Paperwork NYC And Other People's Children "This Is For You" Valentines Day Pop Up At Helmut Lang in Los Angeles
photographs by Oliver Maxwell Kupper
‘Geta Brătescu. The Leaps of Aesop’ is the first Los Angeles solo presentation devoted to the 92-year-old forerunner in the field of Romanian Conceptualism. Her diverse oeuvre – comprising drawing, collage, engraving, textiles, and photography, as well as experimental film, video, and performance – mines themes of identity, gender, and dematerialization, often drawing from the stories of literary figures and addressing the symbiotic relationship between art making and working environments. Aesop, the ancient Greek fabulist, serves as a point of departure for this exhibition, which features more than fifty works that span Brătescu’s career. In many ways a fitting avatar for Brătescu, Aesop manifests in the works on view as a symbol of antic irreverence, mocking authority and status. A spirited believer in the role of the artist as that of a disruptor, Brătescu has championed ideas of play and disorder throughout her vibrant practice, remarking, ‘there is much economy and at the same time rebellion in the creation of expression.’ Geta Brătescu "The Leaps of Aesop" will be on view until May 20, 2018.
Hauser & Wirth will present ‘Louise Bourgeois. The Red Sky,’ the gallery’s first Los Angeles solo exhibition devoted to the legendary French-American artist whose remarkable life yielded what she once described as ‘an exorcism in art.’ ‘The Red Sky’ is an intimate presentation of never before exhibited works on paper from the final years of the artist’s life: six multi-panel works on paper, created between 2007 and 2009, with words and images mining Bourgeois’s central themes of memory, trauma, nature, and the body. Louise Bourgeois "The Red Sky" will be on view until May 20, 2018 at Hauser & Wirth Los Angeles.
New Cinema cofounder (and Hollywood screenwriter) Becky Johnston recently described her little-seen featurette Sleepless Nights as “an East Village reinvention of the Otto Preminger movie Laura” that plays “fast and loose with the noir detective genre.” The film was screened at MoMA along with a short discussion between Johnston and Maripol on the making of the film and it's lasting cultural almost 40 years later. photographs by Annabel Graham
Aleph & The Rock, a two-person exhibition of painting and sculpture by Theodore Boyer & Grant Falardeau is on exhibition January 13th through February 24 at H I L D E L.A.
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Nino Mier Gallery is currently presenting Jansson Stegner's first solo exhibition in Los Angeles. This new series of oil paintings that ascribe male and female figures with exaggeratedly rendered physiques explores the inversion of gender roles within myriad aspects of authority, dominance, submission and beauty. Jansson Stegner Paintings will on view until March 3 at Nino Mier Gallery 7313 Santa Monica Blvd Los Angeles, CA 90046.
LaBeija offers us a keyhole through which to peer into some of her most tender and fragile moments—yet she peers right back, watching us watching her. Her gaze is direct and unflinching, often laced with grief, or defiance, or whatever emotion might have been coursing through her body at the particular moment when the shutter clicked—at once reminding us of the ultimate artifice of posed portraiture and stating, simply, Here I am. Click here to read more.