Opening of Florian Meisenberg's The Taste Of Metal In Water @ Ghebaly Gallery in Los Angeles

The Taste Of Metal In Water is a body of new paintings in a sculptural sound installation. This show marks the artist's first solo exhibition with the gallery and unspools like a vivid session of lucid dreaming. Metal pipes slice the space into particular trajectories. The pipes, extensions of the guts of the building, carry neither electricity nor water, but instead small and resonant hiccups that spread throughout the space. A series of new paintings operate collectively as a stream of memories. The show will be on view through April 14 at Ghebaly Gallery 2245 E Washington Blvd. Los Angeles. photographs by Lani Trock

Highlights From Sun Kissed Chokehold Curated By Laura Watters & Kaylie Schiff

Sun Kissed Chokehold was a pop up group show on view in Highland Park on October 17, 2018. Featured artists include: Aaron Elvis Jupin, Adam Beris, Alina Perkins, Ariana Papademetropoulos, Bennet Shliesinger, Brendan Donnelly, Chris Fallon, Chris Lux, David Black, Giovanni Duca, Greg ito, Gustaf von Arbin, Hannah Hooper, Ivan Comas, Jessica Williams, John Zane Zappas, Lukas Geronimus, Mattea Perrotta, Maxwell McMaster, Nick Darmstaedter, Nicklas Stewart, Sam Keller, Steve Aldahl, and Sophia Green. photographs by Oliver Maxwell Kupper

The Opening of Sylvie Fleury's L.A. Bougainvillea @ Karma International

A potpourri of plush and furry textures, of bright and sparkling colors, and of lights and shapes are offered in this playful exhibition of sculptures, installation and and furry wall works in Sylvie Fleury's L.A. Bougainvillea. A seemingly haphazardly xeroxed "press release" à la '80s fanzine aesthetic provides a barebones biography of the artist, a stencil-ready black and white portrait that looks not unlike Patty Hearst in a pair of sleek aviators, and a handwritten list of ideas and materials possibly pulled directly from the artist's personal notebook. L.A. Bougainvillea is on view through May 5 at Karma International 4619 W Washington Blvd. Los Angeles. photographs by Oliver Maxwell Kupper

Deanna Lawson @ Sikkema Jenkins & Co. In New York

ikkema Jenkins & Co. presents a solo exhibition of new photographs by Deana Lawson, the artist’s first with the gallery. Deana Lawson's photographic portraits are the product of a prolonged and singular journey. The images document studied and methodically staged interactions that blur the desires and intentions of the photographer and the individual in front of her camera. Lawson's intentions are situated in an “I AM space” –insisting that her subjects' identities supersede material limitations and interface with higher planes of value systems. The exhibition will be on view until April 7, 2018 at Sikkema Jenkins & Co. In New York. photographs by Adam Lehrer

Robert Mapplethorpe Curated By Roe Ethridge @ Gladstone Gallery In New York

Gladstone Gallery presents an exhibition of historic works by Robert Mapplethorpe, curated by artist, Roe Ethridge. This marks the gallery's first solo presentation as the New York representative of the Robert Mapplethorpe Foundation. Barbara Gladstone showed his work once before when she published the seminal Flowers portfolio in the early 1980s. Ethridge brings his own perspective as a contemporary artist who works in the same genres of portraiture and still life that are touchstones of Mapplethorpe's well-known oeuvre. Drawn from the extensive archive of the Robert Mapplethorpe Foundation, Ethridge has selected both iconic images-including self-portraits, flowers, and scenes of frank sexual provocation-and those exhibited for the first time to evoke his own experience of understanding the breadth of Mapplethorpe's mastery of process and composition. This show offers a compelling new look at Mapplethorpe's distinctive practice: rather than focusing on a specific time or subject, it explores less familiar images and themes that highlight the innovation of his work, still astonishing almost three decades after his death. Robert Mapplethorpe Curated by Roe Ethridge will be on view until April 14, 2018 at Gladstone Gallery in New York. photographs by Adam Lehrer

The Opening Of "Nose Job" A Group Show Curated By Adam Beris @ BBQLA

Nose Job groups together artists who work knowingly/unknowingly within the process of transformation: to look at material as character and alter its identity into something aesthetically functional. Featured artists include: Bjorn Copeland, Andrew Dadson, Trulee Hall, Ariel Herwitz and Joshua Miller. The exhibition will be on view through April 14 at BBQLA 2315 Jesse Street Los Angeles. photographs by Lani Trock

