bound is a domestic setting where all the skeletons are let out of the closet and allowed to play on the furniture, to stomp each other’s grapes. With the eye of noted designer Oliver M. Furth, the gallery space has been transformed into a literal home, complete with a living room, dining room, bedroom, bathroom, beyond. Karon Davis’s Bianca sits plaintively by a front room window, drinking, smoking, waiting for a lover who will never return. Bjarne Melgaard cross-dresses in the skins of other species as if he was never quite comfortable in his own, while Lisa Anne Auerbach is very comfortable lounging around the house, reading bondage magazines in her underwear. Chris Burden’s first wife informs him in a letter that not only won’t she crucify him to their VW Bug, but that the suggestion has destroyed her relationship with the vehicle. Gold-leafed snails carry their mobile homes to the apexes of an organic landscapeβ€”the tips of Ruben Verdu’s nose and erect phallusβ€”and both artist and travelers achieve climax simultaneously. Within the walls of this house, faces become chairs, vaginas become toothy faces, jello moulds become temples and orifices, music becomes sex itself. Homeward Bound will be on view until December 9th at Nicodim Gallery, 571 S Anderson Street Ste 2 Los Angeles

Haas Brothers "Haas Angeles" @ UTA Artist Space In Los Angeles

UTA Artist Space presents Haas Angeles, the first exhibition in Los Angeles by multi-faceted sculptors, designers, craftsmen, and artists The Haas Brothers. Their internationally renowned work defies strict categorization, as do the fraternal twins themselves, disrupting both the design and art world with their playful and provocative biomorphic creations. Haas Angeles will be on view until October 14, 2017 at UTA Artist Space, 670 S Anderson St, Los Angeles, CA. photographs by Oliver Maxwell Kupper

Ariana Papademetropoulos "The Man Who Saved A Dog From An Imaginary Fire" @ Wilding Cran Gallery In Los Angeles

Taking inspiration from imagined spaces, vintage magazines, and books, Papademetropoulos creates environments that juxtapose ideas of perception and delusion. By using both realism and trompe l'oeil she references the history of painting while further developing the sense of illusion within her work. Featuring new paintings and installation, this exhibition focuses on our relationship to decor and interior space- it invites us to question functionality and taste, reality and fantasy. In a painting of a church interior the walls blur to the outside where the viewer is transported to a β€˜Disneyfied’ realm; a surrealist dysfunctional home interior takes us β€˜down the rabbit hole’ to a topsy-turvy space where everything is out of our reach, questioning our assumptions of home as comfort and retreat. Finally, the artist brings together a collection of more than 200 gothic romance novels, all written by women. Each paperback has a different title and a different story, yet all of the book covers share the common theme of a woman running out of a house from a presumed horrific fate. With this, she invites the viewer to confront the contradictions of fantasy vs horror, and ultimately the duplicity and hypocrisy within our popular culture. Ariana Papademetropoulos "The Man Who Saved A Dog From An Imaginary Fire" will be on view until October 26, 2017, at Wilding Cran Gallery,  939 South Santa Fe Ave, Los Angeles. photographs by Oliver Maxwell Kupper

Aurel Schmidt "I Rot Before I Ripen" @ P.P.O.W. Gallery in New York

In her most recent works, on view at New York's P.P.O.W. Gallery, Aurel Schmidt retires her attention to detail and color in a series of mixed media drawings and installation. Showcasing items belonging to past and present lovers in I Rot Before I Ripen, Schmidt investigates girlhood, streetwear iconography, brand significance, and heterosexuality. I Rot Before I Ripen will be on view until October 7 at P.P.O.W. Gallery 535 W 22nd St, New York, NY. photographs by Adam Lehrer

Mint&Serf "Warranted Non-Compliance" Group Show Opening @ Lazy Susan Gallery In New York

The exhibition of new works on paper by Christopher Johnson, Mikhail Sokovikov and Jason Aaron Wall (Mint&Serf) investigates a range of figurative themes and conceptual perspectives that always question but not always answer. After a two-year hiatus Johnson, Sokovikov and Wall return with a set of refreshed attitudes and new directions that explore personal identity, abstract experimentation and destruction as the human condition. Warranted Non-Compliance will be on view until June 5 at Lazy Susan gallery, 191 Henry Street Chinatown, NYC. photographs by Lorenzo Fariello