Argentina was Holy Patte's last stop on their epic four-month journey through South America, discovering the magical terrain along the way; all the while keeping true to their mission to find craftspeople who are still making things by hand. It is also here that we say goodbye to Holy Patte - until they share with Autre another one of their magical adventures.
Today is officially National Grandparent's Day. In honor of this special today, not only do we urge you to visit, call or think about your father's father or mother's mother – we also urge you to listen to Noah Wall's amazing new EP. With the simple question: ‘”What did (or do) you call your grandparents?” – Wall encouraged 100 of his friends to send in their answers. With those replies, he created an amazing EP and a subsequent short animated film with 217 spoken grandparent names. Wall, who has been known for embedding himself as an audio spy in a Guitar Center and creating a series of Good Morning Instagram videos, described the project: "This pot of Nanas, Papas, Opas, Gidos, Booboos, Gagas, Gogis, and Yeahyeahs was starting to resemble some sort of psychedelic Rosetta Stone lesson." You can click here to listen to the full EP and download the album.
No one seems to do psychedelic rock as joyously blistering as the Japanese. In this playlist, you'll find some of the most ear scorching psychonaut rock n' roll out there. Within this list is the progenitors of this whole thing, Les Rallizes Denudes, with their vampiric doo-wop stomper 'Night of the Assasins.' The immortal Kawabata Makoto is well-represented on this list, with his band Mainliner's 'M' and longstanding project Acid Mother Temple's 'Starless and Bible Black Sabbath." Kawabata's sound philosophies are a strong stand in for the philosophy of this blissful form of music. Equally influenced by Stockhausen as he is Hendrix, Makoto marries the most mind-altering textures from rock, noise, drone, and jazz to bring an aural onslaught that pummels as much as it enlightens. Click here to listen
David Zwirner presentsan exhibition of Gordon Matta-Clark’s drawings, a medium the artist explored continuously throughout his career, alongside the architectural cuts and photographs for which he is most known. On view at 537 West 20th Street in New York will be rarely shown works that reveal on an intimate scale some of the major ideas underpinning his practice. With his drawings—which span three-dimensional reliefs, calligraphy, and notebook entries—Matta-Clark captured the interdisciplinary spirit that defined the art world in the 1970s. Intricate and yet concise, they testify to his interest in the crossovers between visual and performance arts, as well as the broader integration within his oeuvre of the natural and built environment—trained in architecture, the artist keenly explored options for creating “breathing cities” in treetops as well as below ground, subverting traditional ideas about urban planning. Gordon Matta-Clark "Energy & Abstraction" will be on view until October 10, 2015. photographs by Adam Lehrer
Lehmann Maupin is pleased to present its fourth exhibition with British artist Billy Childish, a prolific painter, writer, and musician. The artist’s vivid oil paintings offer fragmented fields of intense color applied frenetically, often leaving charcoal marks and the linen canvas exposed, further emphasizing the immediate and intuitive nature of Childish’s work. Billy Childish "Flowers, Nudes and Birch Trees: New Paintings 2015" will be on view until October 31, 2015 at Lehmann Maupin, 536 W 22nd Street. photographs by Tenlie Mourning
Daniel Arsham makes art. His studio is nestled away on a quiet street in the Greenpoint neighborhood in Brooklyn. You could pass his studio door a hundred times and not even notice it, were you not looking for it. The front of the building almost looks to be an extension of his art. And, behind the unassuming door is a vast treasure of ash, crystal, obsidian and other substances that make up the various forms of his sculptures. Click here to read the full interview.
