Gabriel Rico Presents "The Discipline of the Cave" @ The Aspen Art Museum In Colorado

Combining aesthetic traditions associated with the Arte Povera movement and influenced by scientific, philosophical, and geometric principles, Rico collects the fragments, found objects, and materials of contemporary existence. Using culturally manufactured items like neon, taxidermy, concrete, and coins, as well as such natural elements as tree branches, stones, and fruit, he recontextualizes and arranges each in ways that both captivate and confound viewers through their poetic, wry, jarring relationships. Through juxtapositions of objects and an artistic process that fuses the natural and kitsch, Rico elicits a further investigation of our human environment and the natural world via non-mathematical equations using elements that reflect and illuminate a fundamental human urge to achieve balance.The Discipline of the Cave, on view through June 16 at the Aspen Art Museum 637 E Hyman Ave, Aspen. photographs by Guillaume Ziccarelli. Courtesy of the artist and Perrotin

Rikkí Wright Presents 'SIS' @ Nous Tous Gallery In Los Angeles

SIS is a solo exhibition by Rikkí Wright analyzing the themes of the sibling relationship and exploring how it shapes the future of those involved in it. “This series of images are based around a subject matter that’s dear to me, sisterhood. Analyzing the themes of the sibling relationship and exploring how it shapes the future of those involved in it.” - Rikkí Wright. SIS is on view through March 29th at Nous Tous 454b Jung Jing Road, Los Angeles. photographs by Lani Trock

Strategic Vandalism: The Legacy of Asger Jorn’s Modification Paintings @ Petzel Gallery In New York

Situated in the context of the first thrift store paintings altered by Danish artist Asger Jorn, Strategic Vandalism: The Legacy of Asger Jorn’s Modifications Paintings is a group show of over 30 prominent international artists investigating multifarious appropriation methods spanning from the mid-1960s to the flourishing techniques of the 1980s, up to the present day. Strategic Vandalism: The Legacy of Asger Jorn’s Modification Paintings features works by Enrico Baj, Marcel Duchamp, Max Ernst, Hans-Peter Feldmann, Vidya Gastaldon, Wade Guyton/Stephen Prina, Rachel Harrison, Ray Johnson, Jacqueline de Jong, Asger Jorn, Mike Kelley, Martin Kippenberger, Per Kirkeby, Lee Krasner, Albert Oehlen, Francis Picabia, Stephen Prina, R.H. Quaytman, Arnulf Rainer, Julian Schnabel, Jim Shaw, Gedi Sibony, Alexis Smith, Daniel Spoerri, John Stezaker, Betty Tompkins, and David Wojnarowicz. Strategic Vandalism is on view through April 13 at Petzel Gallery 456 W 18th Street, New York. photographs by Adam Lehrer

Plumb Line: Charles White and the Contemporary @ California African American Museum In Los Angeles

A prolific painter, printmaker, muralist, draftsman, and photographer whose career spanned more than half a century, Charles White’s artistic portrayals of black subjects, life, and history were extensive and far-reaching. Plumb Line features contemporary artists whose work in the realm of black individual and collective life resonates with White’s profound and continuing influence. The exhibition is on view through August 25 at the California African American Museum 600 State Drive, Exposition Park, Los Angeles. photographs courtesy of CAAM

Fred Wilson Presents "Afro Kismet" @ Maccarone Gallery In Los Angeles

Fred Wilson’s Afro Kismet lays bare questions of visibility: where are Africans in historical accounts of early Europe? How have the narratives institutionalized by museums erased the presence of black individuals of the past and present. Over seven trips to Istanbul, Fred Wilson researched these questions, continuing the project he started in Re: Claiming Egypt and Speak of Me as I Am, his shows at the 1992 Cairo Biennale and 2003 Venice Biennale. In those works, Wilson revealed the black diasporas of each region — histories made obsolete in the Western collective imagination. He continues to interrogate the peripheral treatment of such histories in Afro Kismet, this time mining the history of Istanbul. Afro Kismet is on view through April 27 at Maccarone 300 South Mission Rd, Los Angeles. photographs by Oliver Maxwell Kupper

