A Journey That Wasn’t considers artists’ complex representations of time, and features the return of the beloved video installation, The Visitors, by Ragnar Kjartansson. The exhibition presents more than 20 artists including Bernd and Hilla Becher, Gregory Crewdson, Andreas Gursky, Elliott Hundley, Pierre Huyghe, Anselm Kiefer, Sherrie Levine, Glenn Ligon, Sharon Lockhart, Paul Pfeiffer and Ed Ruscha. The featured works in the exhibition—ranging from painting and sculpture to photography, film and installation—examine the passage of time by alluding to nostalgia or sentiments about aging, often depicting specific places in states of decay; these works can act as documentation, memorial or symbol. Still others imply movement or narrative within single still images; in these works, historical styles and events are ruptured, collaged and re-contextualized as to become portals into seemingly other worlds. is on view through at The Broad Museum 221 South Grand Avenue Los Angeles. photographs by Oliver Maxwell Kupper
Environment[al] is a public exhibition examining contemporary attitudes toward environment in a post-digital context. The capacity of constructed natures to produce admixtures of the natural and the synthetic is a focus. The changing character of environment in the context of technological innovation is considered through the projects in the exhibition. Taking into account recent approaches to our understanding of environment and contemporary modes of ecological awareness, the exhibition considers the possibility of environments where qualities are fused with objects not normally associated with them. Sites, objects, and spaces become estranged to engender multiple authenticities and produce a fusion between architectural form and forms germane to constructed natures. A multivalent implementation of environment, one that involves an agile negotiation with the changing character of the ecological in the context of technological change begins to surface, these environments produce invigorated forms of tangible architectural presence and performance. Environment[al] is on view through August 26 at SCI-Arc Gallery 960 East 3rd Street Los Angeles. photographs by Lani Trock
This exhibition surveys the rich and varied history of modern fashion photography, exploring the ways in which photographers whose careers have been closely associated with the industry have shaped evolving notions of style and beauty. Drawn from the Getty Museum's permanent collection and supplemented by loans from private and public sources, Icons of Style features more than one hundred-sixty photographs presented alongside a selection of costumes, illustrations, magazine covers, videos, and advertisements. On view at Getty Center through October 21. Photographs by Oliver Kupper
Death Drive Joy Ride is Catalina Ouyang’ s first solo exhibition in Los Angeles. The exhibition features a new body of sculpture, installation and video. Taking East Asian fox spirits as a departure point, the work positions mythic desires for immortality alongside a contemporary endeavor to find joy and community amid a seemingly inexorable drive toward planetary destruction. Death Drive Joy Ride speaks (or wails) honestly from the positionality of its maker: a lonely Chinese-American girl clawing her way through our Wicked Problems. Death Drive Joy Ride is on view through August 8 at Make Room 1035 North Broadway Los Angeles. photographs by Lani Trock
‘Self Portrait With Satellites’ takes viewers on a journey through the various permutations of abstraction that span the artist’s entire career. The exhibition brings together self-portraits and other paintings from Whitten’s own personal collection, many of which the artist studied on a daily basis, and offers an intimate glimpse into the artist’s core beliefs about art, his deep philosophical concerns, and the people that inspired him.
Complementing the exhibition, Hauser & Wirth Publishers will debut its new book ‘Jack Whitten. Notes from the Woodshed,’ which collects Whitten’s studio writings and other texts from the artist’s six-decade career. Edited by Katy Siegel, this publication provides a window on Whitten’s relentless artistic experimentation in the studio, exploring the way his practice intertwined with his daily life. Alongside transcriptions of Whitten’s handwritten documents are selections reproduced in facsimile, redolent of the studio’s atmosphere and the way the artist’s creative impulses pervaded every part of his world. 'Jack Whitten. Self Portrait With Satellites will be on view at Hauser & Wirth Los Angeles Daily from Tuesday - Sunday, 11am - 6pm from June 23 through September 23, 2018. 901 East 3rd Street, Los Angeles. photographs by Oliver Kupper
‘Memory Remix,’ Mary Heilmann’s first Los Angeles solo exhibition in over 20 years, is a survey of paintings, ceramics, and furniture in which the artist’s unwavering dedication to abstraction merges with sly references to her favorite landscapes, songs, movies, and Mexican weavings. This preeminent American artist is acclaimed for her unique ability to deploy the analytical geometries of Minimalism with the spontaneous freehanded spirit of the Beat Generation from which her generation emerged, and for her weaving of pop culture influences into a wholly original and pioneering oeuvre. Heilmann’s deft handling of paint and spatially dichotomous compositions have exerted a profound influence upon a younger group of artists.