Kate Parfet's Mirror Domme Launch Party @ The Home of Kulapat Yantrasast In Venice

Autre launches Mirror Domme, Kate Parfet’s debut book of poetry. This first collection is strewed buckshot of intimate recollections told in delirious balancing of lyrical phrase and fragmented prose. Inspired by the sudden death of a lover, these poems – as if written in part with invisible ink – illumine for the speaker a new self, one that dares to be visible in the context of loss. photographs by Oliver Kupper

Walead Beshty Presents Equivalents @ Regen Projects

Photographs, sculptures, and collages populate the expansive space at Regen Projects, incorporating the traces of bodies, circulation, and labor within the surface of the artwork. In this highly charged, pithy and multi-dimensional body of work created roughly over the course of a year, Beshty drills through computers, a television, and an oversized, outdated printer. He slices flat screen televisions in half lengthwise and displays these brutalized devices with their power still connected to the electrical grid, leaving them in a desperate anthropomorphized state of survival - endlessly powering on and off again, their inner machinations on full display. Copper plates made from the artist's own pharmaceutical receipts and x-rays of the artist's own knee document the expected outcomes of his prescribed medications and are left to oxidize slowly over time. Positive and negative transparency film is left exposed in Beshty's checked baggage, the resulting works made during idol modes in transit. The dualities are endless; layered ad infinitum. Equivalents opens tonight and will be on view through April 7 at Regen Projects 6750 Santa Monica Boulevard.

Highlights from Olafur Eliasson's Reality Projector Experience @ The Marciano Art Foundation

Reality Projector is a site-specific installation created for the foundation’s expansive first floor Theater Gallery. Eliasson has conceived of a seemingly simple, yet complex installation that uses projected light and the existing architecture of the space to create a dynamic shadow play. The artwork references the space’s former function as a theater as well as the history of filmmaking in the city by turning the entire space into an abstract, three-dimensional film. Eliasson’s exhibition offers visitors the opportunity to fully experience the magnificence of the space free of objects. Reality Projector will be on view beginning March 1, 2018 and will remain on view until August. photographs by Oliver Kupper

Petra Cortright Presents CAM WORLS @ UTA Artist Space In Los Angeles

CAM WORLS features fifty of the artist’s videos, made between 2007 and 2017, including eighteen never-before-exhibited artworks. Take a walk around the gallery to trace the evolution of Petra's online presence and take a seat on one of the many beanbags to view the works simultaneously from a distance, then make your way to the back gallery to view her 2015 piece, mind_candy_pfaffs, a collection of life-sized sexy girls in motion pulled from VirtuaGirl, one of the many technologies that the artist has employed in her work, its broader purpose is to give its users the impression that the sexy woman of their choice is trapped and living right within their own computer screens. CAM WORLS will be on view through April 7 at UTA Artist Space 670 S. Anderson Street Los Angeles. photographs by Oliver Kupper and Lani Trock

Logan Criley Presents One Thousand American Nights @ As It Stands In Los Angeles

American culture has always been a mosaic of imported elements, the internet and globalism have only amplified this pluralism. Logan Criley’s work seeks to elucidate the cultural fragmentation and to interrogate the construction of individual and collective identity. “One Thousand American Nights” aims to explore a unique cultural moment where the beauty and insidiousness of this condition are ever-present. Criley's solo exhibition will be on view through March 17, 2018 at As It Stands Gallery 2601 Pasadena Ave Los Angeles. photographs by Edem.

 

Mark Bradford "New Works" @ Hauser & Wirth Los Angeles

In the new works on view at Hauser & Wirth, Mark Bradford probes stories found in comic books to question the archetype of the antihero and the influence of the media on contemporary society, while also revisiting misconceptions of black identity and gender as seen in previous works. ‘New Works’ presents paintings that extend the artist’s examination of homophobia and racism in American society. Mark Bradford "New Works" will be on view until May 20, 2018 at Hauser & Wirth Los Angeles.