Tim Hawkinson Presents New Works @ DENK Gallery In Los Angeles

New Works is a new series of sculptural works, and large-format drawings on paper, that continue to explore multidisciplinary artist: Tim Hawkinson's playful and morbid morphologies. The artist disassembles the familiar and stages dysfunctional propositions in which the self repeatedly appears as the only, albeit imperfect, measure of experience and inventive return to obsessive craft in service concept exists in an expanded and embodied field, dramatized by the inclusion of living variables like time, breath (sound), and movement. New Works is on view through March 30 at DENK Gallery 749 East Temple Street, Los Angeles. photographs courtesy of the gallery

The Grandeur Of His Epic: Read Our Interview With Choreographer Jay Carlon →

Defining a culture that comprises 7100 islands, centuries of colonization, and an overwhelming desire to assimilate is profound and Sisyphean. Unlike a migration that takes place over land, the ocean seems to wash away all evidence of the traveled path. The historical narrative that has framed Filipino-American immigration is fraught with this eternal question of identity and belonging. Being part Filipino myself, I learned very little about my grandmother’s life story while she was alive. It wasn’t until after she passed away and my grandfather published her memoirs that I learned just how harrowing her journey had been.

After attending the world premiere of FLEX, a dance theater piece that explores primarily the story of choreographer, Jay Carlon’s father and his immigration from the Philippines to the States, I realized that the erasure of these stories is rather commonplace. Click here to read more.

Pussykrew Presents "The Bliss Of Metamorphing Collapse" @ Postmasters In New York

Pussykrew is a nomadic duo of Polish new media artists Ewelina Alexandrowicz and Andrzej Wojtas. The centerpiece of the show is the artists’ most recent project, the bliss of metamorphing collapse, presented as multiscreen video installation and virtual reality experience. Using real-time animation and VR sculpting tools, Pussykrew create new supernatural scenery as they re-imagine the future post-human landscape, new living beings, and their ecosystem. This multidimensional work is designed to explore speculative life forms that exist within a networked consciousness, beyond synthetic/organic conditions: the fluid entities that transcend traditional hierarchical binary systems. The audience is summoned into the artist-created universe where newly evolved, gender-free organisms become the augmented hybrids of a body, technology, and nature, and the sentient sense of the past. The Bliss Of Metamorphing Collapse is on view through April 13 at Postmasters 54 Franklin Street, New York. photographs courtesy of the gallery


Fondazione Prada presents “Surrogati. Un amore ideale” @ The Osservatorio In Milan

Fondazione Prada’s “Surrogati. Un amore ideale” (Surrogate. A Love Ideal) comprises a selection of 42 photographic works by Jamie Diamond (Brooklyn, USA, 1983) and Elena Dorfman (Boston, USA, 1965.) The project explores the notions of familial, romantic and sexual love. Both artists focus on a specific and unconventional aspect of this universal theme: the emotional link between a man or a woman and a synthetic representation of a human. As explained by Melissa Harris, “together, Diamond’s and Dorfman’s work presented in ‘Surrogati’ vividly and non-judgmentally documents the interactions of humans with their lifelike, inanimate companions.” Both photographers portrayed these lifelike surrogates as desired, fetishized, and idealized beings, “living” as such with their flesh and blood mothers and partners, and sometimes with their immediate families as well. “Surrogati. Un amore ideale” will be on view through July 22 at Galleria Vittorio Emanuele II Piazza del Duomo, 20123. photographs by Mattia Balsamini

Tao Of Maceo: Read Our Interview Of Multi-Disciplinary Artist & Behavior Economist Maceo Paisley →