Grounded in the soul of California, Mary Heilmann’s work draws from her memories of the distinctive colors and lines of the West Coast’s landscape and surf culture. Throughout a childhood accompanied by the radio’s ubiquitous soundtrack, Heilmann often watched the ocean tumble to the shore, rode the ‘mountain waves’ at Manhattan Beach, and read Allan Ginsberg’s ‘Howl’ and Walt Whitman’s ‘Leaves of Grass,’ which stoked her great admiration for poetry, jazz, and the idea of the Beats. Under these influences and through the deceptively simple means of painting – color, surface, and form – Heilmann physically manifests nostalgic impulses, memories, and allusions to popular culture that remain accessible on both personal and universal levels. In this way, her work transcends the seemingly opaque structures of geometrical abstraction by infusing it with the content of daily life. ‘Memory Remix’ is on view through September 23 at Hauser & Wirth 901 E 3rd Street Los Angeles. photographs by Oliver Kupper
Las Lenguas is an exhibition about the potential languages of the body. It presents works that explore the representation of the figure by way of its inaudible gestures of expression. This is different from the soul inside of the eyes. It asks to observe the nuance of a lover, of a stranger, the alienation of a foreign language, and the failures of both the voice and the body to translate into distinguishable codes of associations. Las Lenguas are presences whose capabilities figuratively translate through the mysterious shapes made by the body to reveal or conceal in interior and exterior worlds in which it exists. Exhibiting artists include: Manny Castro, Alan Gutierrez, Yaron Michael Hakim, Shaun Johnson, Sofía Londoño, Jesse Mockrin, Nora Riggs, Ellen Schafer, and Hiejin Yoo. The exhibition is on view through July 14 at BBQLA 2315 Jesse Street Los Angeles. photographs by Lani Trock
How do radical ambitions of “self-care” persist or depart from capitalist society’s preoccupation with wellness and the industry surrounding it, particularly when filtered through technological advances? How can we imagine personal wellness that complicates or diverges from capitalist and consumerist tendencies? Taking its name from the common valediction, which is both an expression of familiarity and an instruction of caution, take care, is a group exhibition that considers the many tensions surrounding the possibilities of self-care. Participating artists: Hayley Barker, Darya Diamond, Ian James, Young Joon Kwak, C. Lavender, Sarah Manuwal, Saewon Oh, Amanda Vincelli, and SoftCells presents: Jules Gimbrone. Gas is a mobile, autonomous, experimental and networked platform for contemporary art. take care will be on view through July 20, and can be seen from 12pm-6pm on Saturdays in front of BBQLA 2315 Jesse Street, Los Angeles CA 90023. photographs by Lani Trock
Shaniqwa Jarvis’ eponymous first book is now available at Arcana Books in Culver City. In this expansive monograph, Jarvis presents one hundred and sixty pages of editorial and personal work spanning two decades drawn from the photographer’s archive. This lovely hardbound volume published by Baque Creative features an introduction by photographer Ryan McGinley accompanied by a meticulous selection of pictures from her favorite personal series such as “Bathroom Portraits” - shot in the toilets of bars in the early 2000s - along with editorial work for clients like The Gap, The New York Times, Supreme, Billboard, and Riposte that includes portraits of SZA, Lee Scratch Perry, George Condo, Cardi B, and a few requisite selfies.
Ms. Jarvis’ work is known for blending the aesthetics of modern fashion photography with the sensitive, unfiltered emotion of art portraiture. In some of her best-loved imagery she captures vivid reality across a wide variety of subjects that always appear to be an extension of herself. The images speak to raw, disparate feelings imbued with a deep sparkling optimism. The photos in this collection are an invitation to join Jarvis on a journey to see the world from her vantage point - one that is female, black, tirelessly hardworking, and brimming with raucous, positive vibrations. These are images of celebrities who seem like best friends, vintage shots of downtown New York notables in their heyday, children, loved ones in all colors of the rainbow, and delicate landscapes and travel souvenirs. Here is sorrow and joy commingling in pictures, many of them highly autobiographical, all representing a progressive and optimistic world.
