Read An Exclusive Excerpt from Matthew Binder's Tour De Force Debut Novel "High In the Streets" →

"One day Lou Brown decided to kill himself. But when he sat down to craft a suicide letter, the simple act of committing words to the page was like opening up a window to his mind, allowing the whole world to shine. His book went on to become a runaway bestseller, making him a literary icon, earning him all the trappings of the American Dream. It’s now five years later and the obligations that come along with great success have robbed him of the freedom he values above all else. When Lou suspects his fiancé of an infidelity, he moves into the Frontier Motel, setting himself up for a week-long adventure where he’ll once again learn to buck convention, indulge in his honest appetites, and follow his uninhibited instincts." Click here to read the excerpt. 

The Natives Are Restless: Read Our Interview With Enigmatic London-Based Electronic Music Producer James B. Stringer, AKA Brood Ma →

Brood Ma is James Stringer, a London by way of Kent-based producer and graphic artist. He first gained interest in music through heavy metal, and a predilection towards extremity still seems to hold a place in his musical identity. He got serious about music after dropping out of Central Saint Martins where he was studying visual art. His first output was more in the realm of noise, but eventually took on form, beat, and rhythm to emerge as the experimental dance project that now defines Brood Ma. Click here to read more. 

Rest In Purple Sweet Prince, A Musical Genius Who Transcended Genre, Race, Gender and Sound

Never meant to cause you any sorrow….sweet, stirring, sexual, heartbreaking, revolutionary, soulful, endless are the adjectives to describe the deliriously intoxicating and rhythmic sound of the artist who will never be formerly known as Prince, he will live on….on the radios of our cars, our memories of our first erotic introspection, and beyond. There will be no more Prince, but his music will be forevermore. photograph by Deborah Feingold/Corbis

Gufram On The Rocks "50 Years of Design Against the Tide" @ Carla Sozzani Gallery in Milan

On the occasion of miart and Salone del Mobile 2016, Galleria Carla Sozzani presents Gufram on the Rocks: 50 Years of Design against the Tide. The exhibition explores the first 50 years of Gufram through its most symbolic projects, the ones that in recent years have revived the legend of the brand and its mad and disruptive visions. With a special set up, some of the most representative icons of the history of Gufram invade the gallery's space: from the couch Bocca by Studio65 to Cactus designed by Guido Drocco and Franco Mello; from Pratone by Giorgio Ceretti, Pietro Derossi and Riccardo Rosso, to Sasso and Sedilsasso by Piero Gilardi; from Globe by Studio Job to Magnolia by Marcel Wanders, and many others. Gufram On The Rocks "50 Years of Design Against the Tide" will be on view until May 1, 2016 at Galeria Carla Sozzani, Corso Como 10, 20154 Milano. Photographs by Juanco Viso

Oliver Clegg "Life Is A Gasssss" @ Erin Cluley Gallery In Dallas, Texas

Exploring themes of change and resilience, Life Is a Gasssss will depict 20th century pop icons as an allusion to how the information overload of the 21st century has impacted visual culture. The cross-media selection of works will reflect the breadth of the artist’s practice. Click here to read our interview with the artist. Life Is a Gasssss will be on view until May 7, 2016 at Erin Cluley Gallery, 414 Fabrication Street, Dallas Texas

Paola Pivi "Ma'am" @ The Dallas Contemporary in Dallas, Texas

Paola Pivi’s first museum solo exhibition in the United States addresses the viewer as “ma’am.” Women, men, and children are greeted with this term of reverence and kindness along with its common, unintentional undertones of comedy and pretension. Ma’am brings together iconic past works with new commissions. Pivi’s feather-covered polar bears occupy the gallery in the company of an inverted Fiat G-91 fighter jet. Canvases of cascading real pearls converse with photographs of zebras on a snowy mountaintop. Spinning, feather-dressed wheels evoke dream catchers, while a giant inflatable ladder elicts wonder and aspiration. photographs by Oliver Maxwell Kupper

