Birkenstock Box x Rick Owens Collaboration Debut In Los Angeles
photographs by Oliver Maxwell Kupper
Every two years, MoMA’s celebrated New Photography exhibition series presents urgent and compelling ideas in recent photography and photo-based art. This year’s edition, Being, asks how photography can capture what it means to be human. The exhibition is on view through August 19 at The Museum of Modern Art 11 West 53 Street, Manhattan New York. photographs by Adam Lehrer
Seven hundred years of sculptural practice—from fourteenth-century Europe to the global present—are examined anew in this groundbreaking exhibition. Like Life: Sculpture, Color, and the Body (1300–Now) explores narratives of sculpture in which artists have sought to replicate the literal, living presence of the human body. On view through July 22 exclusively at The Met Breuer 945 Madison Avenue New York. photographs Adam Lehrer
In the fallout of a broken heart, specific and at times odd provocations emerge to elicit bittersweet emotions- the smell of a candle, a cat food commercial, a house with a triangular window. It changes person to person, but our brains insist that we ascribe emotional significance to seemingly unrelated, otherwise trivial occurrences. Ammon Rost's paintings for Rudder document a production of unforeseen romantic narratives, where every inclusion, every stroke or line or erasure either comes directly from a real experience, or becomes a representation of one. Every mark a memory. "Rudder" is on view through May 5th at LTD Los Angeles 1119 South La Brea Avenue Los Angeles. photographs by Lani Trock
I AM THE HOUSE continues Ray’s interest in the fetishization of objects and the construction of female identity through high-contrast, monochromatic photomontages and suspended metallic sculptures. Throughout this series, she situates the body as a vessel, one that carries life, physical memories, and emotional fortitude.
Employing a wide array of images and materials, these new works usher in various references to transformations that occur during the initial and end stages of life. Eggs, flowers, and desiccated corn signify the fragility of existence, while portals, crushed beer cans, and cacti complicate the references to beauty and luxury that have long been staples of the artist’s visual lexicon.
The exhibition is on view through May 26 at Shulamit Nazarian Gallery 616 N La Brea Avenue
Los Angeles. photographs by Lani Trock
Charlie Le Mindu's NOIR is an exhibition and rooftop performance, presented by /THE LAB/ by Please Do Not Enter, of raw sculptures; through literal extensions of his existing work with the human form, he explores the competing forces that drive our daily lives and relationships. The exhibition will be on view until May 18th at /THE LAB/ by Please Do Not Enter, 649 South Olive Street Los Angeles CA.
Peter Shire, noted local sculptor and ceramicist known for his zany post-modern teapots and his connection to the 1980s Memphis Milano design movement is showing is new solo-exhibiton called “Drawings, Impossible Teapots, Furniture & Sculpture.” The exhibition is on view through May 12 at Kayne Griffin Corcoran, 1201 South La Brea Avenue, Los Angeles.
Sculpture, text and landscape come together to form an important new American Civil Rights memorial. The I AM A MAN Plaza, designed by Cliff Garten, is a large-scale experiential public sculpture commissioned to pay tribute to the members of the pivotal 1968 Sanitation Workers’ Strike and the legacy of Dr. Martin Luther King, Jr. Garten and his studio led a design team with Memphis-based landscape architect John Jackson of JPA, Inc. for the 54,000-square-foot memorial plaza. As part of Garten’s plan, spoken word artist Steven Fox held an open dialogue with the greater Memphis community, who through a series of public workshops organized by the UrbanArt Commission, selected pertinent historical text and created an original contemporary text which is etched into the marble gates to the plaza’s entry. The texts combine as a meditation on America’s struggle and progress with racism and class inequity since the sanitation workers and Dr. Martin Luther King took their historic stand in Memphis. Present at the ribbon cutting were Reverend James Lawson, Cliff Garten, Congressman Steven Cohen, Bill Lucy, Elmore Nickleberry and many of the original sanitation workers who went on strike 50 years ago. Elmore Nickleberry has been a sanitation worker in the city of Memphis for 63 consecutive years. photographs by Lisa Buser
Lauren Halsey’s dream-world is cosmic, funky, carpeted, and technicolored; an atemporal, fantastical, and hyperreal vision of black liberation which she conjures via site-specific installations that celebrate her childhood home. Click here to read more.
The Parisian based Gaule Wave band FAIRE was at the Griffin Bar on April 1st. You can follow the band's activity through their Instagram.
