Love Is Something Heavy: Read Our Interview With Multimedia Artist Sara Rahbar Before Her Presentation of New Work During the NADA Art Fair →

Sara Rahbar is an artist who bravely transverses borders and permeates boundaries. Though often labeled an “Iranian American artist” (her family fled Iran in 1982 during the beginning of the Revolution), she prefers to relocate herself in a collective humanity. Transcending genre, her work ranges from photography and paint to textiles and sculpture. Rahbar’s work reflects this permeability, combining seemingly antithetical ideas – American flags sewn together with traditional Persian fabrics, hearts made out of military backpacks – in a beautiful and generative juxtaposition. Click here to read more. 

Less Than Weirdo: Read Max Barrie's Latest Tale of Relapse and Redemption in Los Angeles →

The noise in my head is so loud some nights, only bashing my brains in or a power drill would suffice. Then this Meat Robot called Max would finally know peace. The delusional hemorrhoids of loneliness are consistently painful and at times paralyzing. I’m around clients all day at work; I pass families and doggies as I stroll through Brentwood; I have a great relationship with my therapist who I see four times a week. But at the end of the day, I always go home alone. And there’s no good way to get home. Any route I take, each step is cemented with sadness, as if I’m walking a long plank to my apartment… trying to avoid dog shit on the sidewalk. Click here to read more. 

Nick Waplington "A Display of Panic at a Moment of Absolute Certainty" @ These Days Gallery In Los Angeles

These Days and Thomas Solomon Art Advisory present A Display of Panic at a Moment of Absolute Certainty, an exhibition of paintings by Nick Waplington. Over the last thirty years Waplington has developed an extensive body of work marked by eclecticism and juxtaposition. While best known as a photographer, Waplington also works extensively with painting, video, computer-generated imagery, sculpture, and found material.  Over the past year Waplington has been living in Los Angeles, devoting his art practice entirely to painting. This show features a number of large semi-abstract canvases rendering the city’s urban psycho-geography as well as its light and landscape. Once again, his work explores themes of chaos and volatility on a number of levels; in these paintings, Waplington evokes the constantly changing light and weather of Southern California in a time of climate instability, the city’s fragile existence on the edge of the San Andreas fault, and the desperate existence of the many men and women living precarious lives on the fringes of Los Angeles’s prosperity. Click here to read our interview with Nick Waplington. A Display of Panic at a Moment of Absolute Certainty will be on view until June 5, 2016 at These Days, 118 Winston Street, 2nd FL Los Angeles, CA

Chaos Theory: An Interview With The Legendary Nick Waplington On Photography, Painting, Skate Culture and the West Bank →

Talking with photographer and painter Nick Waplington is akin to viewing and pondering his work. There is a lot of information to sort through. But if you can find some order in the onslaught of ideas, or the “chaos” as he likes to call it, you will find a perspective wildly and almost enviably unique. The subjects of his conversation are as varied as those within his photographs and his paintings. While Waplington’s work has dealt with environmental concerns, rave culture, the creative processes and inner struggles of the late Alexander McQueen, and (as in his paintings) his own inner monologue, a 40-minute conversation with Waplington darts around discussions about his creative process, international politics, the contemporary art world and the business surrounding it, and even skateboarding. Click here to read more. 

James Georgopoulos "The Earth Is Flat" @ MAMA Gallery In Los Angeles

MAMA Gallery presents The Earth Is Flat, James Georgopoulos’ second solo exhibition at the gallery. Buoyed by four new video sculptures that the artist created out of found, fabricated, and handmade materials, The Earth Is Flat is an interrogation of artificial intelligence (AI) and the values and hazards implicit to autonomous computing. The artist‘s four sculptures themselves are superficially interconnected to insinuate that technology has inculcated itself as an indissoluble event in human history. James Georgopoulos "The Earth Is Flat" will be on view until June 11, 2016 at MAMA Gallery, 1242 Palmetto Street, Los Angeles, CA. 

Watch the Music Video For A Track Off Comedian Tim Heidecker's Debut Album

Tim Heidecker shares the video for his new single, "Work From Home," off his forthcoming solo record, In Glendale (out 5/20 on Rado Records). "Work From Home" presents a melancholy Tim, wandering around his (presumably Glendale-based) home, passing a variety of insane vignettes, hoping for a bit of peace and quiet. Written and directed by Austin Kearns, the single-shot video features obtrusive characters, house crashers, winos, stoners, and even Tim's label boss and Foxygen songwriter Jonathan Rado.

Anton Yelchin and Kate Parfet in Joshua Tree, California on 35mm film

In an effort to avoid the tired '68 knockoff nostalgia that pervades desert images, actor Anton Yelchin (Charlie Bartlett, Star Trek Into Darkness, Only Lovers Left Alive, Green Room) and model/photographer Kate Parfet wanted to combine trash aesthetics with a flair for glam and Area 51. In a secluded desert domicile, the pair celebrated textures that inspired them, objects and fabrics they found erotic and simultaneously playful. Click here to read our interview with Yelchin and Parfet on their adventure in the desert. 

Watch The Music Video for TOKiMONSTA's Track "Giving Up" Featuring Jonny Pierce

Click here to purchase TOKiMONSTA's new album. 

Read Our Interview With Fashion Designer Claire Barrow On The London Fashion Scene and Her All Encompassing Eponymous Label →

UK-based fashion designer Claire Barrow has always married art and fashion in a way that feels proper. While most fashion labels re-interpret graphics by their favorite artists, Barrow has used her garments as a vehicle for her own images. Born in Stockton-On-Tees, UK, Barrow found herself seduced by the sounds and imagery emanating from her local record shop as a teenager. While her classmates listened to Top 40 and wore their school uniforms, Barrow listened to bands on the atonal side of the rock spectrum (from Slayer to Sonic Youth) and found her own style by deconstructing and adding flair to her own school uniform. “I would wear all these ‘80s earrings. I would put patches on. I cut my tie,” says Barrow. “Getting into music, I just preferred metal and punk. I was finding my own records and being fully immersed in it. Music became my entire life.” Click here to read more. 

Adam McEwen "Harvest" @ Petzel Gallery in New York

Harvest focuses on movement—of the eye, the body, of information—and constraints on that movement. The exhibition comprises three main elements: a pair of sculptures replicating the current model of IBM Blue Gene supercomputer, rendered in graphite (a material closely associated with McEwen’s practice); a large steel and wood staircase sculpture which takes the shape of the letter K; and a group of paintings printed on cellulose sponge, or kitchen sponge, showing interior images of the four tunnels leaving Manhattan. Harvest will be on view until April 30, 2016 at Petzel Gallery, 456 W 18th Street, New York

Watch The Backstage Footage of Rick Owens' Spring Summer 2016 "Cyclops" Collection

This women’s spring collection is entitled Cyclops – a mythological creature, formidable, with focused vision. Who among us wouldn’t appreciate that kind of description? In the spring men’s collection, which shares the same name, that focused vision was propulsive and aggressive. When applied to women, I see that focused vision being more about nourishment, sisterhood/motherhood and regeneration; women raising women, women becoming women, and women supporting women – a world of women I know little about and can only attempt to amuse in my own small way. text by Rick Owens. Film by Matteo Carcelli and Luke Mayes