Drake Carr Presents "Gulp" @ The Hole In New York

Drake Carr presents Gulp, a new series of figurative sculptures composed in two parts. Like the composition of an album, Carr’s sculptural ensemble segues between genres, time signatures, and themes to populate a scene built of multiple tracks. Irregularities in scale and texture animate and describe the boundaries between each of the figures, casting kaleidoscopic patterning as the crux of the soiree’s representational and interpersonal logic. Stuffed and dressed, bodysuits and armatures shuffle and skip (like a scratched CD) in a warp of orientations. Gulp is on view through August 12th at The Hole 312 Bowery New York. photographs by Adam Lehrer

Aaron Fowler's "Donkey Nights" @ Salon 94 Bowery In New York

Donkey Nights is an exhibition of new work by St. Louis native, Aaron Fowler. His massive, theatrical assemblage-paintings, made from discarded objects and unconventional materials, are sourced from his local surroundings. Through a layering of castoff furniture, paint, and collaged elements including iridescent CDs, mirror shards, wigs, water bottles, LED lights and sneakers, Fowler meticulously constructs his altar-like tableaux.  Religious icon painting comes to mind as do the combines of Robert Rauschenberg. In each of his layered, embellished works, Fowler constructs a personal narrative, both real and imagined, which comes alive through the materials he so carefully chooses and the subjects he celebrates. Portraits of the recently deceased, depictions of incarcerated family members, memorials to friends lost in acts of violence populate his work, as do fantastical scenarios incorporating historical figures, role models, and current public figures. Donkey Nights is on view through August 10th at Salon 94 Bowery, 243 Bowery New York. photographs by Adam Lehrer

Opening Of Homestead @ OOF Books in los angeles

OOF Books presents "Homestead": a solo show featuring the work of artist and sculptor Chris Zickefoose. Zickefoose utilizes materials made readily available due to rapid development. In the Mojave desert there is a transformation occurring—old homestead cabins are being demolished or renovated in order to accommodate a growing desire to occupy the Joshua Tree area. Architectural debris piles up on these re-developed properties. Homestead encapsulates these fragments, paying homage to the past while also welcoming the future. Zickefoose removes the found materials from their context, allowing them to transcend themselves and take on a metaphysical utility. His sculptures challenge the ways in which we assign meaning and value to the physical world. Homestead is open through August 5th 2018 @ OOF Books, 912A Cypress Ave, Los Angeles, CA 90065, Photos by Lani Trock. 

Liquid Dreams Group Show Opens @ Ghebaly Gallery, featuring Koak, Genesis Belanger, Dorian Gaudin, And More

Liquid Dreams is a group show featuring paintings and sculptures by Kelly Akashi, Farah Atassi, Davide Balula, Genesis Belanger, Neïl Beloufa, Lila de Magalhaes, Dorian Gaudin, Sayre Gomez, Patrick Jackson, Koak, Joel Kyack, Mike Kuchar, Candice Lin, Gina Osterloh, Philip Pearlstein, and Kathleen Ryan. Liquid Dreams is on view at Ghebaly Gallery through August 10th, 2245 E Washington Blvd, Los Angeles.

Opening of MK Ulta @ H I L D E L.A.

MK ULTA is an immersive exhibition of works by Gabriella Loeb and Trish Tillman at H I L D E  L.A. Photos by Oliver Kupper. 

Young Joo Lee @ Ochi Projects

Young Joo Lee combines inspiration from her dreams with personal and political histories to create drawings, sculptures and films. On view in the downstairs gallery, Paradise Limited is a three-channel animation based on Lee’s year-long project about the nature sanctuary at the Korean Demilitarized Zone (DMZ). Lee documented her research as a 25-meter scroll drawing, a reference to traditional Korean landscape painting, and created a sculptural scroll display to house the work, which provided the background for the film. In the upstairs gallery is Song from Sushi, an animated music video, written from the point of view of a sushi woman served on a sushi conveyor belt. She sings about the stereotypical depiction of Asian women as exotic sexual objects in media and cultural representations. Lee’s work is a glimpse into how our environments are not only outside of us, but how they truly alter our perception and inform our personal identities. Mine is on view at Ochi Projects through July 21st. 3301 W Washington Blvd, Los Angeles. photographs by Lani Trock. 

