Stephanie Rose Guerrero Series Of Paintings "From Inside; The Out" @ New Image Art

"Often times in my work the body and the landscape become so interconnected it is difficult to figure out where bodies start or end, whether they are landscapes or bodies to begin with. Starting with raw canvas, I begin working from the inside out. I employ a technique that stains the images from the backside of the canvas, until it slowly seeps through to the front. Through the staining of the canvas I am confronted with the fluidity of the mark making, and the idea that both the internal and the external are intrinsically connected." "From Inside; The Out" is on view through May 12 at New Image Art 7920 Santa Monica Boulevard Los Angeles. photographs by Lani Trock

Oren Pinhassi's Solo Show "One In The Mouth And One In The Heart" @ Skibum Macarthur

 In One in the mouth and one in the heart, his solo show at Skibum MacArthur, Pinhassi prods us to confront our notions of the salacious and taboo, the social mores and religious dogma that shape our reactions, and the pavilions we architect to house and hide our wants and, at times, shame. The exhibition is on view through May 19 at Skibum Macarthur 1989 Blake Avenue Los Angeles. photographs by Lani Trock

Naudline Pierre's Solo Exhibition "Touch Not My Beloved" @ New Image Art

Depicting a strange and mysterious world, Naudline Pierre’s paintings cobble together a personal mythology full of characters paused in intimate scenes. The characters within these works play parts in this parallel reality flavored by the influence of Pierre’s puritanical Protestant upbringing. Touch Not My Beloved presents these scenes of protection and affection from a parallel reality, only accessible, the artist believes, through the act of painting. "Touch Not My Beloved" is on view through May 12 at New Image Art 7920 Santa Monica Boulevard Los Angeles. photographs by Lani Trock

Kat Olschbaur's Solo Show "Wilde Reiter" @ Oof Books

In this particular body of work, Kat Olschbaur explores motifs typically associated with the American West; as the name of the show and the artist’s painting style signal, however, the meaning of these images are multi-tier. Many of Olschbaur’s native association with riders on horseback are apocalyptic, deadly, seductive, or indicative of insanity. "Wilde Reiter" is on view through May 20 at Oof Books 912A Cypress Avenue Los Angeles. photographs by Lani Trock

New Photography 2018 @ MoMA In New York

Every two years, MoMA’s celebrated New Photography exhibition series presents urgent and compelling ideas in recent photography and photo-based art. This year’s edition, Being, asks how photography can capture what it means to be human. The exhibition is on view through August 19 at The Museum of Modern Art 11 West 53 Street, Manhattan New York. photographs by Adam Lehrer

Like Life: Sculpture, Color, and the Body @ The Met Breuer

Seven hundred years of sculptural practiceβ€”from fourteenth-century Europe to the global presentβ€”are examined anew in this groundbreaking exhibition. Like Life: Sculpture, Color, and the Body (1300–Now) explores narratives of sculpture in which artists have sought to replicate the literal, living presence of the human body. On view through July 22 exclusively at The Met Breuer 945 Madison Avenue New York. photographs Adam Lehrer

Ammon Rost's Exhibition "Rudder" @ LTD Los Angeles

In the fallout of a broken heart, specific and at times odd provocations emerge to elicit bittersweet emotions- the smell of a candle, a cat food commercial, a house with a triangular window. It changes person to person, but our brains insist that we ascribe emotional significance to seemingly unrelated, otherwise trivial occurrences. Ammon Rost's paintings for Rudder document a production of unforeseen romantic narratives, where every inclusion, every stroke or line or erasure either comes directly from a real experience, or becomes a representation of one. Every mark a memory. "Rudder" is on view through May 5th at LTD Los Angeles 1119 South La Brea Avenue Los Angeles. photographs by Lani Trock

Fay Ray's "I AM THE HOUSE" Exhibition @ Shulamit Nazarian

I AM THE HOUSE continues Ray’s interest in the fetishization of objects and the construction of female identity through high-contrast, monochromatic photomontages and suspended metallic sculptures. Throughout this series, she situates the body as a vessel, one that carries life, physical memories, and emotional fortitude.