Dan Colen "Oil Painting" @ Dallas Contemporary in Dallas, Texas

Dan Colen "Oil Painting" provides an unprecedented opportunity to track the major developments in the artist’s practice, beginning with his earliest works and continuing through his most recent. For the first time, viewers will be offered new insights into those developments through never-before exhibited preparatory drawings, source material, studies, and experimental paintings from the artist’s studio. The exhibition includes several pieces from 2001, the year Colen graduated from the Rhode Island School of Design and began working toward his first gallery exhibition. Photographs and graphite-on-velum pieces from that year reveal Colen’s longstanding interest in and mastery of traditional painting—a practice that is explored, exploded, and returned to throughout the works that follow. This is particularly evident in several examples of his well-known “Candle Paintings”, which are paired with a suite of drawings that map the artist’s process, laying bare Colen’s attention to detail and composition. Additional paintings in the exhibition represent several of Colen’s major series, including Confetti, Trash, and Miracle paintings. Four large-scale Trash paintings, all made in 2016, show Colen’s newest painterly intervention into the pictorial plane—using detritus discovered on New York City streets as sculptural painting materials. Dan Colen "Oil Painting" will be on view until August 21, 2016 at Dallas Contemporary, 161 Glass Street Dallas, Texas  

Gardens of Pleasure: Read Our Interview With Ottoman Princess of Plexiglass and Designer Yaz Bukey →

On a quick trip to Los Angeles, we caught up with Paris-based designer Yaz Bukey. Her eponymous label is a trompe l’oeil pop art explosion of plexiglass that combines the aesthetics of advertising and everyday objects, like cigarette boxes and lipstick. Bukey is also an Ottoman princess and her ancestors were once the rulers of Egypt. In fact, one of those ancestors, Mehmet Ali Pasha, King of Egypt, gave the Concorde Obelisk to Napoleon. Despite her royal blood, Bukey is more modern than ever. Her collections are inspired by everything from ancient mythology to Boy George. In fact, Boy George is a customer of hers – so is Björk. Lately, Bukey has been eschewing the traditional runway presentation and showing her collections in the form of a performance that is half burlesque and half vaudeville shtick, with a splash of erotic revue. One regular performer is retired gay male pornstar François Sagat. We got a chance to catch up with Bukey in the Hollywood Hills to talk about her work, life and inspiration behind her current collection – as well as her wildly ambitious plans for the future of her label, which includes an all encompassing universe splashed with her vision. Click here to read the full interview. 

Home Improvements Group Show, Curated by John Waters @ FraenkelLAB in San Francisco

FraenkelLAB presents its first exhibition, Home Improvements, curated by John Waters. This eclectic group exhibition will encompass works in a wide range of media by Martin Creed, Moyra Davey, Vincent Fecteau, Paul Gabrielli, gelitin, Paul Lee, Tony Matelli, Doug Padgett, Karin Sander, Gedi Sibony, Lily van der Stokker, and George Stoll. John Waters describes the exhibition as “a celebration of the low-tech concept of ‘remodeling’. These twelve artists’ humble but surprisingly imperious paintings, sculptures, photographs and drawings will hopefully make any serious property owner want to throw caution to the wind, pack up their living space, and start over.” Home Improvements will be on view until May 16, 2016 @ FraenkelLAB, 1632 Market Street, San Francisco, CA. photographs by Bradley Golden

Lee Broom's Salone del Automobile Installation On the Streets of Milan

Lee Broom drove from London to Milan on this truck/mobile Palazzo to display his new collection of lighting fixtures. When asked about it he said: "Last year I went to a lot of exhibitions that were all about the Palazzo and everybody was talking about that." So this year he decided to literally deliver his own Palazzo. Always in the fastlane this guy. You can follow the whereabouts of Salone Del Automobile here. text and photograph by Juanco Viso