The Collection of the Fondation: A Vision for Painting @ Fondation Louis Vuitton in Paris

“The Collection of the Fondation: A Vision for Painting” brings together 72 works by 23 artists representing different horizons across generations. The exhibition showcases how formal modes and expressions of painting have been renewed and reinvented since 1960 to today: figurative or abstract, manufactured or mechanic, inhabited or distant. These works are also displayed in dialogue with a series of sculptures and installations.

“The Collection of the Fondation: A Vision for Painting” is on view through August 26 at Fondation Louis Vuitton 8 avenue du Mahatma Gandhi, Bois de Boulogne, Paris. photographs courtesy of Fondation Louis Vuitton

Camp: Notes on Fashion @ The Met in New York

The Met Costume Institute’s spring 2019 exhibition, Camp: Notes on Fashion, explores the origins of camp’s exuberant aesthetic and how the sensibility evolved from the margins of society to become an important influence on mainstream culture. Susan Sontag’s 1964 essay, “Notes on ‘Camp’,” provides the framework for the exhibition by examining how fashion designers have used their métier to engage with camp in a myriad of compelling, humorous, and sometimes incongruous ways. The exhibition features approximately 250 objects, including womenswear and menswear, as well as sculptures, paintings, and drawings dating from the 17th century to the present.

Camp: Notes on Fashion is on view through September 8 at The Met Fifth Avenue 1000 Fifth Avenue New York, NY. photographs courtesy of The Met Costume Institute

Takis @ Tate Modern in London

Takis has created some of the most innovative art of the 20th century over his 70-year career. His work seeks out the essential poetry and beauty of the electromagnetic universe. Takis has created antennae-like sculptures he calls “Signals,” and musical devices using magnets, electricity, and viewer participation to generate resonant and random sounds. This exhibition brings together over 70 of the artist’s pieces, making this the largest exhibition of his work ever held in the UK. Takis was one of the most original artistic voices in Europe from the 1960s and remains a pioneering figure in contemporary art today.

Takis is on view through October 27 at Tate Modern Bankside, London SE1 9TG. photographs courtesy of Tate Modern

Soul of a Nation: Art in the Age of Black Power 1963-1983 @ The Broad Museum In Los Angeles

Soul of a Nation: Art in the Age of Black Power shines a bright light on the vital contribution of Black artists made over two revolutionary decades in American history, beginning in 1963 at the height of the civil rights movement. The exhibition examines the influences, from the civil rights and Black Power movements to Minimalism and developments in abstraction, on artists such as Romare Bearden, Barkley Hendricks, Noah Purifoy, Martin Puryear, Faith Ringgold, Betye Saar, Alma Thomas, Charles White, and William T. Williams. Los Angeles-based artists appear throughout Soul of a Nation, and more deeply in three specific galleries, foregrounding the significant role of Los Angeles in the art and history of the civil rights movement and the subsequent activist era, and the critical influence and sustained originality of the city’s artists, many of whom have lacked wider recognition.

Soul of a Nation: Art in the Age of Black Power is on view through September 1st at The Broas Museum 221 S. Grand Avenue, Los Angeles. photographs by Oliver Maxwell Kupper

Punch, Curated By Nina Chanel Abney @ Jeffrey Deitch in Los Angeles

Punch, curated by artist Nina Chanel Abney, features thirty-three artists who examine contemporary culture and society through the lens of figuration. The exhibition focuses on artists primarily from Los Angeles in Abney’s circle who explore connections and disconnections between culture and subculture, figuration and abstraction, and the physical and the digital. The pieces featured in the exhibition contain references to art historical precedents such as Abstract Expressionism and Pop Art, as well as street art, while integrating elements of design, graffiti, cartoons, and satire. Using painting, sculpture, and performance as acts of defiance, these artists explore how they can create figurative and abstract representations with visual punch while portraying a society immersed in new media and pop culture.