These stanzas of Wanda Coleman’s reach across time to help locate the work of Los Angeles-based artists Mario Ayala and Greg Ito. Following in the tradition of the city’s unofficial poet laureate, Ayala and Ito explore the ecology of symbols distinct to their birthplace, elevating and reconfiguring the ubiquitous visual language and objects central to the experience and mythology of Los Angeles. Sun Sprawl is on view through April 28th at Club Pro 1525 South Main Street, 3rd Floor Los Angeles. photographs by Lani Trock
Nicodim Gallery is pleased to present BioPerversity, an exploration of humanity’s darker and lighter perversions as told through the personification of the rest of the animal kingdom, creatures who exist a few rungs beneath us on the evolutionary ladder. BioPerversity is on view through April 28 at Nicodim Gallery 571 S Anderson Street Ste 2, Los Angeles. photographs by Lani Trock
Christian Coppola is an LA-based filmmaker and photographer with a few short films already under his belt. Informed by an early fascination with The Wizard of Oz, Coppola’s personal style incorporates dreamy colors and the ever-present dichotomy between home and away. His short film debut, Heartbreak Hotel and his upcoming short, Daddy, explore the complicated nature of hotels, and the opportunities offered by the short film genre. Fixated on the process of creating his personal style, Coppola’s own viewing process is predicated on the question, “could anyone else have made this?” We had a chance to catch up with the burgeoning filmmaker and discuss his upcoming film, development as an artist, and his desire to create a universe through film. Click here to read more.
The Good Part is a mixed-media installation by Jeremy Everett. Acting as interventions, the various works on view offer notions of tension, movement, resistance, and corruption. The Good Part is on view through May 19th at Wilding Cran Gallery 939 South Santa Fe Avenue Los Angeles. photographs by Lani Trock
Come Undone explores the nuanced processes of aging and loss. Set against cultural constructions of beauty ideals that pedestal the flawless and utilize digital modes of erasure, this series of new latex sculptures use the language of tactile vulnerability. The artist prods dominant adverse representations and perceptions of aging, while considering the stigmas of trauma and grief. Come Undone highlights the power of disorder, metamorphosis and the body in flux. Reservations for overnight stays in Ali Prosch's Come Undone are open. Guests are read a bedtime story and served a full breakfast in the morning, prior to checkout. For reservations, contact hello@bedandbreakfast.life. The exhibition will be on view through May 20 at Bed & Breakfast. photographs by Lani Trock
Resembling a bedroom, Ed Templeton's new photo installation Hairdos of Defiance explores historical context and social moment of the mohawk. The images shown come from twenty years of chance-encounters with people who have mohawks in the U.S. and Europe. Hairdos of Defiance is on view until April 21st at Roberts Projects (formerly known as Roberts & Tilton) 5801 Washington Blvd, Culver City. photographs by Oliver Maxwell Kupper
Blue State explores the invention of “blueness” through various historical narratives, examining the role of the color as a catalyst for geographic and technological discovery. Once the essence that inspired scientific pilgrimage, blueness is now itself a geographic measuring instrument, serving as a shorthand to map political constituencies across the American landscape. District by district, blueness blankets a matrix of values under a single shade of establishment liberalism. A desire for exactness, for natural blueness rich in detail and meaning, has given way to its opposite: blueness as projection, a tool of blurring and false ascription. Blue acts not as an organizing principle but as an organizing force, one that points us at once to the paradoxes of discovery and repression, of global apocrypha and intimate secrets, of the joy of nature and its dissolution into the ether. Featured artists include: Cameron Crone, Cynthia Daignault, Paul Kremer, Divya Mehra, Monique Mouton, Elizabeth Marcus-Sonenberg, and Elise Rasmussen. Blue State will be on view through April 14 at Night Gallery 2276 E 16th Street Los Angeles. photographs by Lani Trock
The Taste Of Metal In Water is a body of new paintings in a sculptural sound installation. This show marks the artist's first solo exhibition with the gallery and unspools like a vivid session of lucid dreaming. Metal pipes slice the space into particular trajectories. The pipes, extensions of the guts of the building, carry neither electricity nor water, but instead small and resonant hiccups that spread throughout the space. A series of new paintings operate collectively as a stream of memories. The show will be on view through April 14 at Ghebaly Gallery 2245 E Washington Blvd. Los Angeles. photographs by Lani Trock
Sun Kissed Chokehold was a pop up group show on view in Highland Park on October 17, 2018. Featured artists include: Aaron Elvis Jupin, Adam Beris, Alina Perkins, Ariana Papademetropoulos, Bennet Shliesinger, Brendan Donnelly, Chris Fallon, Chris Lux, David Black, Giovanni Duca, Greg ito, Gustaf von Arbin, Hannah Hooper, Ivan Comas, Jessica Williams, John Zane Zappas, Lukas Geronimus, Mattea Perrotta, Maxwell McMaster, Nick Darmstaedter, Nicklas Stewart, Sam Keller, Steve Aldahl, and Sophia Green. photographs by Oliver Maxwell Kupper