What does it mean to be a twenty-first century renaissance man? For Maceo Paisley, a wide range of disciplines comes together in a positive feedback loop that supports his indefatigable exploration of human behavior. Using embodied inquiry, he investigates his own identity and presents his findings in performance and film. A prolific writer of prose, he just released his first book Tao of Maceo, which takes inventory of his personal beliefs and aims to define his perspective more acutely. Stepping off the stage, he cultivates community through his Chinatown gallery, Nous Tous and a multi-pronged community practice/social innovation agency called Citizens of Culture. Click here to read more

The Power & Vitality Of The Image: Read Our Interview Of Controversial Artist Darja Bajagic →

Where the political left was once the clear bastion of free speech and expression in the U.S., it could be argued that the new left silences thought and speech perceived as antithetical or offensive to its values almost as much as the right wing does, or did. This is a problem for culture, and evidently, for art. “Political correctness,” says Slovenian philosopher and cultural theorist Slavoj Žižek, “is a desperate attempt by the public norms to tell you what is decent, what is not.” What Žižek suggests here is that political correctness can be harmful in its ability to obscure the truth and dilute public discourse; by sanitizing rhetoric we sanitize cultural meaning. This climate of over-the-top, politically correct theatrics has infiltrated the art world; art’s job is ultimately to push back on societal taboos and interrogate prevailing norms. Good art is almost always offensive to someone. Click here to read more

Exhibition Hockney – Van Gogh: The Joy of Nature @ Van Gogh Museum In Amsterdam

Hockney – Van Gogh: The Joy of Nature demonstrates the influence of Van Gogh on Hockney’s work, exploring both artists’ fascination with nature, their use of bright, contrasting colors and their experimentation with perspective. This exhibition is the first extensive monographic Hockney exhibition to be organised in the Netherlands. The exhibition features works representing all of the techniques in his oeuvre. None of the works have been on display in the Netherlands before. Hockney – Van Gogh: The Joy of Nature will be on view through May 6 at the Van Gogh Museum 1070 AJ, Amsterdam. photographs courtesy of Van Gogh Museum (Amsterdam)

Robert Duran: 1968–1970 @ Karma In New York

Robert Duran in his studio, 431 Broome Street, New York, c. 1968. Photograph by Stephanie Chrisman

Robert Duran: 1968–1970 presents a selection of Duran’s earliest paintings, which were born from a time when the then young artist concurrently experimented in minimalist sculpture. Closely examining Duran’s practice within these years, one can recognize the forms and structures of his sculptures loosely illustrating the paintings surfaces, as if tracing the evolution from his sculptural pursuits to the lyrical style of painting that he became known for. Robert Duran: 1968–1970 will be on view through March 31 at Karma 188 E 2nd Street New York

Color Out of Space Group Show Inspired By H.P. Lovecraft @ Lowell Ryan Projects in Los Angeles

Lowell Ryan Projects presents Color Out of Space, a group exhibition inspired by the eponymous short story of H.P. Lovecraft that brings together works by Mark Flood, Nasim Hantehzadeh, Kysa Johnson, Laurie Nye, and Galen Trezise. In Lovecraft’s story, a meteorite crashes in a remote farm and, as it shrinks, releases globules of “impossible to describe” colors that have mutative effects on the surrounding plants, animals, and humans. No solution is found. No motive is uncovered. “Do not ask me for my opinion,” the unnamed narrator concludes. “I do not know—that is all.” Color Out of Space will be on view until April 6 at Lowell Ryan Projects, 4851 West Adams Blvd.

Meredith Monk Performs "Cellular Songs" At Royce Hall In Los Angeles

Meredith Monk performed Cellular Songs on March 2nd at UCLA’s Royce Hall. Following the celebrated On Behalf of Nature, which offered a liminal space questioning the precarious state of our global ecology, Cellular Songs turns attention inward to the very fabric of life itself. Joined by the women of her acclaimed Vocal Ensemble, Monk combines some of her most adventurous vocal music to date with movement, light, instrumental music and film, as well as a video installation designed specifically for each space. photographs by Julieta Cervantes

Meredith Monk will also be performing at the LA Phil on June 11 &12.