In 1972, David Bowie released his groundbreaking album The Rise and Fall of Ziggy Stardust and the Spiders from Mars. With it landed Bowie’s Stardust alter-ego: A glitter-clad, mascara-eyed, sexually-ambiguous persona who kicked down the boundaries between male and female, straight and gay, fact and fiction into one shifting and sparkling phenomenon of ’70s self-expression. Together, Ziggy the album and Ziggy the stage spectacular propelled the softly spoken Londoner into one of the world’s biggest stars. A key passenger on this glam trip into the stratosphere was fellow Londoner and photographer Mick Rock. Rock bonded with Bowie artistically and personally, immersed himself in the singer’s inner circle, and, between 1972–1973, worked as Bowie’s official photographer. Last night, Taschen Gallery in Beverly Hills celebrated the launch of the book and an exhibition of selected photographs from the tome for an exhibition entitled David Bowie: Shooting For Stardust, which will be on view until October 11. photographs by Oliver Maxwell Kupper
Kohei Yoshiyuki from the "Park" series
Flipping my roles, cuckolding is a favorite. To have someone watch me fuck is an honor and a privilege yet enormously humiliating and/or exciting for them. I am enjoying myself thoroughly while you watch and pine. Click here to read the full essay.
Click here to see the full photographic essay.
Last month, we featured an incredibly fascinating interview with legendary Viennese Actionist Hermann Nisch. Tonight, the artist will be having his first exhibition at the Marc Straus gallery in New York. The exhibition will include recent paintings as well as important historic pieces from his distinguished career of over 55 years. Since 1957, Nitsch has been addressing the intensification of human existence through his ritualistic performance art, most prominently “The Orgien Mysterien Theater.” With more than 100 performances to date, these staged Dionysian performances are replete with religious sacrifices, mock crucifixion, blood, entrails, robes, dance and nude participants. Religious tropes are all here; the intensity resembles scenes from Grünewald’s Isenheim Altarpiece, the carcasses nod towards Rembrandt’s hanging meats. The exhibition opens tonight and runs until October 8 at Marc Straus Gallery, 299 Grand Street New York, NY. photographs by Tenlie Mourning
Sue de Beer
Untitled (Mariya), 2009/2011
Sue de Beer paints a lonely, haunting portrait with moving imagery. She is a filmmaker, but she is ultimately an artist in the sense that her short films exist in a sculptural environment that typically inhabits a physical space – usually a gallery – replete with film stills, three dimensional objects and more. Her films are often inspired or influenced by literary works and deal with identity, memory, and paranormal activity. In her film Ghosts, an occult hypnotist recovers lost lengths of time from peoples’ memories and returns them as if they are new memories. In another film, The Quickening, sexuality and desire is explored in an oppressive environment of Puritanical New England in the 18th century. The installations in which De Beer presents her films creates an almost dreamlike environment that leaves the viewer wondering if the time spent within the installation was a dream itself. Click here to read our interview of the artist.
The first monograph on notorious photographer Chris von Wangenheim, whose shocking work epitomized the glamour and excess of the 1970s and reflected the fashionable underworld living life on the edge. Between the years 1968 and 1981, photographer Chris von Wangenheim shocked the world with a body of work that explored sex, violence, and danger in the realm of high fashion. Von Wangenheim’s dark photographs were emblematic of the time—an era that encompassed Deep Throat, the sexual revolution, punk, and porn—and continually challenged the viewers’ taste by its stylized depictions of suggestive (and often harrowing) narratives. His images appeared in every top fashion publication—including Vogue, Harper’s Bazaar, Vogue Italia, and Interview—and he produced unforgettable campaigns for Dior and Valentino until he died in a car accident at age 39. This book, the first monograph on von Wangenheim’s career, contains over two hundred provocative and iconic images from this tumultuous era, including never-before-seen outtakes from memorable shoots with such supermodels as Christie Brinkley, Lisa Taylor, and the late Gia Carangi. Drawing on interviews with models, editors, art directors, and photographers who were influenced by him, the Padilhas revive von Wangenheim’s explosive depictions of the glamour and excess of the 1970s for a contemporary audience and reveal how his work continues to inform fashion imagery today. Click here to preorder the book.
"Forget the runway, come run(a)way to a place where fashion has been wrestled from the talons of Vogue, torn to shreds, and redistributed amongst the munchkins." Barf Queen, Agency, and Dopp Doolittle present a unique one night only tradeshow fashion orgy at Night Gallery in Los Angeles.