Katherina Olschbaur Presents "Horses" @ Nicodim Gallery Los Angeles

The horse, to Katherina Olschbaur, is a banner of freedom, but also one of constraint. Some of her subjects are galloping unbridled, powering through surreal, fluorescent landscapes as the ground bows, its surface giving willfully to the weight of each hoof. Other equines are restrained, bound to human figures—occasionally draped over human figures—erotically reinterpreting dressage as fetish play, begging the question: who’s riding whom? Horses is on view through August 18 at Nicodim Gallery 571 S Anderson Street Ste 2 Los Angeles. photographs by Oliver Maxwell Kupper

Marlene Dumas Presents "Myths & Morals" @ David Zwirner New York

Myths & Mortals is Marlene Dumas' first solo presentation in New York since 2010, features a selection of new paintings that range from monumental nude figures to intimately scaled portraits. Alongside these works, Dumas is debuting an expansive series of works on paper originally created for a recent Dutch translation by Hafid Bouazza of William Shakespeare’s narrative poem Venus and Adonis (1593). In these drawings—tender and erotic with hints of violence—the artist renders the story of Venus, the goddess of love, and her tragic passion for the handsome youth Adonis in her singularly expressive ink wash. Myths & Mortals is on view through June 30 at David Zwirner 537 West 20th Street New York. photographs by Adam Lehrer

Ambition: An Exhibition Of Photographs By Bob Mizer @ M+B Photo Gallery

Ambition is an exhibition of photographs by the late Bob Mizer. Mizer was one of the most significant figures of twentieth century homoerotic art and was a celebrated pioneer in developing the visual language for post-war gay culture. This is the artist's first solo exhibition with the gallery and will include over 30 never-before-exhibited images from the Bob Mizer archive. The show runs from June 23 to August 18 at the M+B Photo exhibition space 1050 North Cahuenga Boulevard Los Angeles. photographs by Oliver Maxwell Kupper.

On Solstice @ Ibid Gallery In Los Angeles

Ibid Gallery's summer group exhibition 'on Solstice' presents artists Adam Secore, Kelly Lamb, Ed Ruscha, Joe Goode, Objects for Others, Thomas Linder, Flora Hauser, and Emerson Woelffer. On view through August 18 at Ibid Gallery, Los Angeles. Photographs by Oliver Kupper. 

Milk Studios Presents A Rare Selection of Prints & BTS Reels By The Late Guy Bourdin

As a supplement to Icons of Style, Milk Studio presents a selection of Guy Bourdin photographs and rarely seen Polaroids, along with a selection of behind-the-scenes films that the artist shot to breathe life into his iconic fashion editorials. Photographs by Oliver Kupper

Opening Of 'A Journey That Wasn’t' @ The Broad Museum

A Journey That Wasn’t considers artists’ complex representations of time, and features the return of the beloved video installation, The Visitors, by Ragnar Kjartansson. The exhibition presents more than 20 artists including Bernd and Hilla Becher, Gregory Crewdson, Andreas Gursky, Elliott Hundley, Pierre Huyghe, Anselm Kiefer, Sherrie Levine, Glenn Ligon, Sharon Lockhart, Paul Pfeiffer and Ed Ruscha. The featured works in the exhibition—ranging from painting and sculpture to photography, film and installation—examine the passage of time by alluding to nostalgia or sentiments about aging, often depicting specific places in states of decay; these works can act as documentation, memorial or symbol. Still others imply movement or narrative within single still images; in these works, historical styles and events are ruptured, collaged and re-contextualized as to become portals into seemingly other worlds. is on view through at The Broad Museum 221 South Grand Avenue Los Angeles. photographs by Oliver Maxwell Kupper