Inspired by the life of explorer Alexandra David-Néel, Meredith Monk’s three-act “quest opera” uses Monk’s inimitable and hypnotic style to explore the loss and rediscovery of our inherent wonder. More than 20 years since Atlas first made its impact, Yuval Sharon will conceive and direct this landmark new production.


Silke Otto-Knapp Presents "Land And Sea" @ Regen Projects In Los Angeles

Silke Otto-Knapp’s Land and Sea presents six watercolor paintings that wrap around the walls of the gallery like a sweeping horizon line. Spaced apart from each other, and installed low on the wall, the paintings achieve a weighted physical presence, and depict a group of seascapes. In the center of the gallery, a configuration of freestanding walls display vertically oriented multi-paneled paintings scaled in relation to the human form. One tableau features numerous figures activating the pictorial plane in their engagements with geometric shapes. Another larger work portrays a sequence of dancers in different positions. Each composition shifts between alternating positive and negative figure-ground relationships, creating the illusion of movement. Land and Sea is on view through March 30 at Regen Projects 6750 Santa Monica Boulevard, Los Angeles. photographs by Evan Bedford, Courtesy of Regen Projects, Los Angeles

Cristian Răduță: The Diamond Hunters @ Nicodim Gallery In Los Angeles

Cristian Răduță’s animals march in droves. A Noah’s Ark of improvised genetic anomalies populate Nicodim Gallery like an emergency spawning ground, but no two are paired or exactly alike. Apelikenesses can be seen from one angle and a shuffle of animalian ciphers from the other. Răduță is their shepherd, bringing to each form a unique trembling glory. This harmonious pattern of origin stories—both raw and cooked—ludically swirl in the artist’s grand tale of a double helix. His creatures are echos of archetypes, songs from a golden record played deep in outer space. Cristian Răduță: The Diamond Hunters is on view through April 13 at Nicodim Gallery 571 South Anderson Street. photographs provided by Nicodim Gallery

"FOCUS: Agnes Martin" @ Lévy Gorvy In London

FOCUS: Agnes Martin is an exhibition that places the artist’s sole completed film, Gabriel (1976), in conversation with an intimate selection of her abstract paintings. A screening room and adjoining gallery of paintings creates an immersive, meditative environment that highlights the relationship between Martin’s work and her conception of joy. “I thought my movie was going to be about happiness,” Martin commented on the production of the film, “but when I saw it finished, it turned out to be about joy–the same thing my paintings are about.” The exhibition will mark the second of the FOCUS series, which encourages sustained contemplation of landmark artworks by artists rooted in the gallery’s program, alongside related selections from their oeuvres. FOCUS: Agnes Martin will be on view through April 13 at Lévy Gorvy 22 Old Bond Street, London. photograph courtesy of the gallery

HELEN FRANKENTHALER: SELECTED PAINTINGS @ Yares Art In New York

Helen Frankenthaler, New York City, 1974. Photograph by Alexander Liberman

Source: International Center for Photography

Helen Frankenthaler (1928-2011) is one of the most important and influential postwar painters, whose abstract compositions, featuring brilliant expanses of color and light, have inspired generations of artists and changed the course of art history. She led the way from Abstract Expressionism to a new and vital form of painterly lyricism that heralded the Color Field movement. On view in this exhibition are some twenty major large-scale paintings that celebrate the New York-born artist’s formidable, six-decade career. A classic Frankenthaler work, Swan Lake II (1961), filled with ethereal pools of electric blue, grays, and deep red, against a neutral ground, is a quintessential example of her unparalleled achievement. Helen: Frankenthaler: Selected Paintings will be on view through May 18 at Yares Art 745 5th Ave.