Will Boone draws inspiration from a breadth of cultural and subcultural sources. These include movies, music (especially the ethos and ephemera of punk), industrial manufacturing, conspiracy theories, and the bar and cattle ranching iconographies of Houston and South Texas. But Boone’s is not merely an appropriation-based project designed to lay bare sociological phenomena. Rather, he uses these elements to unearth latent archetypes in the American psyche, producing pictures and objects imbued with totemic energy. Garages, for instance, often serve the houses to which they are attached as “subconscious” spaces, depositories for excess possessions and sites where messy activities–like fixing cars or making art–take place. Garage, is the first solo exhibition Will Boone has presented at David Kordansky Gallery. The exhibition will be on view through July 7, 2018 at David Kordansky Gallery 5130 W. Edgewood Place Los Angeles. photographs by Oliver Kupper
Backlit Rainbow marks Torbjørn Rødland's first solo exhibition with David Kordansky Gallery. The exhibition features an installation of new medium- and large-scale color photographs, as well as the U.S. debut of Between Fork and Ladder, the artist’s first moving-image work in more than a decade.
Over the last twenty years, the Norwegian-born, Los Angeles-based photographer has produced a body of work remarkable for its cultural reach, its awareness of photographic history and technique, and its ability to press up against psychological, moral, and philosophical boundaries. Rødland’s images pointedly address their viewers and evoke a wide range of contradictory emotional and intellectual states. Curiosity, humor, pathos, criticality, artifice, reverence for the natural world, and romanticism appear throughout his work and often in the same photograph.
Autre is also pleased to announce that Rødland's work is featured on the cover of our spring 2018 issue, featuring a double interview of the photographer by both legendary art critic and Serpentine Galleries' director, Hans Ulrich Obrist and Autre editor, Oliver Maxwell Kupper. Click here to order your copy while supplies last! Backlit Rainbow will be on view through July 7, 2018 at David Kordansky Gallery 5130 W. Edgewood Place Los Angeles. photographs by Oliver Kupper
iiu Susiraja lives and works in Turku, Finland. This is her second exhibition with Ramiken, and her first exhibition in Los Angeles. Her work is now on view at the Rubell Family Collection in Miami in the group exhibition Still Human. She is currently an artist-in-residence at the ISCP in New York. 'What Am I ?' is on view through June 16 at Ghebaly Gallery 245 East Washington Boulevard Los Angeles. photographs by Lani Trock
This summer, LAXART will be welcoming the international art community to celebrate its newly revamped exhibition space, kicking off the celebration with a multi-week festival of events and a new site-specific mural by Barbara Kruger. Under the leadership of Director Hamza Walker, LAXART will share its newly expanded mission and reinvigorated programming. Founded in 2005, LAXART promotes developments in contemporary culture through exhibitions, publications and public programs, using contemporary art and performance as a means of understanding key issues of our time. For this launch, the exterior of the building has been visually adorned with a new site specific work by Barbara Kruger. Wrapping around the building’s façade, Untitled (It) speaks to the immediate central Hollywood environ with its pawn shops, peep shows, dollar stores, nail salons, marijuana dispensaries and currency exchanges—all nodes of identity, commerce and elements that define the unique urban topology of Los Angeles. The opening benefit included musical performances by Rob Mazurek and Ambrose Akinmusire, as well as a selection of works on auction by Liz Larner, Karl Holmqvist, Arthur Jafa, Glenn Ligon and Jonas Wood. Kruger’s Untitled (It) is on display from June 3 through Fall 2018. photographs by Oliver Kupper
Rick Lowe is one of nearly a dozen artists invited to give lectures as part of USC Roski's *Culture in Action: Conversations in Social Practice Art. In this series students, international visitors and guest speakers consider an evolving practice in a seminar based on questions each participant brings to the classroom. What conditions apply to critical art practice in the public realm and how do these relate to the urban, social and political? What is the relationship between art and democracy? What is the long-term sustainability of community-based socially engaged art? How do informal pedagogic, public address and dialogic strategies apply to students’ own practices in art, design, theater, intermedia, cinema, communications and urban planning, among others? MA and Ph.D. candidates from schools outside of Roski are especially encouraged to apply to support their specific professional development goals. The course includes intimate conversations, public lectures, field trips, group dinners and an opportunity to study alongside Norwegian artists and curators. This intensive experience is a collaboration between Roski School of Art and Design and KORO, Public Art Norway in Oslo. For more information and full schedule of events visit Roski. photographs by Lani Trock