Punch, Curated by Nina Chanel Abney is on view through August 17 at Jeffrey Deitch Los Angeles 925 North Orange Drive, Los Angeles. photographs courtesy of Jeffrey Deitch

Olafur Eliasson: In real life @ Tate Modern in London

Olafur Eliasson: In real life marks the most comprehensive solo presentation of the artist’s work, and his first major survey in the UK. Eliasson consistently seeks to make his art relevant to society, engaging the public in memorable ways both inside and outside the gallery. Driven by his interests in perception, movement, and the interaction of people and their environments, he creates artworks which offer experiences that can be shared by all visitors. The exhibition also examines Eliasson’s engagement with issues of climate change, sustainable energy, migration, as well as architecture. Olafur Eliasson: In real life offers a timely opportunity to experience the immersive world of the endlessly inquisitive artist.

Olafur Eliasson: In real life is on view through January 5, 2020 at Tate Modern Bankside, London SE1 9TG. photographs courtesy of Tate Modern

Watch The Music Video For SadGirl's "Chlorine" Off Their New Album "Water"

America is restless. And in the Golden State of California, the veneer of optimism and unlimited opportunity hides a countryside teetering on the edge of the Pacific. The hillside mansions risk burning in the wildfires while the views from ocean front properties remind their owners that one tectonic shift will sink it all.Surely the people who built Los Angeles on the desert landscape were aware of the delicate balance of their surroundings, but hope springs eternal. And indeed, LA became a place of dreams realized, even though Mother Nature and the hands of fate often destroyed those dreams. LA’s SadGirl are acutely aware of that reality, and their analog rock n’ roll has always somehow managed to approximate the relentless optimism of the pioneer spirit, but they’ve also exuded some degree of self-awareness of the anodyne properties of vintage pop. With their new album Water, the Los Angeles trio taps into the romantic and nostalgic spirit of their native city while exuding a time-tested authenticity suggesting that they’ve had a peek behind the curtain of the manicured lawns, glitzy boulevards, and relentless sunshine. SadGirl will be performing tonight, July 11, at the Teregram Ballroom

Garry Winogrand: Color @ Brooklyn Museum

Garry Winogrand: Color sheds new light on the influential career of twentieth-century photographer Garry Winogrand (1928–1984) as the first exhibition dedicated to the artist’s color photographs. While almost exclusively known for his black-and-white images that pioneered a “snapshot aesthetic” in contemporary art, Winogrand also produced more than 45,000 color slides between the early 1950s and late 1960s. The exhibition features an enveloping installation of seventeen projections comprising more than 450 rarely or never- before seen color photographs that demonstrate the artist’s commitment to color, with which he experimented for nearly 20 years. Also included are 25 gelatin silver photographs drawn from the Museum’s extensive holdings of works by the artist.

Garry Winogrand: Color is on view through December 8 at Brooklyn Museum 200 Eastern Parkway, Brooklyn, NY 11238. photographs courtesy of Brooklyn Museum and Fraenkel Gallery, San Francisco

Simone Fattal: Works and Days @ the New York MOMA

Simone Fattal: Works and Days brings together over 200 works created over the last 50 years, featuring abstract and figurative ceramic sculptures, paintings, watercolors, and collages that draw from a range of sources including ancient history, mythology, Sufi poetry, geopolitical conflicts, and landscape painting. Fattal’s work explores the impact of displacement, as well as the politics of archaeology and excavation, constructing a world that has emerged from history and memory. Both timeless and specific, Fattal’s work straddles the contemporary, the archaic, and the mythic.

Simone Fattal: Works and Days is on view through September 2 at MOMA 11 West 53 Street. photographs courtesy of MOMA

Franco-American Duo FAUX REAL Releases New Music Video For "Second Sweat"

Faux real is the deranged child of Franco-American brothers Elliott and Virgile Arndt. In the summer of 2018, they invoked the union of their inner-gene genies and gave birth to faux realism. The brothers started playing their first shows as a duo with nothing but a couple of microphones, a flute, some handmade costumes and a weird/incestuous/compelling 30-minute long choreography. With no music online or a single confirmed show on the horizon, they took off on a month-long US tour in march 2019, with high hopes and low expectations.