Environment[al]: Curated By Herwig Baumgartner & Marcelyn Gow @ SCI-Arc Gallery

Environment[al] is a public exhibition examining contemporary attitudes toward environment in a post-digital context. The capacity of constructed natures to produce admixtures of the natural and the synthetic is a focus. The changing character of environment in the context of technological innovation is considered through the projects in the exhibition. Taking into account recent approaches to our understanding of environment and contemporary modes of ecological awareness, the exhibition considers the possibility of environments where qualities are fused with objects not normally associated with them. Sites, objects, and spaces become estranged to engender multiple authenticities and produce a fusion between architectural form and forms germane to constructed natures. A multivalent implementation of environment, one that involves an agile negotiation with the changing character of the ecological in the context of technological change begins  to surface, these environments produce invigorated forms of tangible architectural presence and performance. Environment[al] is on view through August 26 at SCI-Arc Gallery 960 East 3rd Street Los Angeles. photographs by Lani Trock

Icons Of Style: A Century Of Fashion Photography @ The Getty Center

This exhibition surveys the rich and varied history of modern fashion photography, exploring the ways in which photographers whose careers have been closely associated with the industry have shaped evolving notions of style and beauty. Drawn from the Getty Museum's permanent collection and supplemented by loans from private and public sources, Icons of Style features more than one hundred-sixty photographs presented alongside a selection of costumes, illustrations, magazine covers, videos, and advertisements. On view at Getty Center through October 21. Photographs by Oliver Kupper

Catalina Ouyang's Death Drive Joy Ride @ Make Room

Death Drive Joy Ride is Catalina Ouyang’ s first solo exhibition in Los Angeles. The exhibition features a new body of sculpture, installation and video. Taking East Asian fox spirits as a departure point, the work positions mythic desires for immortality alongside a contemporary endeavor to find joy and community amid a seemingly inexorable drive toward planetary destruction. Death Drive Joy Ride speaks (or wails) honestly from the positionality of its maker: a lonely Chinese-American girl clawing her way through our Wicked Problems. Death Drive Joy Ride is on view through August 8 at Make Room 1035 North Broadway Los Angeles. photographs by Lani Trock

Jack Whitten's Self Portrait With Satellites @ Hauser & Wirth Los Angeles

‘Self Portrait With Satellites’ takes viewers on a journey through the various permutations of abstraction that span the artist’s entire career. The exhibition brings together self-portraits and other paintings from Whitten’s own personal collection, many of which the artist studied on a daily basis, and offers an intimate glimpse into the artist’s core beliefs about art, his deep philosophical concerns, and the people that inspired him.

Complementing the exhibition, Hauser & Wirth Publishers will debut its new book ‘Jack Whitten. Notes from the Woodshed,’ which collects Whitten’s studio writings and other texts from the artist’s six-decade career. Edited by Katy Siegel, this publication provides a window on Whitten’s relentless artistic experimentation in the studio, exploring the way his practice intertwined with his daily life. Alongside transcriptions of Whitten’s handwritten documents are selections reproduced in facsimile, redolent of the studio’s atmosphere and the way the artist’s creative impulses pervaded every part of his world. 'Jack Whitten. Self Portrait With Satellites will be on view at Hauser & Wirth Los Angeles Daily from Tuesday - Sunday, 11am - 6pm from June 23 through September 23, 2018. 901 East 3rd Street, Los Angeles. photographs by Oliver Kupper

Mary Heilmann's First Solo Exhibition In Over 20 Years @ Hauser & Wirth Los Angeles

‘Memory Remix,’ Mary Heilmann’s first Los Angeles solo exhibition in over 20 years, is a survey of paintings, ceramics, and furniture in which the artist’s unwavering dedication to abstraction merges with sly references to her favorite landscapes, songs, movies, and Mexican weavings. This preeminent American artist is acclaimed for her unique ability to deploy the analytical geometries of Minimalism with the spontaneous freehanded spirit of the Beat Generation from which her generation emerged, and for her weaving of pop culture influences into a wholly original and pioneering oeuvre. Heilmann’s deft handling of paint and spatially dichotomous compositions have exerted a profound influence upon a younger group of artists.

