Marty Schnapf "Fissures In The Fold" @ Wilding Cran Gallery
Marty Schnapf's Fissures in the Fold is on view through March 10 at Wilding Cran Gallery in Los Angeles.
Nino Mier Gallery is currently presenting Jansson Stegner's first solo exhibition in Los Angeles. This new series of oil paintings that ascribe male and female figures with exaggeratedly rendered physiques explores the inversion of gender roles within myriad aspects of authority, dominance, submission and beauty. Jansson Stegner Paintings will on view until March 3 at Nino Mier Gallery 7313 Santa Monica Blvd Los Angeles, CA 90046.
LaBeija offers us a keyhole through which to peer into some of her most tender and fragile moments—yet she peers right back, watching us watching her. Her gaze is direct and unflinching, often laced with grief, or defiance, or whatever emotion might have been coursing through her body at the particular moment when the shutter clicked—at once reminding us of the ultimate artifice of posed portraiture and stating, simply, Here I am. Click here to read more.
MoMA PS1 presents the first comprehensive retrospective of Carolee Schneemann, spanning the artist’s prolific six-decade career. As one of the most influential artists of the second part of the 20th century, Schneemann’s pioneering investigations into subjectivity, the social construction of the female body, and the cultural biases of art history have had significant influence on subsequent generations of artists. Carolee Schneemann: Kinetic Painting begins with rarely seen examples of the artist’s early paintings of the 1950s and their evolution into assemblages made in the 1960s, which integrated objects, mechanical elements, and modes of deconstruction. In the late 1960s Schneemann began positioning her own body within her work, performing the roles of “both image and image-maker.” As a central protagonist of the New York downtown avant-garde community, she explored hybrid artistic forms culminating in experimental theater events. The exhibition considers Schneemann’s oeuvre within the context of painting by tracing the developments that led to her groundbreaking innovations in performance, film, and installation in the 1970s, as well as her increasingly spatialized multimedia installations from the 1980s, 1990s, and 2000s. Carolee Schneemann "Kinetic Painting" will be on view until March 11, 2018 at MoMA PS1 in New York. photographs by Adam Lehrer
Jim Shaw's current exhibition at Metro Pictures contextualizes the personal with layers hyper-mediated symbology drawn from mythological and historical narratives. The paintings, sculpture, and video in this exhibition both interpret and allude to ancient legends like the rape of Europa and the biblical prophecies of the Old Testament, often rendering them beyond immediat recognition. Jim Shaw's exhibition will be on view until December 22nd, 2017 at Metro Pictures, 519 West 24th Street, New York, NY 10011. photographs by Adam Lehrer
The Lehmann Maupin Gallery presents THE BEARD PICTURES, a collection of pictures commemorating the 50th anniversary of Gilbert & George. The artists present themselves as two haunting figures, using their amorphous beards as a site for political and cultural critique. Scattered with fences and flowers, this series of self-portraits pieces together a narrative about an ever-changing urban landscape its constant turmoil. The 35 images that make up THE BEARD PICTURES will be on view at Lehmann Maupin’s Chelsea and downtown Manhattan locations until December 22nd. photographs by Adam Lehrer
Homeward Bound is a domestic setting where all the skeletons are let out of the closet and allowed to play on the furniture, to stomp each other’s grapes. With the eye of noted designer Oliver M. Furth, the gallery space has been transformed into a literal home, complete with a living room, dining room, bedroom, bathroom, beyond. Karon Davis’s Bianca sits plaintively by a front room window, drinking, smoking, waiting for a lover who will never return. Bjarne Melgaard cross-dresses in the skins of other species as if he was never quite comfortable in his own, while Lisa Anne Auerbach is very comfortable lounging around the house, reading bondage magazines in her underwear. Chris Burden’s first wife informs him in a letter that not only won’t she crucify him to their VW Bug, but that the suggestion has destroyed her relationship with the vehicle. Gold-leafed snails carry their mobile homes to the apexes of an organic landscape—the tips of Ruben Verdu’s nose and erect phallus—and both artist and travelers achieve climax simultaneously. Within the walls of this house, faces become chairs, vaginas become toothy faces, jello moulds become temples and orifices, music becomes sex itself. Homeward Bound will be on view until December 9th at Nicodim Gallery, 571 S Anderson Street Ste 2 Los Angeles
UTA Artist Space presents Haas Angeles, the first exhibition in Los Angeles by multi-faceted sculptors, designers, craftsmen, and artists The Haas Brothers. Their internationally renowned work defies strict categorization, as do the fraternal twins themselves, disrupting both the design and art world with their playful and provocative biomorphic creations. Haas Angeles will be on view until October 14, 2017 at UTA Artist Space, 670 S Anderson St, Los Angeles, CA. photographs by Oliver Maxwell Kupper