They ended up performing over 30 times that month from SXSW in Austin, to Los Angeles and New York City, performing anywhere and everywhere the city would allow, from large venues to sweaty nightclubs to street corners, house parties, art galleries, illegal raves, or hijacking existing bills with impromptu slots. The two brothers are quickly becoming notorious for their wild, unhinged, retro-futuristic and avant-garde anti-rock performances, ranging from flute-infused 808 ballads to feverish stooge-esque self-flagellation, tongue-in-cheek frenglish poetry, faux athletics and improvised quasi-ballet.

Liz Johnson Artur: If you know the beginning, the end is no trouble @ South London Gallery in London

Liz Johnson Artur’s first solo show in the UK presents new sculptural works incorporating photographs selected from her substantial archive of images documenting the lives of people from the African diaspora. While Artur has taken photographs across Europe, America, Africa, and the Caribbean for more than three decades, this exhibition focuses on images that capture the richness and complexity of Black British life in London.

Liz Johnson Artur: If you know the beginning, the end is no trouble is on view through September 1 at the South London Gallery 65-67 Peckham Road, London. photographs courtesy of the South London Gallery

Jonas Wood @ Gagosian in New York

Jonas Wood combines art historical references with images of the objects, interiors, and people in his boldly colored graphics. In his new paintings and works on paper, Wood translates the three-dimensional world around him into pure color and line. The artist composes these works through a process of layering and collaging, using photography, projection, drawing, and then painting. Wood confounds expectations of scale and vantage point, causing the flat picture plane to bristle with an abstract charge.

Jonas Wood is on view through July 19 at Gagosian 555 West 24th Street, New York. photographs courtesy of Gagosian

Henry Wessel: A Dark Thread @ Maison Européenne de la Photographie in Paris

For five decades, Henry Wessel documented intensifying elements of the uncanny present in scenes of everyday life. As an avid fan of film noir and detective fiction, Wessel arranged his images in sequences like storyboards for films so that viewers could try to make connections and imagine stories between pictures that may have been taken years apart. The prolific photographer worked primarily in black and white, developing his own prints with a characteristic soft silver tone. Henry Wessel created an interpretive, mysterious vision of the places he lived in and visited, with a “dark thread” connecting his photographs to one another.

Henry Wessel: A Dark Thread is on view through August 25 at Maison Européenne de la Photographie 5/7 Rue de Fourcy, Paris, France. photographs courtesy of Maison Européenne de la Photographie

Lee Krasner: Living Colour @ Barbican Art Gallery in London

The first European retrospective of Lee Krasner’s work in over fifty years is now showing at the Barbican Art Gallery in London. Lee Krasner: Living Colour features nearly 100 works made throughout the artist’s career, including self-portraits, energetic charcoal life drawings, as well as her acclaimed “Little Image” paintings. As one of the pioneers of Abstract Expressionism, Krasner created pieces reflecting the feeling of possibility and the spirit of experimentation in post-war New York. Krasner’s talents have often been eclipsed by her marriage to Jackson Pollock, however, this exhibition celebrates the career of a formidable artist dedicated to her dynamic, abstracted vision.

Lee Krasner: Living Colour is on view through September 1 at Barbican Art Gallery Barbican Centre, Silk St, London. photographs courtesy of Barbican Art Gallery

Frank Bowling @ Tate Britain in London

Frank Bowling’s first major retrospective at the Tate Britain offers the chance to experience work created throughout all six decades of the artist’s career. Bowling has relentlessly explored the properties and possibilities of paint, experimenting with staining, pouring, layering, as well as a variety of materials. The exhibition includes paintings from his respectively more personal and abstract series in which Bowling has investigated the tension between geometry and fluidity. At 85 years-old, the artist continues to paint everyday creating work that relies on technical skill while embracing change and the unpredictable.