Grounded in the soul of California, Mary Heilmann’s work draws from her memories of the distinctive colors and lines of the West Coast’s landscape and surf culture. Throughout a childhood accompanied by the radio’s ubiquitous soundtrack, Heilmann often watched the ocean tumble to the shore, rode the ‘mountain waves’ at Manhattan Beach, and read Allan Ginsberg’s ‘Howl’ and Walt Whitman’s ‘Leaves of Grass,’ which stoked her great admiration for poetry, jazz, and the idea of the Beats. Under these influences and through the deceptively simple means of painting – color, surface, and form – Heilmann physically manifests nostalgic impulses, memories, and allusions to popular culture that remain accessible on both personal and universal levels. In this way, her work transcends the seemingly opaque structures of geometrical abstraction by infusing it with the content of daily life. ‘Memory Remix’ is on view through September 23 at Hauser & Wirth 901 E 3rd Street Los Angeles. photographs by Oliver Kupper

Opening of Las Lenguas Group Show @ BBQLA

Las Lenguas is an exhibition about the potential languages of the body. It presents works that explore the representation of the figure by way of its inaudible gestures of expression. This is different from the soul inside of the eyes. It asks to observe the nuance of a lover, of a stranger, the alienation of a foreign language, and the failures of both the voice and the body to translate into distinguishable codes of associations. Las Lenguas are presences whose capabilities figuratively translate through the mysterious shapes made by the body to reveal or conceal in interior and exterior worlds in which it exists. Exhibiting artists include: Manny Castro, Alan Gutierrez, Yaron Michael Hakim, Shaun Johnson, Sofía Londoño, Jesse Mockrin, Nora Riggs, Ellen Schafer, and Hiejin Yoo. The exhibition is on view through July 14 at BBQLA 2315 Jesse Street Los Angeles. photographs by Lani Trock
 

Opening Of take care Group Show @ Gas In Los Angeles

How do radical ambitions of “self-care” persist or depart from capitalist society’s preoccupation with wellness and the industry surrounding it, particularly when filtered through technological advances? How can we imagine personal wellness that complicates or diverges from capitalist and consumerist tendencies? Taking its name from the common valediction, which is both an expression of familiarity and an instruction of caution, take care, is a group exhibition that considers the many tensions surrounding the possibilities of self-care. Participating artists: Hayley Barker, Darya Diamond, Ian James, Young Joon Kwak, C. Lavender, Sarah Manuwal, Saewon Oh, Amanda Vincelli, and SoftCells presents: Jules Gimbrone. Gas is a mobile, autonomous, experimental and networked platform for contemporary art. take care will be on view through July 20, and can be seen from 12pm-6pm on Saturdays in front of BBQLA 2315 Jesse Street, Los Angeles CA 90023. photographs by Lani Trock

Shaniqwa Jarvis West Coast Book Launch And Signing @ Arcana

Shaniqwa Jarvis’ eponymous first book is now available at Arcana Books in Culver City. In this expansive monograph, Jarvis presents one hundred and sixty pages of editorial and personal work spanning two decades drawn from the photographer’s archive. This lovely hardbound volume published by Baque Creative features an introduction by photographer Ryan McGinley accompanied by a meticulous selection of pictures from her favorite personal series such as “Bathroom Portraits” - shot in the toilets of bars in the early 2000s - along with editorial work for clients like The Gap, The New York Times, Supreme, Billboard, and Riposte that includes portraits of SZA, Lee Scratch Perry, George Condo, Cardi B, and a few requisite selfies.
 
Ms. Jarvis’ work is known for blending the aesthetics of modern fashion photography with the sensitive, unfiltered emotion of art portraiture. In some of her best-loved imagery she captures vivid reality across a wide variety of subjects that always appear to be an extension of herself. The images speak to raw, disparate feelings imbued with a deep sparkling optimism. The photos in this collection are an invitation to join Jarvis on a journey to see the world from her vantage point - one that is female, black, tirelessly hardworking, and brimming with raucous, positive vibrations. These are images of celebrities who seem like best friends, vintage shots of downtown New York notables in their heyday, children, loved ones in all colors of the rainbow, and delicate landscapes and travel souvenirs. Here is sorrow and joy commingling in pictures, many of them highly autobiographical, all representing a progressive and optimistic world.