Bolivia is the second to last stop for Holy Patte, who last week took us on a tour of Peru and the week before that Ecuador. On their four-month journey through South America, no country would take them higher than Bolivia. It's staggering elevations have encouraged a seemingly extraterrestrial landscape to emerge over the millennia. Bolivia is also landlocked, which means there is no shore to infringe upon its remoteness. Amaury and Chloé, or Holy Patte, perfectly capture the eeriness of this landscape that could just as easily be Mars or Neptune - if only these planets had pink flamingoes that exist in the well below freezing environment of Laguna Colorada and wooly alpaca that roam the surrounding Andean plateau.
The New York City based, Kitsuné signed two-piece Beau return with another stylish and bohemia tinged video for the track 'C'mon Please', taken from their self-titled debut EP out earlier this year. Watch the video above and click here to read our interview with the artist.
This is the second time a public sculpture by the British-Indian artist Anish Kapoor has been vandalized. This time, it's a lot more sensitive, especially in the light of European refugee crisis and a seemingly worldwide paranoia and xenophobia. The 230-foot sculpture, entitled Dirty Corner, caused a stir when it was erected in Versailles and the artist alluded that it "evoked the vagina of the queen." In this instance, Kapoor has decided to leave the anti-semitic, royalist text as a rebellion to the perpetrators.
Once again my work Dirty Corner has become a receptacle for the dirty politics of anti-Semitic vandals, racists and right-wing royalists. The vandalised sculpture now looks like a graveyard, the stones are now gravestones marking the ruinous politics of fundamentalist bigotry. Dirty Corner allows this dirty politics to expose itself fully, in full view for all to see. At this time, when we need to have compassion for the thousands of refugees on the road in Europe, the anti-Semitic, racist attack on Dirty Corner at Chateau de Versailles in Paris, brings to the forefront the intolerance and racism in our midst. Dirty Corner has become the vehicle for the expression of our anxiety of "the other" and emphasis that Art is a focus for our deepest longings and fears. It is urgent that we show our solidarity with the oppressed the downtrodden and those of our brothers and sisters in need. As the artist I have -for the second time- to ask myself what this act of violence means to my work. The sculpture will now carry the scars of this renewed attack. I will not allow this act of violence and intolerance to be erased. Dirty Corner will now be marked with hate and I will preserve these scars as a memory of this painful history. I am determined that Art will triumph. text by Anish Kapoor
Brian Kokoska, who can often be found with a knife clutched between his teeth or with a devious, wide-grinned smile, is one of our favorite artists working today. His paintings almost look like they belong to the hand of a child in art class working out some kind of trauma caused by alien abduction, but when you look closer, there is unexplainable magic going on. Perhaps Kokoska’s paintings are mirrored reflections of our own demons, or the artist’s – who really knows or cares – but what you will find amongst his crude oil painted visages is a sense of primordial familiarity. Maybe these creatures are our friends, or maybe they are out to kill us. Click here to read our interview with the artist.
Get ready to enter a K-hole of musical nostalgia – Adam Lehrer explores a world pre Skrillex, pre Deadmau5 – the halcyon days of underground raves and candy flipping – when electronic dance music made a brief, but beautiful emergence on the mainstream radio and kids all over the world were wearing wide jeans and popped a pacifier in their mouth. Click here to listen to the playlist - with tracks by the Chemical Brothers, The Prodigy and more.
Will Ryman is a brilliant puppeteer and manipulator of materials to expose innate contradictions in history, commerce and power. It started with a gilded reinterpretation of Abraham Lincoln’s childhood cabin and took even more shape when he crafted a true-to-size 1958 Cadillac and coated the entire thing in Bounty paper towels. It’s simple distillation and refinery, and Ryman is the centrifuge forcing the base materials to the surface – the resultant work connotes a singular layer of blatant truth. His upcoming exhibition at Paul Kasmin gallery, Two Rooms, is an even more advanced exploration of this distillation and stripping down. Click here to read the full interview.