Frank Bowling is on view through August 26 at Tate Britain Millbank, Westminster, London. photographs courtesy of Tate Britain

Greg Ito & Honor Titus: Enter the Garden @ Penske Projects in Los Angeles

Multidisciplinary artists, Greg Ito and Honor Titus, are currently exhibiting their work in a group show at Penske Projects in Los Angeles. Both artists have taken the urban landscapes they have lived in and frequented, and reflected the beauty and the mystery of these cities in their respective artwork. While Ito uses iconography engrained in Los Angeles’s urban surroundings to express the many faces of the city, Titus focuses on depicting street scenes which encapsulate the memory of hot summer months spent in cities such as London, New York, and Paris. Ito and Titus’s complementary bodies of work come together in this exhibition to navigate the viewers through a tour of the magical urban gardens they have created through their work.

Greg Ito & Honor Titus: Enter the Garden is on view through July 27 at Penske Projects 4859 Fountain Ave, Los Angeles, California. photographs by Oliver Kupper

amy von harington: Buyer Beware @ Rude Drawing in Los Angeles

For the first time ever, amy von harington is showing a selection of collages from her three-year project on Instagram at Rude Drawing. While the artist’s assemblage pieces are primarily constructed from vintage images, her work reflects the current zeitgeist. Blending the banal with the ordinary, von harington creates a fantasyland where dolls and hunks across America embrace their freakishness.

Buyer Beware is on view through July 7 at Rude Drawing 1676 Redesdale Avenue Los Angeles, CA. photographs by Oliver Maxwell Kupper

Ed Ruscha: Eilshemius & Me @ Gagosian in London

Gagosian presents Ed Ruscha: Eilshemius & Me, an exhibition of works by Ed Ruscha and Louis Michel Eilshemius (1864–1941). In the exhibition, landscape emerges as a set of ideas rather than a dutiful imitation of reality. The picture’s frame, whether physically real or illusionistically painted, isolates the painter’s vision, demarcating and confining it, almost like a theater curtain or the contracting aperture of a camera lens over a silent film—slowly revealing the plane on which the artist’s storytelling will take place, ready to contract again when the story is told.

Eilshemius & Me is on view through August 2 at Gagosian 17–19 Davies Street London W1K 3DE, UK. photographs courtesy of Gagosian

Lignes de vies – une exposition de légendes @ MAC VAL in Vitry-sur-Seine

Conceiving one’s life as a creative force is the vector shared by the 80 international artists featuring in the new temporary exhibition at MAC VAL. Titled “Lignes de vies – une exposition de légendes” (Lifelines – an Exhibition of Legends), this new highlight in the life of the Musée d’Art Contemporain du Val-de-Marne brings together work by several different generations of artists, representing every kind of practice, from photography to video via painting, installation, performance and writing. It continues a programme that, ever since the museum first opened in 2005, has worked to question modalities and instances in the construction of identity – or rather, identities. All the works shown in the extensive exhibition space deconstruct, analyse, critique or interrogate the phenomena and processes that shape and legitimise identity/identities. There are no narcissistic or self-centred gestures here; rather, the artists reconstruct and propose – more than new identities: chosen identities.

Lignes de vies – une exposition de légendes is on view through August 25 at MAC VAL Place de la Libération CS10022 94407 Vitry-sur-Seine, FR. photographs courtesy of MAC VAL

Dilexi: Totems and Phenomenology @ Parrasch Heijnen Gallery in Los Angeles

Parrasch Heijnen Gallery is participating in the multi-venue Dilexi Gallery retrospective with a historic presentation of works by Arlo Acton, Tony DeLap, Deborah Remington, Charles Ross, and Richard Van Buren. The Dilexi gallery began out of necessity--a deep-seated need to have a serious space for counterculture artists in the heart of vibrantly active beatnik San Francisco. In 1958, Jim Newman and Bob Alexander filled this void championing free-spirited and nonconformist artists. Dilexi, which derives from Latin “to select, to value highly, to love,” was the conduit necessary for these disparate artists to experiment with new materials and non-traditional techniques that eventually became their individual styles outside any singular art movement. Pivotal museum exhibitions such as Primary Structures (1966: Jewish Museum, New York, NY) as well as the locally founded ArtForum brought Dilexi artists international recognition.

Dilexi: Totems and Phenomenology is on view through August 10 at Parrasch Heijnen Gallery 1326 S Boyle Ave. Los Angeles, CA 90023. photographs courtesy of Parrasch Heijnen Gallery