Made In L.A., the Hammer Museum's exceedingly comprehensive biennial just celebrated the opening of its fourth installment, and it's decidedly the best one yet. Curated by the Hammer's senior curator, Anne Ellegood and Erin Christovale, the newest member of the Hammer's curatorial team, the show features 33 artists from widely diverse backgrounds who employ immensely disparate media and span an age gap of 68 years. While the biennial doesn't proclaim any particular theme, almost all of the work presented is new and was made in response to the predicaments of the present. Much has happened since the last installment of 2016, and our collective experience has been marked by devastating fires, hurricanes, earthquakes and drought, government-mandated religious bigotry, deportations sans due process, countless recorded accounts of police brutality against black and brown citizens, countless school shootings, etc. Heavily steeped in political and social response as it may be, though, there's nothing didactic or sanctimonious about it. Instead the thread that connects all of these works together is one that explores the idea of citizenship in the present moment. In it we see stories of our past, how they led to the present, how they define who we are, and determine what is in store. A collective moment to "count using only your breath" as taisha paggett instructs us to do on a handwritten note taped to a microphone. She is one of several artists who will be performing and activating the space throughout the run of the show. Throughout the summer there will also be numerous lectures and walkthroughs with the curators, so there are plenty of reasons to take your time and come back a few times. Artists featured include: Carmen Argote, James Benning, Diedrick Brackens, Carolina Caycedo, Neha Choksi, Beatriz Cortez, Mercedes Dorame, Celeste Dupuy-Spencer, Aaron Fowler, Nikita Gale, Jane Gordon & Megan Whitmarsh, Lauren Halsey, EJ Hill, Naotaka Hiro, John Houck, Luchita Hurtado, Gelare Khoshgozaran, Candice Lin, Charles Long, Nancy Lupo, Daniel Joseph Martinez, MPA, Alison O'Daniel, Eamon Ore-Giron, taisha paggett, Christina Quarles, Michael Queenland, Patrick Staff, Linda Stark, Flora Wiegmann, Suné Woods, and Rosha Yaghmai. To learn more about lectures, performances and programming related to Made In L.A., visit the Hammer. The exhibition will be on view through September 2, 2018 at The Hammer Museum 10899 Wilshire Blvd. Los Angeles. photographs by Oliver Kupper
In a quest to challenge our perceptions of materiality, objectivity, gender identity and medium, Alex Rojas has curated a group show that pushes the individual boundaries of self. Featured artists include Nasim Hantehzadeh, Carolyn Janssen, Larissa Lockshin, Erica Mahinay, Sophia Narrett, and Sarah Ann Weber. These works highlight the perennial and intimate connection with chaos inherent in human existence. Speaking to a desire for reason, these works provide intimate outlets for exploration and clarity through identity and physicality. The exhibition is on through July 1, 2018 at OOF Books 912A Cypress Ave. Los Angeles, CA 90065. photographs by Lani Trock
Charles Ray has divided the larger gallery, 522 West 22nd Street, into three rooms and installed a single sculpture in each one. Reclining Woman(2018), in the center of the main room, is machined from solid stainless steel. Presented in a relaxed pose on a rectangular steel base almost at eye level, the figure is slightly larger than life-size. The subject’s body has not been idealized, and every detail, from the toes on her feet to the mole on her cheek, is carved with a directness matched by her frank facial expression. Charles Ray: three rooms and the repair annex is on view through June 16 at Matthew Marks Gallery 522 W 22 Street and 526 W 22 Street New York. photographs by Adam Lehrer
Pace Gallery presents the first exhibition of Jean Dubuffet’s Théâtres de mémoire series in New York since 1979. The exhibition is curated by Arne Glimcher, the founder of Pace Gallery. “These gigantic collages are composed of overlapping papers, layer upon layer, where Dubuffet has tested their placement by moving the elements, adding, rearranging, and deleting images until an eventual perfect coalescence of the interlocking parts satisfied the artist,” says Glimcher. The Théâtres de mémoire is one of Dubuffet’s most important series of works, and contains some of the largest paintings he ever made. Each work is made up of smaller paintings, which the artist cut out and glued to the canvas. The paintings depict abstractions, landscapes, scribbles and figures from Dubuffet’s mind. For Dubuffet, each of the Théâtres de mémoire is a collection of actual places and scenes that crowd and conflict in our memory. The exhibition is on view through June 29th at Pace Gallery 510 West 25th Street New York. Photographs by Adam Lehrer