Taking inspiration from imagined spaces, vintage magazines, and books, Papademetropoulos creates environments that juxtapose ideas of perception and delusion. By using both realism and trompe l'oeil she references the history of painting while further developing the sense of illusion within her work. Featuring new paintings and installation, this exhibition focuses on our relationship to decor and interior space- it invites us to question functionality and taste, reality and fantasy. In a painting of a church interior the walls blur to the outside where the viewer is transported to a ‘Disneyfied’ realm; a surrealist dysfunctional home interior takes us ‘down the rabbit hole’ to a topsy-turvy space where everything is out of our reach, questioning our assumptions of home as comfort and retreat. Finally, the artist brings together a collection of more than 200 gothic romance novels, all written by women. Each paperback has a different title and a different story, yet all of the book covers share the common theme of a woman running out of a house from a presumed horrific fate. With this, she invites the viewer to confront the contradictions of fantasy vs horror, and ultimately the duplicity and hypocrisy within our popular culture. Ariana Papademetropoulos "The Man Who Saved A Dog From An Imaginary Fire" will be on view until October 26, 2017, at Wilding Cran Gallery, 939 South Santa Fe Ave, Los Angeles. photographs by Oliver Maxwell Kupper
In her most recent works, on view at New York's P.P.O.W. Gallery, Aurel Schmidt retires her attention to detail and color in a series of mixed media drawings and installation. Showcasing items belonging to past and present lovers in I Rot Before I Ripen, Schmidt investigates girlhood, streetwear iconography, brand significance, and heterosexuality. I Rot Before I Ripen will be on view until October 7 at P.P.O.W. Gallery 535 W 22nd St, New York, NY. photographs by Adam Lehrer
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The exhibition of new works on paper by Christopher Johnson, Mikhail Sokovikov and Jason Aaron Wall (Mint&Serf) investigates a range of figurative themes and conceptual perspectives that always question but not always answer. After a two-year hiatus Johnson, Sokovikov and Wall return with a set of refreshed attitudes and new directions that explore personal identity, abstract experimentation and destruction as the human condition. Warranted Non-Compliance will be on view until June 5 at Lazy Susan gallery, 191 Henry Street Chinatown, NYC. photographs by Lorenzo Fariello
The Marciano Art Foundation was established by Maurice and Paul Marciano - founders of guess - to grant the public access to the Marciano Art Collection through presentations of rotating, thematic exhibitions housed in a permanent exhibition space in Los Angeles. The museum opens on May 25, 2017. Click here to grab tickets. photographs by Oliver Maxwell Kupper
Now in its third edition, Photo London has established itself as a world-class photography fair and as a catalyst for London’s dynamic photography community. From the capital’s major museums, to its auction houses, galleries large and small, right into the burgeoning creative communities in the East End and South London, Photo London harnesses the city’s outstanding creative talent and brings together the world’s leading photographers, curators, exhibitors, dealers and the public to celebrate photography, the medium of our time. Photo London will be on view from May 18 to May 21 at Somerset House in London. photographs by Flo Kohl
Frieze New York will be on view from May 5 to May 7 at Randall's Island Park in New York. Purchase tickets here. photographs by Oliver Maxwell Kupper
Curated by Leyden Pavlova, Sensual Assault is a special group exhibition highlighting the physical sensations that dominate in this wild desert space. One feels the wind, the heat, the sun, and an overwhelming visceral sensation of the vastness of geological time. Visually, these forces can be seen in the earth, dry and sharp, worn smooth in places, and the plants that grow imperceptibly only to explode with flowers in the spring. The overwhelming sensations from this landscape provide a context to explore the human body’s violence and vulnerability. Through texture and movement, sensuality and savagery, the human experience is shown through the traces and imprints that people and places leave on each other. Featuring artists Theodore Boyer, Pola Esther, Marie Tomanova, William Kaner, Shig and Ethan Rider. photographs by Marielle Stobie
Gagosian presents an exhibition of recent and new work by Jeff Koons. Making use of conceptual constructs including the ancient, the everyday, and the sublime, Koons creates luxurious icons and elaborate tableaux, which, beneath their captivating exteriors, engage the viewer in a metaphysical dialogue with cultural history. The exhibition will be on view until August 18, 2017 at Gagosian Beverly Hills. photographs by Bianca Vázquez
David Zwirner is presents an exhibition of new work by Raymond Pettibon, on view at 519 West 19th Street in New York. The artist's tenth solo show at gallery TH’ EXPLOSIYV SHOYRT T follows his collaborative presentations with Marcel Dzama at the gallery in both London and New York last year. Raymond Pettibon "TH' EXPLOSIYV SHOYRT T" will be on view until June 24, 2017. photographs by Oliver Maxwell Kupper