Highlights from Katya Grokhovsky's solo show System Failure @ Martin Art Gallery

Katya Grokhovsky's SYSTEM FAILURE is on view through April 10th at Martin Art Gallery, Muhlenberg College 2400 Chew Street Allentown, PA 18104. The artist will be performing live in the gallery on March 14th at 5pm and at the closing ceremony on April 10th. She will also be conducting a lecture in the space on March 21st. To learn more about the artist, her practice and curatorial work, read our interview of Katya Grokhovsky here.

 

 

 

Geta Brătescu "The Leaps of Aesop" @ Hauser & Wirth Los Angeles

‘Geta Brătescu. The Leaps of Aesop’ is the first Los Angeles solo presentation devoted to the 92-year-old forerunner in the field of Romanian Conceptualism. Her diverse oeuvre – comprising drawing, collage, engraving, textiles, and photography, as well as experimental film, video, and performance – mines themes of identity, gender, and dematerialization, often drawing from the stories of literary figures and addressing the symbiotic relationship between art making and working environments. Aesop, the ancient Greek fabulist, serves as a point of departure for this exhibition, which features more than fifty works that span Brătescu’s career. In many ways a fitting avatar for Brătescu, Aesop manifests in the works on view as a symbol of antic irreverence, mocking authority and status. A spirited believer in the role of the artist as that of a disruptor, Brătescu has championed ideas of play and disorder throughout her vibrant practice, remarking, ‘there is much economy and at the same time rebellion in the creation of expression.’ Geta Brătescu "The Leaps of Aesop" will be on view until May 20, 2018.

Louise Bourgeois "The Red Sky" @ Hauser & Wirth Los Angeles

Hauser & Wirth will present ‘Louise Bourgeois. The Red Sky,’ the gallery’s first Los Angeles solo exhibition devoted to the legendary French-American artist whose remarkable life yielded what she once described as ‘an exorcism in art.’ ‘The Red Sky’ is an intimate presentation of never before exhibited works on paper from the final years of the artist’s life: six multi-panel works on paper, created between 2007 and 2009, with words and images mining Bourgeois’s central themes of memory, trauma, nature, and the body. Louise Bourgeois "The Red Sky" will be on view until May 20, 2018 at Hauser & Wirth Los Angeles.

Jansson Stegner Paintings @ Nino Mier Gallery in Los Angeles

Nino Mier Gallery is currently presenting Jansson Stegner's first solo exhibition in Los Angeles. This new series of oil paintings that ascribe male and female figures with exaggeratedly rendered physiques explores the inversion of gender roles within myriad aspects of authority, dominance, submission and beauty. Jansson Stegner Paintings will on view until March 3 at Nino Mier Gallery 7313 Santa Monica Blvd Los Angeles, CA 90046.

Read Our Interview Of Artforum's Current Cover Artist Kia LaBeija →

LaBeija offers us a keyhole through which to peer into some of her most tender and fragile moments—yet she peers right back, watching us watching her. Her gaze is direct and unflinching, often laced with grief, or defiance, or whatever emotion might have been coursing through her body at the particular moment when the shutter clicked—at once reminding us of the ultimate artifice of posed portraiture and stating, simply, Here I am. Click here to read more. 

Carolee Schneemann "Kinetic Painting" @ MoMA PS1 in New York

MoMA PS1 presents the first comprehensive retrospective of Carolee Schneemann, spanning the artist’s prolific six-decade career. As one of the most influential artists of the second part of the 20th century, Schneemann’s pioneering investigations into subjectivity, the social construction of the female body, and the cultural biases of art history have had significant influence on subsequent generations of artists. Carolee Schneemann: Kinetic Painting begins with rarely seen examples of the artist’s early paintings of the 1950s and their evolution into assemblages made in the 1960s, which integrated objects, mechanical elements, and modes of deconstruction. In the late 1960s Schneemann began positioning her own body within her work, performing the roles of “both image and image-maker.” As a central protagonist of the New York downtown avant-garde community, she explored hybrid artistic forms culminating in experimental theater events. The exhibition considers Schneemann’s oeuvre within the context of painting by tracing the developments that led to her groundbreaking innovations in performance, film, and installation in the 1970s, as well as her increasingly spatialized multimedia installations from the 1980s, 1990s, and 2000s. Carolee Schneemann "Kinetic Painting" will be on view until March 11, 2018 at MoMA PS1 in New York. photographs by Adam Lehrer