Employing a wide array of images and materials, these new works usher in various references to transformations that occur during the initial and end stages of life. Eggs, flowers, and desiccated corn signify the fragility of existence, while portals, crushed beer cans, and cacti complicate the references to beauty and luxury that have long been staples of the artist’s visual lexicon. 

The exhibition is on view through May 26 at Shulamit Nazarian Gallery 616 N La Brea Avenue
Los Angeles. photographs by Lani Trock

Charlie Le Mindu's Exhibition and Performance "NOIR" Presented by /THE LAB/ by Please Do Not Enter@ The NoMad Hotel

Charlie Le Mindu's NOIR is an exhibition and rooftop performance, presented by /THE LAB/ by Please Do Not Enter, of raw sculptures; through literal extensions of his existing work with the human form, he explores the competing forces that drive our daily lives and relationships. The exhibition will be on view until May 18th at /THE LAB/ by Please Do Not Enter, 649 South Olive Street Los Angeles CA.

Peter Shire's Solo-Exhibition β€œDrawings, Impossible Teapots, Furniture & Sculpture” @ Kayne Griffin Corcoran

Peter Shire, noted local sculptor and ceramicist known for his zany post-modern teapots and his connection to the 1980s Memphis Milano design movement is showing is new solo-exhibiton called β€œDrawings, Impossible Teapots, Furniture & Sculpture.” The exhibition is on view through May 12 at Kayne Griffin Corcoran, 1201 South La Brea Avenue, Los Angeles.

Read Our Interview Of Lauren Halsey On The Occasion Of Her Funkadelic Installation At MOCA Los Angeles →

Lauren Halsey’s dream-world is cosmic, funky, carpeted, and technicolored; an atemporal, fantastical, and hyperreal vision of black liberation which she conjures via site-specific installations that celebrate her childhood home. Click here to read more.

The Opening Of Mario Ayala & Greg Ito's "Sun Sprawl" @ Club Pro Los Angeles

These stanzas of Wanda Coleman’s reach across time to help locate the work of Los Angeles-based artists Mario Ayala and Greg Ito. Following in the tradition of the city’s unofficial poet laureate, Ayala and Ito explore the ecology of symbols distinct to their birthplace, elevating and reconfiguring the ubiquitous visual language and objects central to the experience and mythology of Los Angeles. Sun Sprawl is on view through April 28th at Club Pro 1525 South Main Street, 3rd Floor Los Angeles. photographs by Lani Trock

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BioPerversity Group Show Opens @ Nicodim Gallery In Los Angeles

Nicodim Gallery is pleased to present BioPerversity, an exploration of humanity’s darker and lighter perversions as told through the personification of the rest of the animal kingdom, creatures who exist a few rungs beneath us on the evolutionary ladder. BioPerversity is on view through April 28 at Nicodim Gallery 571 S Anderson Street Ste 2, Los Angeles. photographs by Lani Trock

The Opening Of Jeremy Everett's "The Good Part" @ Wilding Cran Gallery in Los Angeles

The Good Part is a mixed-media installation by Jeremy Everett. Acting as interventions, the various works on view offer notions of tension, movement, resistance, and corruption. The Good Part is on view through May 19th at Wilding Cran Gallery 939 South Santa Fe Avenue Los Angeles. photographs by Lani Trock

Ali Prosch Presents "Come Undone" @ Bed & Breakfast

Come Undone explores the nuanced processes of aging and loss. Set against cultural constructions of beauty ideals that pedestal the flawless and utilize digital modes of erasure, this series of new latex sculptures use the language of tactile vulnerability. The artist prods dominant adverse representations and perceptions of aging, while considering the stigmas of trauma and grief. Come Undone highlights the power of disorder, metamorphosis and the body in flux. Reservations for overnight stays in Ali Prosch's Come Undone are open. Guests are read a bedtime story and served a full breakfast in the morning, prior to checkout. For reservations, contact hello@bedandbreakfast.life. The exhibition will be on view through May 20 at Bed & Breakfast. photographs by Lani Trock

The Opening Of "Blue State" A Group Show @ Night Gallery

Blue State explores the invention of β€œblueness” through various historical narratives, examining the role of the color as a catalyst for geographic and technological discovery. Once the essence that inspired scientific pilgrimage, blueness is now itself a geographic measuring instrument, serving as a shorthand to map political constituencies across the American landscape. District by district, blueness blankets a matrix of values under a single shade of establishment liberalism. A desire for exactness, for natural blueness rich in detail and meaning, has given way to its opposite: blueness as projection, a tool of blurring and false ascription. Blue acts not as an organizing principle but as an organizing force, one that points us at once to the paradoxes of discovery and repression, of global apocrypha and intimate secrets, of the joy of nature and its dissolution into the ether. Featured artists include: Cameron Crone, Cynthia Daignault, Paul Kremer, Divya Mehra, Monique Mouton, Elizabeth Marcus-Sonenberg, and Elise Rasmussen. Blue State will be on view through April 14 at Night Gallery 2276 E 16th Street Los Angeles. photographs by Lani Trock

Opening of Florian Meisenberg's The Taste Of Metal In Water @ Ghebaly Gallery in Los Angeles

The Taste Of Metal In Water is a body of new paintings in a sculptural sound installation. This show marks the artist's first solo exhibition with the gallery and unspools like a vivid session of lucid dreaming. Metal pipes slice the space into particular trajectories. The pipes, extensions of the guts of the building, carry neither electricity nor water, but instead small and resonant hiccups that spread throughout the space. A series of new paintings operate collectively as a stream of memories. The show will be on view through April 14 at Ghebaly Gallery 2245 E Washington Blvd. Los Angeles. photographs by Lani Trock

Highlights From Sun Kissed Chokehold Curated By Laura Watters & Kaylie Schiff

Sun Kissed Chokehold was a pop up group show on view in Highland Park on October 17, 2018. Featured artists include: Aaron Elvis Jupin, Adam Beris, Alina Perkins, Ariana Papademetropoulos, Bennet Shliesinger, Brendan Donnelly, Chris Fallon, Chris Lux, David Black, Giovanni Duca, Greg ito, Gustaf von Arbin, Hannah Hooper, Ivan Comas, Jessica Williams, John Zane Zappas, Lukas Geronimus, Mattea Perrotta, Maxwell McMaster, Nick Darmstaedter, Nicklas Stewart, Sam Keller, Steve Aldahl, and Sophia Green. photographs by Oliver Maxwell Kupper

The Opening of Sylvie Fleury's L.A. Bougainvillea @ Karma International

A potpourri of plush and furry textures, of bright and sparkling colors, and of lights and shapes are offered in this playful exhibition of sculptures, installation and and furry wall works in Sylvie Fleury's L.A. Bougainvillea. A seemingly haphazardly xeroxed "press release" Γ  la '80s fanzine aesthetic provides a barebones biography of the artist, a stencil-ready black and white portrait that looks not unlike Patty Hearst in a pair of sleek aviators, and a handwritten list of ideas and materials possibly pulled directly from the artist's personal notebook. L.A. Bougainvillea is on view through May 5 at Karma International 4619 W Washington Blvd. Los Angeles. photographs by Oliver Maxwell Kupper

Deanna Lawson @ Sikkema Jenkins & Co. In New York

ikkema Jenkins & Co. presents a solo exhibition of new photographs by Deana Lawson, the artist’s first with the gallery. Deana Lawson's photographic portraits are the product of a prolonged and singular journey. The images document studied and methodically staged interactions that blur the desires and intentions of the photographer and the individual in front of her camera. Lawson's intentions are situated in an β€œI AM space” –insisting that her subjects' identities supersede material limitations and interface with higher planes of value systems. The exhibition will be on view until April 7, 2018 at Sikkema Jenkins & Co. In New York. photographs by Adam Lehrer